근대계몽기"여성"담론의 형성과 계기들

유정숙 ( Jung Suk Yoo ) 한국언어문화학회 2009 한국언어문화 Vol.0 No.40

This paper is an attempt to trace back the emergence and the formation (the constitutive factors) of the discourse on women in Taekeukhakbo during the Korea`s enlightenment period, more precisely, in 1905-1910. Taekeukhakbo is the major academic journal during that time. In order to examine the socio-historical conditions and the constitutive factors of women`s discourse in Taekeukhakbo, this work should be understood/dealt within the context of the making of modern `nation-state` discourse and civilization-enlightenment. Obviously, they are the major dominant discourses during that time. This paper will mainly deal with the following topics: how they define `women`; what is to be women; what are women`s duties and positions in the social reality of the time; what is a good mother and wife; in what context, the discourse of good mother and wise wife are produced and mostly needed; how `real` women writers as historical beings acted and reacted to those dominant female`s values and social norms. Initially, the discourse of women in Taekeukhakbo operates in the framework of the concepts and ideologies on modern nation-state and civilization-enlightenment. Within doing so, Korean `women` emerged as new gungmin(國民, the citizen of nation-state) in the public communication world of Korea. Korean women are identified as gungmin (identification). To create the new identity of modern women, they often utilize a series of contrasts; duality, opposition, and symmetry. In this sense, western women are modernized (civilized women) and educated, which are the representations of ideal women. In this discourse, Korean women are often described as slave for or inferiors to Korean men. More importantly, the discourse of Korean women and its constitutive principles often present paradoxes. For example, Korean women are equal as gungmin like men. They, however, are to be gendered gungmin such as wise mothers and good wives excluded from the society. The women`s discourse in Taekeukhakbo are constructed through either the difference or equality of gender.

터키에서 한류의 시작과 발전 양상 연구 -한국 드라마를 중심으로-

유정숙 ( Yoo Jung Suk ),젱기제르에즈기 ( Cengizer Ezgi ) 우리어문학회 2019 우리어문연구 Vol.65 No.-

터키 한류의 시작과 발전에 있어 터키 텔레비전에서 방영된 한국 드라마의 영향력과 역할은 매우 중요하다. 터키에서 한류의 시작은 2005년 사극 <해신>과 <대장금>, 그리고 <궁>이 대중의 관심을 끌면서 본격화되었다. 이후 <선덕여왕>과 <주몽>의 선풍적 인기로 그 기세는 더욱 거세졌다. 그러나 동남아시아에서처럼 터키 한류를 일으킨 것은 현대극이 아니라 역사극이었다. 대부분 역사극이 방영된 이유는 보수적이고 전통적(무슬림)인 터키 사회의 특성 상 현대극보다는 사극이 더 적합했기 때문이다. 이후 한국 드라마는 터키 국영/민영 공중파 채널로 점차 확대 방영되면서 소재와 시대 면에서 한층 다양해졌다. 또한 터키 텔레비전에서 한국 드라마의 리메이크는 2011년을 시작으로 현재까지 활발히 이루어지고 있다. 리메이크 성패를 좌우하는 데 있어 원작 시나리오를 현지의 문화와 감성에 맞게 각색하는 것은 대단히 중요하다. 터키 드라마의 한국 드라마 리메이크 현상을 통해 한류라는 것이 기본적으로 두 나라 사이의 문화적 교류와 소통의 산물임을 알 수 있다. 이처럼 2005년 첫 방영 이래 터키 국영과 민영 공중파 채널에서 지속적으로 방영되고 있는 한국 드라마에 대한 인기와 한국 드라마 리메이크 유행은 터키에서 한국 드라마의 경쟁력이 높아짐과 동시에 한국 드라마가 글로벌 대중문화 콘텐츠로서 인정받고 있음을 말해준다. 터키에서 한류 문화 중에서 한국 드라마는 한국과 터키 간 문화 소통과 교류를 확대하는 촉매제 역할을 하고 있다. 이 논문에서는 터키에서 한류의 시작과 발전에 있어 한국 드라마의 영향력과 역할을 구체적인 자료 조사와 함께 현지의 사회, 문화적 맥락과 연관 지어 자세히 설명하고자 하였다. 터키에 수용된 한국 드라마에 대한 구체적인 현황과 특징을 중점적으로 다룬 이 논문은 기초 자료 연구로서의 의의를 갖는다. The influence and role of Korean dramas is very huge and remarkable in terms of the beginning and development of Korean wave in Turkey. In other words, Korean wave in Turkey started along with the popularity of Korean historical dramas on Turkish televisions in Turkish society. It reached the peak around in 2010 after the huge success of the drama < Queen Seon Duk > and < Jumong > in 2009 in Turkey. The quite interesting point, however, is that the Korean wave started with the popularity of Korean historical dramas not with Korean modern dramas. It appears that Korean historical dramas would have been well accepted to Islamic and conservative/traditional Turkish society, compared to Korean contemporary dramas. Later on, the broadcasting of Korean dramas in Turkey was able to be possible both in public and private televisions, thanks to the increasing of the popularity of and interest in Korean dramas. On the other hand, it is quite interesting that Many turkish dramas have been re/made from Korean dramas since 2011. Until now, there are 33 Turkish remake dramas. The major key in the success of remaking dramas is to change and adapt the original into Turkish culture, custom, and the sensibility of Turkish people. The Korean wave in Turkey can be seen as the result or product of the cultural exchange and communication between two countries through the phenomenon of Turkish remake dramas. By broadcasting Korean dramas on Turkish publish and private television channels and the phenomenon of remake Turkish dramas from Korean dramas, we could tell that Korean dramas have gained the popularity in Turkish drama market and increased its global and international competitiveness in the world. Korean dramas have been recognized as a global popular cultural contents. Relating to the expansion of Korean wave in Turkey, Korean dramas played an important role in improving and developing the cultural exchange and communication between Korea and Turkey.

터키 대학에서의 한국문학 교육 현황 및 교재 분석 - 터키 에르지예스 대학교 <한국어문학과>를 중심으로 -

유정숙 ( Jung Suk Yoo ),( Hatice Koroglu Turkozu ) 한국어문학국제학술포럼 2018 Journal of Korean Culture Vol.41 No.-

터키에서 현재 한국문학 교육이 전공과목으로 실시되는 대학은 세 곳이다. 1989년 앙카라 대학을 시작으로 2000년 에르지예스 대학에 이어 2016년에는 이스탄불 대학교가 한국어문학과를 개설하였다. 이외에도 터키 내 여러 대학에서 한국어문학과를 신설하려고 하고 있다. 그럼에도 불구하고 터키에서 한국문학에 대한 인지도는 낮은 편이며 한국문학 교육에 관한 연구나 교재 개발도 매우 미흡한 수준에 머물러 있다. 이 논문은 터키 대학에서 이루어지는 한국문학 교육 효과를 제고하고 발전 방향을 모색하기 위해 터키 에르지예스 대학 한국어문학과의 학부 과정 및 대학원 과정에서 실시되는 한국문학 교육의 구체적인 현황 및 문제점을 살펴보았다. 또한 이 대학에서 실제 사용하고 있으며, 터키에서 처음으로 편찬된 Modern Kore Edebiyati Tarihi 교재를 자세히 분석하였다. 이 교재는 하티제 교수가 터키어로 쓴 한국 현대 문학사 책으로, 19세기 말 개화기에서부터 2000년대까지의 한국문학을 10년 단위로 끊어 시대적 특징과 장르별 작가 및 작품 등을 알기 쉽게 설명한 책이다. 터키 학생들에게 한국문학을 강의할 때 가장 필요한 교재가 앤솔로지와 문학사 책이니만큼 이 책은 앞으로 터키 대학에서 널리 활용될 수 있을 것이다. 그러나 다루는 시기가 방대한데 비해 책의 분량이 적어 문학사에 대한 기술이 전반적으로 소략하고 단편적인 측면이 있다. 터키 대학에서 한국문학 교육을 확대하고 발전시키기 위해서는 우선적으로 현지의 특성을 감안한 다양한 교과목이 개발되어야 할 것이다. 특히, 한국어 중심으로 교육과정이 운영되는 터키 대학의 경우 한국문학을 한국어 교육과 접목시킬 수 있는 교과목 개발이 필요하다. 또한 한국문학 교육에서 필요한 교재는 다양하므로 앞으로 앤솔로지, 작가 및 작품 선집, 문학사, 한국문학 번역서 및 안내서 등의 개발 및 출판이 활발히 이루어져야 한다. 마지막으로 터키인을 위한 한국문학 교재 개발 및 편찬 과정에는 해당 국가 및 학습자의 특징의 반영과 함께 무엇보다 한국인 및 터키인 교수가 함께 공동으로 참여하는 것이 효율적이며 바람직할 것이다. Three national universities in Turkey offer Korean literature classes; Ankara university in 1989, Erciyes university in 2000 and Istanbul university opened up in Korean language and literature department in June, 2016. In recent years, some more universities in Turkey have planed to open Korea related department. However, the recognition and popularity of Korean literature in Turkey remains relatively low and the research and textbook development regarding Korean literature in Turkey has been limited and scarce as well. Aiming at the promotion and expanding of effectiveness of Korean literature education in Turkey, this paper examined the education program of Korean literature at Erciyes University, Turkey and its problems. Moreover, it analyzed the textbooks of Korean literature at that institution. The textbook of modern Korean literature history, Modern Kore Edebiyati Tarihi written by Hatice Koroglu Turkozu, will be widely used in the universities in Turkey. The book is the first Turkish book on Korean literary history in Turkey. However, the historical explanations of this book is simple and limited, so that Turkish readers would be difficult in clearly understanding Korean literature. The most important thing is to develop a wide variety of textbooks and teaching materials on Korean literature in order to expand and promote the education of Korean literature at universities in Turkey. There are many different kinds of textbooks on Korean literature in great need at an university in Turkey. It is effective and ideal for Korean and Turkish teachers to collaborate in the course of developing and writing of Korean literature textbook.

음식물쓰레기의 발효건조 퇴비화 특성 연구

유정숙(Jung-Suk Yoo),오승용(Seung-Yong Oh),이만희(Man-Hee Lee),윤영만(Young-Man Yoon) 한국토양비료학회 2017 한국토양비료학회 학술발표회 초록집 Vol.2017 No.5

페미니즘 문학 비평에서의 여성 “재현 담론”의 역할과 방향

유정숙 ( Jung Suk Yoo ) 우리어문학회 2008 우리어문연구 Vol.31 No.-

기독교 소설의 빛과 어둠: 신앙성과 대중성의 사이에서

유정숙 ( Jung Suk Yoo ) 한국언어문화학회 2013 한국언어문화 Vol.0 No.51

The 1980s were the glory days of “religious fiction” in modern Korean literature. This unexpected phenomenon was in line with the religious books “boom” in the publishing world, despite Korea’s prolonged economic recession. A wide range of religious books, especially Christian fictions, were sold and attracted the public``s attention and interest. This popularity was attributable to the huge success of the Christian novel《Come Low unto Us》, published in November, 1981, by Yi Cheong-jun, a Korean representative novelist. This novel was a big hit and was made into a movie, which also achieved huge commercial success. In this paper, I examined the religious meaning of《Come Low unto Us》and related it to the historical and cultural contexts of Korean society around the time of its publication. I also explored the question of the relationship between Christianity and popularity in Korean society and culture. The novel《Come Low unto Us》was based on the real story of the blind pastor An Yo-han, who had opened his “soul eye” after he had lost the sight of his “physical” eyes. He practiced his Christian faith in interaction with poor people, sharing their sufferings and ordeals and opening his warm heart to them. This novel demonstrates a proper Christian life. An Yo-han’s life called into question whether Korean churches practiced God``s love, especially toward the poor and the lower classes in Korean society. In the story, An Yo-han maintains that a church should not be a place in which parishioners petition for God``s blessing and pastors, but it should be a place of unity and compromise. The story suggests that Korean churches should open their eyes to the plight of the poor and marginalized and practice God’s love and care for them. In short, it criticizes the materialism and secularization in the Korean churches at that time. On the other hand, the novel《Come Low unto Us》earned popularity. It was a “steady-seller” and “super best-seller” in the 1980s in the Korean publishing world. It was also made into a movie and played everywhere in theaters and churches. The movie drew audiences totaling 110, 500 people. It was a huge success. The reason behind this success was that Korean people had become more and more interested in true religious belief and living a spiritual life, which were in contrast to the empty and materialistic ideology of the day, an ideology and had produced distrustful people in a capitalist and competitive society. The media and those who read the book paid much attention to this blind Christian``s spiritual experience and victory through faith. The popularity of Christianity was developed and characterized by its spirituality and mysticism. The success of the movie《Come Low unto Us》ushered in the trend of Christian-themed movies in the 1980s. The general theme of these movies was the spiritual victory of a Christian over hardship and suffering through his Christianity. 《Come Low unto Us》exemplifies the light and darkness of Korean Christian literature in the 1980s. Its spirituality and popularity expose the characteristics and limitations of Korean Christianity. More importantly, its popularity reflects aspects of Korean people``s ‘general’ understanding of Christianity and aspects of Christian popular culture in Korean society at that time.

거대억새를 이용한 기질과 접종액의 비율에 따른 메탄생산퍼텐셜 연구

유정숙(Jung-suk Yoo),김창현(Chang-Hyun Kim),오승용(Seoung-young Oh),최정호(Jung-ho Choi),윤영만(Young-Man Yoon) 한국토양비료학회 2016 한국토양비료학회 학술발표회 초록집 Vol.2016 No.3

김훈 소설에 나타난 죽음의식 연구

유정숙 ( Jung Suk Yoo ) 한국언어문화학회 2010 한국언어문화 Vol.0 No.42

This work examines the attitude and consciousness toward death in Memories of the Earthenware with a pattern of the Teeth of a Comb and Songs of the Sward by Kim Hun. This paper analyses the characteristics and significance of death in those two works. The subject of death itself is regarded as a universe theme in literature. Likely, the writer, Kim Hun also uses the theme of death across the literary works. With the insight and imagination, he creates the very unique forms and concepts on death within Memories of the Earthenware with a pattern of the Teeth of a Comb and Songs of the Sword, respectively. Previously stated, death is a main theme in the two novels. The heroic death and the detailed explanations regarding the death are functioned as the key factor for the making of the subject in the works. In this regard, this article focuses on the heroic perspectives and attitude toward death; General, Lee Soon Sin and a fire-fighter, Jang Chul Min, a point of view of narrater toward their death and the various discourse on death; lastly, characteristics and significance of death in each work. For a instance, in Memories of the Earthenware with a pattern of the Teeth of a Comb, the protagonist Jang Chul Min`s death is transformed into a `natural death` from the unknown. Similarly, in Songs of the Sword General Lee`s the `famous` death in history is changed to the `uncanny` death. In doing so, this paper reveals the particularity and uniqueness in terms of the characterization of the death in Kim Hun`s literature, in which the consciousness ofdeath is directly linked to his attitude and idea on life and death, more importantly, the dialectic relation between life and death in human being. In his works, death and life is inseparable. Primarily, Kim hun creates natural death, which is caused by its own life. In this sense, especially the novel of Songs of the Sword contributes to de/mystifying General, Lee Soon Sin`s heroic death and its beliefs, long widely accepted in Korean history. His works successfully achieves the speciality and universality in terms of literary aesthetics.

거대억새(Miscanthus sacchariflorus)의 혐기소화를 위한 메탄생산 퍼텐셜 분석

유정숙 ( Jung-suk Yoo ),김창현 ( Chang-hyun Kim ),윤영만 ( Young-man Yoon ) 한국환경농학회 2017 한국환경농학회지 Vol.36 No.1

BACKGROUND: This study was carried out to assess a biochemical methane potential of giant miscanthus (Miscanthus sacchariflorus) which was a promising candidate energy crop due to a high biomass productivity, in order to utilize as a feedstock for the biogas production. METHODS AND RESULTS: Giant miscanthus was sampled the elapsing drying time of 6 months after harvesting. TS (Total Solid) and VS (Volatile Solid) contents were 94.7 and 90.8%. And CP (Crude Protein), EE (Ether Extracts), and CF (Crude Fiber) contents of giant miscanthus were 1.4, 0.46, and 46.12%, respectively. In the organic composition of giant miscanthus, the NDF (Neutral Detergent Fiber) representing cellulose, lignin, and hemicellulose contents showed 86.88%, and the ADF (Acid Detergent Fiber) representing cellulose and lignin contents was 62.91%. Elemental composition of giant miscanthus showed 47.75%, 6.44%, 41.00%, and 0.28% for C, H, O, and N, respectively, and then, theoretical methane potential was obtained to 0.502 N㎥ kg^-1-VS_added. Biochemical methane potential was assessed as the range of 0.154∼0.241 N㎥ kg^-1-VS_added resulting the lower organic biodegradability of 30.7∼48.0%. CONCLUSION: Therefore the development of pretreatment technology of the giant miscanthus was needed for the improvement of anaerobic digestability.

논문 : 나혜석과 기독교; 여성의 자아와 종교적 영

유정숙 ( Jung Suk Yoo ) 한국문학과종교학회 2013 문학과종교 Vol.18 No.2

이 논문의 목적은 한국 근대 여성 문학사에서 ‘여성 작가 1세대,’ ‘여류 문인 1기’로 불리는 나혜석의 문학을 기독교와의 연관 아래 다시 읽고, 그 관련 양상을 구체적으로 살피는 데 있다. 여성의 자아와 타인에 대한 인식과 태도, 나아가 인생과 세계에 대한 가치관 형성에 기독교 신앙심과 기독교 정신(윤리)이 구체적으로 어떤 영향을 미쳤으며, 그 의미는 무엇인가를 규명하고자 하였다. 나혜석의 대표적 자전적 작품인 「경희」에서 여주인공 경희는 ‘하느님의 딸’로 자신을 새롭게 인식하고 인간으로서 자기 자신을 정립한다. 또한「회생한 손녀에게」에서 할머니는 하느님의 복음을 몸소 구현하는 신앙적인물이다. 이때 무엇보다 눈에 띄는 것은 이들 여성 주인공에게서 공통적으로 나타나는 고양된 ‘종교적 정신성’에 있다. 기독교적 신앙심에서 발원된 자기에 대한 긍정적, 주체적 인식과 그에 상응하는 고양된 정신 상태 는 자신뿐만 아니라 타인, 더 나아가 삶과 미래에 대한 무한한 신념과 열정을 생성하였다. 여성 주인공들의 이러한 태도와 심리는 기독교 신앙심과 연동되어 나타난다. 경희는 “자기 자신을 조선 사회의 한 여자보다 먼저 우주 전 인류의 여성”으로 자각하면서 “전 인류에 대한 깊은 사랑과 애착심”을 표출하였다. 이러한 신념과 열정은 그의 문학과 삶에 드러나는“개척자로서의 여성 정체성”과 맞물려 있다. 나혜석 문학에서 기독교는 전통적 가부장적 구조와 유교적 이념 속에서 종속적이며, 수동적인, 억압적인 삶을 살았던 당시 조선 여성들이 독립적이며 주체적인 인간으로 거듭나 새로운 삶을 추동하도록 하는 내적인 힘이었다. 나혜석의 초기 문학에서 기독교는 단순히 개인의 영적 구원을 위한 신앙으로 제한되지 않는다. 그녀는 조선 여성의 삶과 현실의 문제에 기독교를 부단히 연계하면서, 그 정신과 윤리를 적극적으로 활용하고 실천했다. This paper examines Na Hye-seok`s understanding and expressions of women`s selfhood in relation to Christian spirituality. In particular, it investigates the question of how the Christian religion affected Na Hye-seok`s perspective on herself and life. In Na Hye-seok`s literature, Christianity gives women the opportunity to raise questions on the nature of their existence, their passive way of life, and the traditional patriarchal society that tamed them into such obedient, helpless beings. Such a Christian spirituality produces passion and belief in oneself and in life, which in turn becomes a source of energy for change, especially for women to exercise their autonomy and subjectivity as female individuals. For women, Christian spirituality results in their realizing their own selfhood and establishing their autonomy and independence in society and the family. In Na Hye-seok`s writings, women`s new attitudes and determination regarding their identity and lives derived from their religious spirituality and relationships with God.