새로 발굴한 금병연(金炳淵)의 과체시(科體詩) 검토

유년석 ( Yeon Seok Ryu ),양동식 ( Dong Sik Yang ) 한국고시가문학회 2006 한국시가문화연구 Vol.0 No.18

매계(梅溪) 조위(曺偉)의 <만분가(萬憤歌)> 연구(硏究)

유년석 ( Yeon Seok Ryu ) 한국고시가문학회 2002 한국시가문화연구 Vol.0 No.10

기획 논문 : 한국고시가문학회 연구 활동 15년 ; 『금립시집(金笠詩集)』 편찬(編纂)의 문학사적(文學史的) 위상(位相)

양동식 ( Dong Sik Yang ),유년석 ( Yeon Seok Ryu ) 한국고시가문학회 2007 한국시가문화연구 Vol.0 No.19

歌辭歷史의 時代區分 巧

柳年錫 順天大學校 1988 論文集 Vol.7 No.1

It must be difficult to draw clearly the division into periods of kasa literature. However, above all, the historic division into periods of it should be studied in order to figure out it more simply and systematicaly. According as it is being studied up to now, the opinions of historians and the results of them are observed as followings: First, to adhere only to an absolute criterion in clarifying historic phenomena must be sublimated. Second, the historic facts ought to be explained in the view of relations of time and space. Third, the division into periods ought to be carried out in accordance with logical consistency. According to the above observation, the historic division into periods of Kasa can be arranged as followings: 1) Kasa in the the earliest (from the Kirea dynasity to Chung Gukin) 2) kasa in the developing (from 1482 to the invasion of Japan) 3) Kasa in the prosperity (from 1592 to king Kyung-Jong) 4) Kasa in the maturity (from 1724 to kabokyungjang) 5) Kasa in the decline (from 1894 to present)

17세기 歌辭文學 硏究

柳年錫 순천대학교 지역개발연구소 1990 地域開發硏究 Vol.1 No.-

The following is the result of investigating the background of the 17th C KASA Literature, the classification of works, the corresponding author and work, and its significance in the history of Literature. The calamity of literati and partisan conflict deepened since King Yeon-san era brought about Yim Chin Wae Ran(Hideyoshi's Invasion of Yi Dynasty in 1592) and Byung Cha Ho Ran(Myung China's Invasion of Yi Dynasty in 1636). Suffering from the foreign invaders, the people got to realize the incompetence of administrators and Yang-ban (aristocrats), and thus to call for self-reflection & awakening. As a result, there was a radical change in the form and content of the already-existed Kasa. Moral, preceptive and nature-loving works drastically decreased in numbers but society-criticizing and patriotic works increased with themes adapted into daily routine or living-making tedency. This is termed ‘Developing period of Kasa’ particularly ‘Days of fruitage’ named by Lee, Sangbo. The creative KASA begueathed us 23 authors and 45 pieces. Out of the authors, the debut of Park, In-ro is worthy of noting. His poetical compositions entail the feeling of identity with grassroots, so that it enlarged the territory of korean literature. It is easily found through the comparison of Chung, Chul's works, representative of early period, and Park, In-ro's that change in form and content was attempted. The former is that of for malities and recitation tones, while the latter is that of narration and prose. The significance in the current literature history is that the change in form and content, and in an author group, which was the aftermath of the people’s awakening provoked by the Yim-chin Wae Ran and Byung Cha Ho Ran, and the advent of practical science, eventually provided a big cornerstone in the development of Korean literature.

<靑山別曲>의 構造와 內容

柳年錫,任在彬 順天大學校 師範大學 附屬 科學敎育硏究所 1998 科學과 敎育 Vol.6 No.-

The <Cheong-San-Pyol-Gok> is the best prominent masterpiece of Songs and Poems of Koryo. And it has obtained good results than any other Koryosokyo. In spite of the previously various study, there has been diversities of opinion about word meanings, structure, the problems of presumptive authors, and the theme. We have had difficulty in analyzing the content and the theme because we have a little bibliography about <Cheong-San-Pyol-Gok> and the author and the written date was not known. There are four steps in composition (i.e. the introduction. the development of the theme, conversion and summing up) in side of structure, flowing of a poetical imagination and there are three parts in side of moving space. Finally I am proud of researching this work. I am sure that <Cheong-San-Pyol-Gok> is the best prominent masterpiece as though the author and the written date was not known.

18세기 歌辭文學 硏究

柳年錫 순천대학교 어학연구소 1991 어학연구 Vol.3 No.-

In this paper, forming-background, classification of writers and works and significance in the history of literature of 18th's KASA literature are studied. 18th century is the revival period of learning of the late stage of Cho-Son, especially during Young and Jeong dynasty. There came the recognition of common people inwardly, and the foundation of modern literature sprit was hardened through civilization by practical science and Catholic outwardly. KASA literature had greatly improved with other genre, a lot of writers worked, the number of famous workers was 78 and 13 kinds can be seen in contents. The form and contents of KASA during the period had been changed very much. In it was changed into a long KASA and a sing KASA owing to irregularity and the trend of prose and in contents, a lot of works were related with the real life of the common people and base on men's dignity and equality. In the light of the meaning of literature history, the common people were awakened by the development of practical science and Catholic and the mature modern literature spirit settled down on literature works and produced fruit. Accordingly KASA literature could be spread out with new shape in content, form and writers.

20세기 歌辭文學 硏究

柳年錫 順天大學校 1992 論文集 人文社會科學篇 Vol.11 No.-

Kasa in the declining stage since Kabokyungjang began through Kasa of patriotic enlightenment mentioned in Doknipshinmun and Daihanmeilshinbo and then Changeu Kasa related with the spirit of resistance to Japan of Gobyungjung-Kasa and Hoishimka etc…And Kasa for propagation of religion, Kasa for excursion and Kasa for retrospection epics etc. appeared. This article is to survey the background of the times, the classification of works, writers and their works, and the sense of cultural history during the period. Though depending on the power of foreign countries, the will of civilization of the age had been realized in organizations, and national resistance and independent desire had arisen beford the adverse fate of national ruin. The writers mainly were the men of high intelligence and of religion, and their works had rich fruitions amounting to one hundred sixty-two. However, since there did not appeat rising writers, and the works which the writers of old generation had written were reactonary, they had not maintained the funtions of poem and song any longer, and they had been decayed in result. In the sense of cultural history the works which had reflacted the resistance age had inpired a national "trouble lot below" owing to religious rescues. In the sense of poetic history Kasas had a funtion of mother's womb in the appearence of Changka, new-style poetry, and prose poem.

19세기 歌辭文學 硏究

柳年錫 順天大學校 1991 論文集 人文社會科學篇 Vol.10 No.-

This study researches historical background, division of works according to contents, authors and works, and literary meaning of the literature of the 19th C KASA. The historical characteristics of the times are the confusion of position system and the appearance of the humble classes. Especially, the rising of middle classes with the center of official interpreters and intensification of position movement had affected social members of the latter term of Chosen dynasty and brought the change of job consciousness. As classes enjoying KASA become various, the 19th C KASA had a great change in content and form. As the result, content treated realstic problems very much, form became longer and a lot of works were created. Present certified somebodies are 60 and the works are 111. Especially, Roman Catholic father Choi yang-up wrote 22 catholic KASAs and used them in preaching. Choi Jae-woo worke 10 Dong Hak KASAs to overcome the troubled situation. These religious KASAs are the reflection of the rebellious spirit of times and bear a part in inspiring national consciousness and subliming the nation from realistic trouble to religious salvation. With the side of the meaning of literature history, practical science and western science were furthered and common people's modern literature spirit recognized by the science were ssettled on the KASA works and the contents become affluent.