Resistive Switching Characteristics on SiN/NiN Bilayer for Resistive Random Access Memory

Min Ju Yun(윤민주),Hee-Dong Kim(김희동) 대한전자공학회 2017 대한전자공학회 학술대회 Vol.2017 No.6

현철의 번역희곡 연구

윤민주(Yun Min-ju) 한국어문학회 2009 語文學 Vol.0 No.106

현대문학: 가정비극류 신파극에 나타나는 멜로드라마적 과잉(melodramatic excess)에 대한 연구 -1910년대 초기 번안소설 각색 신파극을 중심으로-

윤민주 ( Min Ju Yun ) 한국문학언어학회(구 경북어문학회) 2011 어문론총 Vol.55 No.-

家庭悲劇類 新派劇は長期間にわたって沒落しつつ蔑視しつつあったが、當時としてはとっても先進的な演劇であって、大衆的な人氣を得った作品であった。現代の觀點を持って、其の作品の價値や演劇史的な意義を優先に評價し、當時の興行上の成果や大衆の欲求そに次的なものとして無視したら、當時の新派劇の容貌を全般的に描くことはできないだろう。そして、この頃の家庭悲劇類新派劇が、女性の敍事の再現に關連して持つ社會的·文化的な談論は植民を規律する權力の意志と無關係なもので居られるわけにはいかなかった。要するに、植民地の近代社會に存在した現代的な演劇としての面貌と植民地の現實の中で政治的な目的が反映されることを避けられなかった時代的な意味を同時に察することが重要である。 1910年代の家庭悲劇類新派劇を評價することに置いてもっとも問題になる部分であり、もっとも肝心な部分であるのが'メロドラマ的過剩'と雲える。今まで家庭悲劇類新派劇から現れるメロドラマ的過剩の樣子は、特に感傷性や催淚性などと關連する感情過剩的な部分だけが浮刻されて、これはすぐに植民地人の退行的な感受性と照應して敗北的な歷史認識を固著化される演劇であったと言う否定的な結論につながった。しかし、メロドラマ的過剩の樣子は具體的な公演作品を通じて、より實際的に確認されなければなれないし、その意味もまた、より生産的に論意される必要がある。特に、番案小說 脚色 新派劇の場合、過剩の樣子が 1) 女主人公の道德的な過誤による``死·死の衝動``に關わる衝擊的な事件の發生, 2) 女主人公の受難を極大化される悲劇的な結末の登場の樣なかたちで、現れる事を確認できた。その結果、家庭小說は理想的な新家庭像を提示しながら、女性は家庭の中に編入してから、幸せを手に入れる事ができると言う主題を具現したのに對して、 家庭悲劇類は、破壞された樣に見える家庭像の中に編入されなかった、女性がどんなに悲劇的な運命のを持かの樣な論理を形象化した。これは女性が家庭の中に編入されなかったら社會的·道德的に救濟されないと言う一種の恐怖を呼びおこすから、最後の道德的に救濟を諦める方式を通じて、女性が家庭の中に編入されることを助長する論理を內包していた。そして、メロドラマ的過剩の修辭法は、小說のナラティブを劇的なものに變換させるための美的な裝置、つまり、近代的な視覺文化の形成と關聯のあるナラティブの再現と密接に關連されてあることが確認できた。また、メロドラマ的過剩は女主人公の感情を中心にする劇的なナラティブを表れるのに效果的であった。でも、これが、植民地的な道德律を傳播させる一種の政治的な機制として、感情の沒入を主導する危險性を抱えてある。これは當時の新聞記事文の敍事が持續的に提供してあった'姦婦·毒婦'の表象がメロドラマ的過剩を通じて、演劇の中に再現された事とも關連されてある。'姦婦·毒婦'に關する女性の敍事は、植民支の規律の勸力の意志と大衆の關心が效果的に共謀した地點であり、女性の無秩序と非合理性を秩序と合理性に代替させる隱密な監視の手段であった。

라비유 기야르(Labille-Guiard)와 비제 르 브룅(Vigee-Le Brun)의 초상화에 나타난 여성성 연구

윤민주 ( Yun Min Ju ),정금희 ( Jung Kum Hee ) 한국기초조형학회 2017 기초조형학연구 Vol.18 No.2

18세기에 프랑스를 중심으로 계몽사상의 발전과 함께 미술의 무대가 궁전에서 귀족과 상류층 시민의 사교생활과 저택으로 확장되었다. `살롱`을 통해 여성 중심의 감각적인 예술이 주류를 이루었고, 점차 여성의 지위가 높아지면서 공식적인 여성 예술가들이 두각을 나타내기 시작했다. 라비유 기야르(Labille-Guiard)와 비제 르 브룅(Vigee-Le Brun)은 최초의 프랑스 왕립 회화·조각 아카데미의 정식 여성 회원이었으며 궁정후원을 받는 화가였다. 그러나 나폴레옹 시대의 도래로 당시 유행했던 귀족 예술과 여성들의 권리가 주춤해짐과 동시에 여성이라는 이유로 외면당했고 미술사에서도 별다른 주목을 받지 못했다. 당시 여성의 역할은 남성 화가들의 모델에 지나지 않았다. 그러나 그들은 스스로 `객체`가 아닌 `주체`가 됨으로써 `주체적 자아`와 `모성`, 그리고 `귀족적 이미지`를 작품 주제로 뚜렷이 드러냈다. 결과적으로 그들은 새로운 `여성성`을 구현해내지 못했다는 한계가 있지만, 여성으로서의 사회적 한계와 범주안에서 창조적 주체로서 자아상과 여성상을 구현했다. 또한 혁명 이후 여성 화가들의 진보에 결정적인 영향을 미치면서 선구적인 발자취를 남겼다. 이 논문은 두 화가의 초상화 분석을 통해 그들이 추구한 `여성성`은 어떤 것이었는지에 대한 분석을 시도하고, 배경이 되었던 18세기 귀족 사회의 도덕관과 정서를 유추하는 가운데 선구적 여성 화가로서 두 화가를 재조명 하고자 한다. 그들의 초상화는 시대에 따른 `여성의 역할`과 `문화적 변화`를 뚜렷하게 나타내고 있으며, 당대 사회문화의 보편적 이념을 함축하고 있기 때문이다. 또한 18세기 여성의 지위 및 권리를 비롯한 시대적 특성을 지닌 역사적 자료로서 그 가치를 밝히는데 의의가 있다. With the Enlightenment in full swing the art scene quickly expanded from the royal palace to the homes and inner social circles of the aristocracy in mid 18th century France. Amidst this social change women artists became identified through the Salons (in particular, Academie de Saint-Luc`s Salon) as legitimate practitioners even as their status within society became more recognised. Among these, Adelaide Labille-Guiard and her contemporary Elisabeth Vigee-Lebrunwere the first women to be accepted into the Academie Royale de Peinture et de Sculpture and receive support from the royal palace. However, with Napoleon`s reign this rise in social status and recognition faltered and was altogether ignored by the political upheaval as well as later historians of art. The role of the woman in art was relegated to that of object or model, for male artists to express into art. However, these two artists took the role of artist not as object but as subject dealing with such themes as independent identity, motherhood and the aristocracy in their work. Although these artists did not succeed in establishing a new sense of femininity in the art world they did set a new standard of the female image as a creative identity in an otherwise limited social environment. Also, it can be said that they were pioneers in the development of women artists before and after the revolution. This paper looks into the portrait work done by these two artists and analysis what it meant to be a woman in those times, taking into consideration the social and cultural landscape of 18th century European aristocracy and how these women artists were torchbearers in that period of history. Their portrait work show the `role of women` and `cultural change` as well as the ideology of that era. In addition, this paper seeks to show the historical significance of the woman and her role in 18th century Europe in the same context.

불안정한 애착으로 인해 정서 및 행동의 어려움을 보이는 아동의 놀이치료 사례 연구

윤민주 ( Yun Min-ju ) 명지대학교 아동가족심리치료센터 2019 아동가족치료연구 Vol.17 No.-

본 연구는 모와의 불안정한 애착으로 인해 정서 및 행동의 어려움을 보이는 아동을 대상으로 놀이치료와 부모 상담을 통해서 자아존중감이 높아지고, 자신의 행동을 조절하며 주변 환경에 적응하는 과정을 보여주고 있다. 연구대상자는 모가 우울증을 앓고 있어 초기 양육환경에서 안정적인 애착을 형성하지 못하였으며 유치원에서 친구들에게 괴롭힘을 당해도 표현하지 못하고 수동적으로 행동하며 자존감이 낮고 자기표현이 부족한 여자아동이다. 아동의 놀이치료는 2016년 8월부터 주 1회 40분간 91회기를 진행하였고 부모상담은 매 회기별 20분씩 진행하였다. 치료과정을 통해 아동은 자신이 가진 내면의 어려움을 표출해내고 자신감을 회복하기 시작하였으며 엄마와의 지속적인 상담과 부모교육을 통해 긍정적인 양육태도를 가지도록 하여 모와의 안정적인 관계를 만들어 가기 시작하며 자아 존중감이 높아지고 또래관계에서 자기주장이나 적응적인 모습이 생기고 사회성이 향상되는 모습을 보여주었다. The study aimed to adjust their behavior and adapt to the surrounding environment through play therapy and parent counseling for children with maladapted emotion and behaviors cause by unstable attachment. The subject did not develop stable attachment and not able to express even when they were bullied by their friends in kindergarten due to maternal depression. From August 2016, play therapy was held for 91 sessions per week for 40 minutes, and parental counseling was conducted for 20 minutes for each session. Through the treatment, she began to regain her self-confidence, began to make a stable relationship with her mother, increased self-esteem, self-assertiveness and adaptive appearance in peer relations and improved sociality.

현철의 중역(重譯) 텍스트 「戱曲사로메」에 나타난 중층성의 징후들

윤민주 ( Min Ju Yun ) 한국문학언어학회(구 경북어문학회) 2014 어문론총 Vol.62 No.-

‘Double-translation’ is one of the major key words of Korean literature in translation around 1920 and it became an opportunity to create the texts having intertextuality in which several literatures are piled one above another by the transfer between literatures. SALOME written by Hyun Chul is a text having intertextuality in which several linguistic and cultural layers conflicts and are piled one above another through the process of transfer from the Sourse Text to the Medium text and then to the Target text. It is found that several signs of intertextuality imply all connections and disconnections between the texts based on the actual truth such as the situation where the Sourse text ‘SALOME’ is translated to various Japanese versions of ‘サロメ(SALOME)’, where the Japanese version of ‘SALOME’ written by Nakamura Kichijo, Hyun Chul’s recognition of modern theaters existing in the background and the reality of theatrical world in Korea. Double-translations frequently seen in the formative period of Korean modern literature are traces showing the Japanese literature in translation or the particularity of Korean modern literature which had to be affected by Japanese literature and the accomplishments that formed Korean modern literature under Japanese colonial rule. In this sense, double-translation is the trace of conflicts between the literature and cultures of Korean with those of modern Western countries and those of modern Japan intermediating among the two and the key factor which established Korean literature in translation as a kind of field of a fierce battle.

Ohmic Contact Characteristics of SWNT TCEs via the Microwave Treatmen

Min Ju Yun(윤민주),Hee-Dong Kim(김희동) 대한전자공학회 2017 대한전자공학회 학술대회 Vol.2017 No.6

텍스타일형 염료감응 태양전지의 효율증가를 위한 전극설계 및 전기적 특성분석에 관한 연구

이혜미,윤민주,김한성,Lee, Hye Mi,Yun, Min Ju,Kim, Han Seong 한국섬유공학회 2015 한국섬유공학회지 Vol.52 No.4

To enhance the flexibility and lightweightness of photovoltaic devices, we investigated the effect of titanium mesh as a photoelectrode for flexible dye-sensitized solar cells (DSSCs). We proposed the use of a pressing process to create the titanium mesh to increase the amount of incident light. The DSSCs with titanium mesh as the photoelectrode exhibited an energy conversion efficiency of 3.25% (at 1 sun, AM 1.5). To improve the performance of the DSSCs, we proposed double-layer structured counter electrodes, with one layer placed on the top layer of the photoelectrode and the other layer placed on the bottom layer of the photoelectrode. The double-layer structure resulted in an energy conversion efficiency of 3.04% (at 1 sun, AM 1.5).

텍스타일 형 염료감응 태양전지의 광전극 설계 및 전기적 특성분석에 관한 연구

이혜미,윤민주,김한성,Lee, Hye Mi,Yun, Min Ju,Kim, Han Seong 한국섬유공학회 2015 한국섬유공학회지 Vol.52 No.3

In this study, we designed and investigated textile-type flexible dye-sensitized solar cells (DSSCs) using titanium mesh as the photoelectrode. To improve the surface area of the $TiO_2$ photoelectrode and the performance of the DSSCs, titanium-oxide nanotubes (TNTs) were uniformly grown on the surface of the titanium mesh using anodization. The TNTs were tens of micrometers in length, which contributed to the absorption of sufficient light and effective transfer of electrons. We studied the effect of TNT growth on the DSSCs, and found that the power conversion efficiency of the DSSCs increased from 1.9% to 3.2% upon increasing the length of the TNTs on the surface of the titanium mesh.

압축공기를 이용한 3차원 부직포 구성섬유의 배향구조 형성에 관한 연구

노현우,윤민주,조기순,김한성,No, Hyun-Woo,Yun, Min-Ju,Cho, Ki-Soon,Kim, Han-Seong 한국섬유공학회 2010 한국섬유공학회지 Vol.47 No.5

3-dimensional nonwoven fabrics show high loft performance owing to their dominant fiber orientation in the thickness direction. A high loft performance is a fundamental requirement for applications to cushion materials and pre-filters etc. In this study, the process was optimized to obtain 3-dimensional nonwoven fabrics with improved physical properties. The process conditions, such as the distance between the air ejection nozzles, compressed air pressure and web sustaining mesh size, were examined to develop a fiber orientation in the thickness direction of nonwoven fabrics. The mechanical properties and fiber orientation distribution function (ODF) were compared.