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        조선후기 댕기의 조형성을 응용한 의상디자인 연구

        유금화(Yu Kum-Wha),임서연(Lim Seo-Yeon) 한복문화학회 2006 韓服文化 Vol.9 No.1

        Accessory is a tool decorating the body. In other words, there is use for it but one adheres it to the body to make one more beautiful. These accessories directly reflect the characteristics and ideologies of that country, and a study about them is an important role to understand a certain nation. Among many accessories our ancestors loved, Daengi was the most regular and representative hair accessory for unmarried male and female in Chosun dynasty, and is the most important characteristic in the history of clothes and accessories of Chosun dynasty. In this perspective, this dissertation aims on expressing the essence of aestheticism that only our people have by identifying the uniqueness of accessory and atterns in the traditional Daengi of Korea and connecting it to modern clothes.<br/> As for research content and method, accessory and representative works with creative motive of Chosun dynasty that remains until now were analyzed and its modelistic characteristics were identified, and then connected to all kinds of cocktail dress(for domestic and international events) whose importance is growing day by day in modern life after deducing most implicating modelistic factors.<br/> Based on such conclusions, introduction of our traditional pattern and decorative technique holding an abstract and symbolic meaning on modern clothes was able to emphasize the creativeness in developing new designs, and raised the competitiveness of our outfits in the world much higher.<br/> Diverse expression techniques appearing in Daengi that directly reflects our cultural mental world can be redesigned and recreated in many ways to go along with the phase of modern era, and can be suggested as a new solution to approach development of design demanded in the modern era by inheriting our own unique cultural tradition.

      • KCI등재

        조선시대 궁궐 단청(丹靑)이미지를 활용한 의상디자인 연구

        유금화(Yu Kum-Wha),김태연(Kim Tae-Hyun) 한복문화학회 2008 韓服文化 Vol.11 No.3

        The main purpose of Dancheong was to prevent the corrosion of wood by coating the surface of buildings with paint, and secondary purpose was to make it look beautiful. Dancheong is especially praised for its various colors among our ancestors' cultural assets. The beauty of Dancheong lies in the unordinary harmony of primary colors, using various color contrasts and strong chroma contrasts. Based on this, it was reorganized as a fashion design by using the splendid colors, patterns and feelings of solidity shown in the Dancheong of the Joseon dynasty. Conclusions of this study are as follows. First, a unique value could be introduced in clothing by mixing traditional Korean images and modern senses based on the pattern of Dancheong. Second, the splendid colors of the Palace Dancheong of the Joseon dynasty were expressed with the contrast of complementary colors using the five traditional Korean colors and compound colors. Third, the traditional beauty of Dancheong was expressed with materials such as silk satin, cotton and nylon, and its detailed and decorative beauty was expressed through a braiding method and strand releasing.

      • KCI등재
      • KCI등재

        고구려 고분벽화의 사신도를 응용한 의상디자인 연구 - 발염을 중심으로

        한정인(Han Jung-In),유금화(Yu Kum-Wha) 한복문화학회 2009 韓服文化 Vol.12 No.3

        In this study, I choose Goguryeo’s ancient tomb mural as a competitive material, introduce its potentialities. It need identified cultural heritage to make globalization of traditional culture. "Sa-sin" mural has been estimated most beautiful painting in Goguryeo’smurals, because it use various printing techniques on "Denim" material. I reinterpret this "Sa-sin" mural to make historical and modern art work. I painted "Sa-sin" mural (that is a motive of my work) on modern dress, using "Denim" materials and dyeing techniques. I studied many processing techniques to reconstruct "Sa-sin" mural. Based on basic background, I reconstructed Sa-sin’s pattern of Goguryeo’s mural, introduce it in modern dress. I used feature of "Denim" material to make shape of Sa-sin. That feature is discharge printing which has similar effect of hand washing. Using "Denim" and "chiffon" materials I made 8 dresses that referred Goguryeo’s mural. Using discharge printing to Denim which is main material, I printed "Sa-sin-do" on dress. "Sa-sin-do" is a mural on "Kangsudaemyo" and "Kangsujoongmyo", consist of blue dragon, white tiger, "Joo-Jak", "Hyun-moo".

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