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      • 재즈 연주와 목관악기 5중주와의 적용 연구

        오세란 상명대학교 디지털미디어대학원 2008 국내석사

        RANK : 1855

        The idea for this project started out of my love for the woodwind section in the orchestra-especially in some o fmy favorite orchestral pieces. As I did more research on woodwind quintets. I realized that there was not as vast a repertorie as say for string quartet. Therefore, there was a lot of trial and error involved, but once everything worked out, the richness and sonority of this ensemble in unmatched by any other ensemble of its size. The compositions on this record for the most part feature my jazz quartet plus a modified woodwind quintet. By modified, I mean that there is a bass clarinet instead of French horn. I felt that sonically the bass clarinet mixed with the ensemble with more ease thatn the French horn. Also, there were more compositional possibilities with the bassoon and bass clarinet together. I would like to explain the small orchestral arrangement analysis of Jazz song and woodwinds quintet and the of "For the future" and "Utopia" as a piece written, composed, arranged, sequenced and recorded by me. I explain whole arrangement process including orchestral arrangement, and mixing so as to maximize possible applications to other pieces, and musical capacity.

      • 企業의 倫理環境이 企業의 社會的 責任 및 經營成果에 미치는 影響에 관한 硏究

        오세란 昌原大學校 大學院 2004 국내박사

        RANK : 1855

        The purpose of this study is to identify the influence of company's ethical environment and its social responsibility on management perfornance. The ethical environment of company is divided into external ethical environment including legal regulation, governmental encouragement pressure of NGO's and company's awakening and internal ethical environment including CEO's will, operation of ethical management system, education, and training. In the research model, social responsibility is divided into responsibility for society and customers and management performance is divided into financial performance, image of the company and members' satisfaction. We used statistical package, SPSSWIN 10.0 and LTSRELL 8.71 as analysis methods to verify variables mentioned above. The results of research are followings : First, prior to verbifying research hypotheses, factor analysis of variables suggests that external environment, internal environment, social responsibility of the company, and management performance are all relevant having relatively high degree of reliability(Cronbach's α > .60). The analysis of correlation shows that mostly social responsibility of the company has a meaningful effect on management performance but less meaningful effect on financial performance according to the times of introduction and types of industry, This means that it takes time for ethical management to obtain results. Also, financial performances of finance, service, and architecture industries are less meaningful than manufacturing industry. Second, governmental encouragement and company's awakening of are adopted as external environment factors which have an effect on social responsibility of the company. This indicates that it is desirable that government makes autonomous environment instead of resorting to coercive measures. Besides, companies can strengthen their global competitiveness by actively applying ethical environment to management. Third, CEO's will, education, training and ethical management system are all adopted as internal environment factors which have an effect on social responsibility of the company. Success or failure depends on CEO's concern and active support that are common factors in various kinds of management innovation activities. And, it Is necessary to consider ethical management as a management innovation or management strategy Above all, it seems that the integration of customer satisfaction management and quality management system can bring the synergy effect. This study shows that education and training are very useful to Induce all members to participate and further important managerial factors as a previous step to introduce ethical management system. Therefore, it is essential to devise a plan for long-term education and training and conduct them systematically and continuously. Especially, the curriculum for newcomers should include subjects on business ethics and also the board of directors should participate in education. Forth, we verified the effects of companies' social responsibility on financial performance(quantitative) and business s image and members' satisfaction(qualitative). The result suggests that responsibility both for society and customers has a statistically meaningful effect on financial performance, business image, and members' satisfaction. Especially, business image(R² = .506) and members' satisfaction(R² = .279) as qualitative evaluation are very meaningful. However, financial performance(R² = .107) as quantitative evaluation should be considered more specifically. Thus, these results are consistent with previous studies conducted by Carrot(1979), Mark(1986), Lee & Yoshiara(1997), and the Federation of the Korean Industries(2003). Therefore, it is necessary to introduce and activate ethical management as a survival strategy of companies. Finally, one of the main purposes of this study is In identify the influence of critical business ethics factors on management performance. Thus, we conducted path analysis by applying LISREL 8.71 that deals with structural equation widely used in social science and behavioral science. The result indicates that most index numbers showing goodness-of-fit fulfill standards in general and the estimated values of path analysis on study hypothesis Ⅰ, Ⅱ, and Ⅲ are meaningful(1%, 10%). It is same as the result of regression analysis by SPSS. Therefore, these results show that this study model was appropriately designed. In conclusion, Korean companies should introduce international commercial transaction order and thus establish respectful business image by recognizing changes of global management environment, introducing and internalizing ethical management system. Also, they should consider ethical management as an essential element not just as an optional element since it can help to improve members' affection to their companies and productivity and further management profits.

      • 한국 청소년 소설 연구

        오세란 忠南大學校 2012 국내박사

        RANK : 1855

        The goal of this paper is to identify the intrinsic characteristic of ‘Young Adult Literature.’ Currently, adolescent novels are being actively created and distributed. However, research efforts to understand the unique identity of adolescent novels are lacking. In order to establish the title of Young Adult Literature, it is necessary to first organize its relationship with the genre that’s provided to adolescents before it’s distributed as ‘children novels’ or ‘maturity novels.’ Thus, this paper will examine the various cultural and social elements that are related to adolescent novels, and based on these established relationships the paper will study its complex identity. Young Adult Literature in themselves are ambiguous concepts. So, the examination of its relationship to other literatures will be an effective way of understanding its foundations. Preceding the actual research, chapter 2 studied the characteristics of modern adolescents’ maturity process. Also, the paper organized the various opinions related to the concepts of Young Adult Literature. In its broader implications Young Adult Literature can be defined as all literature that is recommended to adolescents; whereas, in its more condensed implications, Young Adult Literature can be defined as novels that depict the lives and daily happenings of adolescents aimed for adolescent readers. This type of discrepancy in perspectives towards Young Adult Literature occurred because originally during a time when there were no literature created specifically for the adolescent readership, any and all pieces that were suitable for the adolescents readers were classified as Young Adult Literature. Gradually however, with the passing of time, tendencies that geared towards adolescent readership were extracted and efforts were made to establish the identity of Young Adult Literature in a more detailed definition. In chapter 3, the paper examined the relationship between Young Adult Literature and children novels and maturity novels, which basically fall under the same classification, as well as its relationship with regular literature and commercial narratives. Upon examining the history of literary pieces for adolescents in detail, it can be seen that there was no social consensus to establish the grounds for adolescent literature in the early stages of modern society. As a result, those children novels and regular novels that were evaluated to be acceptable for adolescent viewing started to be recommended primarily to adolescents. Among these literary pieces, children novels and maturity novels were most widely recommended and read by adolescents and this began to affect the internal grammar of Young Adult Literature. Still, ‘children novel’ was genre term that heavily emphasized the age factor, whereas ‘Young Adult Literature’ was a term that reflected the age factor and the adolescents’ social status simultaneously. Also, ‘maturity novel’ implied one format of novels that were born with modern novels, whereas ‘Young Adult Literaturel’ implied a deeper and wider meaning of topic and content in addition to maturity. Therefore, it seems more appropriate to use the new term, ‘Young Adult Literature’ over the previously used ‘children novel’ or ‘maturity novel.’ There is also a tendency for the adolescent readership to favor materials that the adolescents sought out themselves for entertainment, regardless of whether or not these materials were selected as recommended literature by schools or other institutions. In this case, it was more common that the adolescent readers chose narratives that were more commercial than literary. In addition, there were movie narratives that were aimed for adolescents even if these were not novels. This paper contemplated why commercial narratives appealed to the adolescent readership. The conclusion that this paper reached was that, because adolescents are a type of commercial group they preferred articles that were commonly commercially charged. Moreover, it was seen that literature that targeted adolescent readership from an educational perspective had the dilemma of needing to propose moral and philosophical issues as well as needing to consider adolescents as juvenile readership. Through chapter 4, the paper examined the status quo and development of Young Adult Literature. Upon entering the intensely capitalist society since the 1990s, the Korean society started paying attention to adolescents and the adolescent’s culture as a consumer. Those adolescent novels that were created during this period are novels that carry the condensed meaning of Young Adult Literature. Adolescents had been grouped as the outside member of modern society just like children. Maturity novels carried the intention of including the existence of adolescents, which was immature and pertaining to the outside, within the modern social circle. On the other hand, Young Adult Literature emphasized adolescents as the main subject of the development of modern society and with this step invented a new identity to the genre. Young Adult Literature have developed from a simple narrative with an adolescent narrator to a form where the position of the adolescent narrator was highlighted. Also, this tendency expanded the issue of the narrative’s overall perspective. Hence, the characteristic of Young Adult Literature is that it started to carry the intention of representing the lives and emotions of adolescents and in detail, it became a narrative headed by an adolescent narrator aimed for the adolescent readers. For this reason, although there are no limitations to the topic of the stories presented to adolescents, but there is a certain intention that these novels seek. The only concern is that if the concept of the Young Adult Literature is established within the frame of the condensed definition of the genre, then due to the indignant stories of a Korean adolescent’s lives there may be a limit in the material and topic of Young Adult Literature. Thus, the topic of Young Adult Literature should go beyond reenacting the lives of current adolescents and expand into a more widespread reserve of contents.

      • 1인 가구의 소비패턴 변화 : 1인 가구의 소비·지출을 중심으로

        오세란 전북대학교 경영대학원 2025 국내석사

        RANK : 1855

        1인 가구를 새로운 소비자 정책의 관점에서 소비생활 수준을 분별하고, 인구의 사회적 특성과 1인 가구의 형태에 따르는 차이점을 파악하여 1인 가구 시대에 따른 미래 소비자 정책 방향을 제시하는 데 목적이 있다. 이를 위해서 1인 가구를 대상으로 2015년에 조사 하였던 가계지출 부담 비용과 소비생활 문제와 소비자 문제 경험 수준과 소비생활 만족도 데이터(2015년 실시)를 분석했다. 첫째, 1인 가구의 가계지출 부담 비용은 주 생활비, 식생활비, 금융비용 순으로 표출되었으며 많은 부담을 느끼는 정책 대상을 중심으로 제도적인 지원이 이루어져야 한다. 둘째, 1인 가구의 소비자 문제 경험 수준은 많은 이용 시장인 식료품, 택배 서비스, 외식 서비스 시장에서 소비자 문제의 경험률과 경험 횟수가 많이 나오면서 그런 시장에 중심으로 두고 관련 제도를 고칠 필요가 있다. 그리고, 여성이 남성보다 소비자 문제에 경험이 많고, 식료품, 택배 서비스 시장에서 전체적으로 의미 있는 차이가 있으므로 각 시장을 중심으로 1인 가구의 특성에 맞는 개선 방안이 필요하다. 셋째, 1인 가구의 소비생활 문제는 식생활 거래보다 주생활 분야에서 더 큰 문제로 인식되어 나타났고, 여성이 남성보다 취소환급 문제나 정보 이해 문제에서 높은 편이고, 연령은 대체로 나이가 젊고, 대도시 거주자, 1인 가구의 생활 기간이 짧을수록 상대적으로 문제 정도가 높다. 이와 같은 결과로 소비생활 분야에 있어서 1인 가구의 인구 사회학적 특성과 구매 단계별 차별화가 필요함을 여실히 보여준다. 그리고 COVID-19 전후 달라진 소득과 가계 지출패턴을 보면, 전체적인 소비의 양이 줄었다기보다는 소비 비중의 변화를 통해 가계 소비패턴이 달라졌다는 사실을 확인할 수 있었다. 1인 가구의 미디어 소비 행태를 보면, 1인 가구는 2인 이상 가구 구성원과 비교하면 낮은 삶의 만족도와 주관적 행복, 정보 프라이버시에 대한 염려가 있는 것으로 나타났다. 특히, 관계적 차원에서의 만족감이 낮았으며 사회적 관계에 대한 불만감 등도 2인 및 3인 가구에 비해 높았다. 1인 가구들은 이러한 사회적 소외를 TV 등 대중매체를 통해 달래고 있는 것으로 나타났다. 이러한 경향은 특히 60⁓ 70대 1인 가구에서 확연하게 표출되었다. 또한 20⁓ 30대의 TV 시청 시간에는 나이와 1인 가구의 여부는 정적인 영향을, 학력과 월 소득은 부적인 영향을 미치었다. 반면에 60⁓ 70대 TV 시청 시간에는 연령은 정적인 영향을 미쳤으나 1인 가구 여부와 월 소득, 사회/정치활동 등은 부적인 영향을 끼쳤음이 분석되었다. 1인 가구의 문화 소비 지출을 살펴보면, 1인 가구의 연령 별로는 20대가 문화 소비 지출 규모가 가장 컸으며, 품목별로는 20대는 공연과 문화중심, 30⁓ 40대는 콘텐츠 중심의 문화 소비 지출패턴을 보였다.

      • Pre-Load 材로서 製鋼 슬래그의 活用 方案

        오세란 順天大學校 2000 국내석사

        RANK : 1855

        Abstract Utilization of Steel-Making Slag as Pre-Load Materials O,Se-Ran department of Civil Engineering The Graduate School of Industry Sunchon National University Steel making slag as pre-load material appiled to a construction job-site and examined a method of application. Then this study's result is as follows 1) Construction cost decreased because the unit weight of steel making slag is higher than earth and reduces stored materials. And environmental damages caused by developing borrow-pits could be minimized by utilization of steel making slag. 2) Construction period can be shortened because pre-loading could be continued in spite of raining by virtue of increased bearing capacity of slag whose internal friction angle is bigger than of that earth. 3) When earth and steel making slag is stored material with one-phase, the mean value of displacement 1.27m,0.57m respectively. 4) Decrease in pumping capacity of drainage faciligies would be minimized if earth layer made of soil bearing low tracing coefficient and enabling least scale is paved over sand mat, and you have to establish surcharge desigh separately each situation. 5) In utilization of steel making slag as a pre-load material, a design for sections are ① use of steel making slag,② way of a earth layer which inflow scale is intercepted is portion, ③ method of scale os intercepted with membrane layer, ④ use of steel making for horizontal drain. 6) It is expected that demand on steel making slag will be increased significantly following our project hereafter. And various researches are required to be continued in order to promote recycling of steel making salg which is compatible with environment.

      • 詞語를 통해 본 蘇軾 詞의 서정성 연구

        오세란 延世大學校 大學院 2023 국내석사

        RANK : 1855

        The purpose of this study is to analyze the lyricism of Su Shi’s (蘇軾, 1036–1101) Ci-poetry(詞). This paper thus focuses on Su Shi’s diction to examine lyrical characteristics and imagery associated with the self-reflexive words, as they differ from conventional Cis. Although Su Shi’s lyricism and self-reflexive words have been addressed in various respects, critical analyses have been much affected by researchers’ subjective judgments. As such, they lack objectivity. Poets tend to reflect their feelings and thoughts by selecting specific vocabulary; therefore, statistics about word frequency would function well as a core indicative of their lyricism. Namely, a poet’s mindset changes depending on the flow of time and the situations they are facing. As such, the meaning of the same word choices differs in terms of their connotations. Hence, the researcher attempts to compare certain vocabularies used throughout Su Shi’s Ci-poetry (in terms of their frequencies and variations) in an effort to grasp his inner world and emotional states more precisely. In addition, the researcher reviews his work specifically to examine how Su Shi argues his feelings in each time period and how his poems differ from his contemporaries’. Finally, the research also evaluates how his Ci-poetry could be characterized in terms of lyricism. The researcher has thus sampled 292 Ci-poems, namely because the periods in which they were written are clear, based on Tang Guizang’s Quan Song Ci(Vol. I. Zhongzhou Ancient Books Publishing Company, 1996). Furthermore, the researcher has referred to this text because it clearly shows the sources and correction of the work. However, to review the translation, the background behind their creation and their characteristics, the researcher has referenced Su Dongpo’s Ci(written by Su Shi, trans. by Mong-Mok Ryu, Seoul National University Press, 2010), Selections from Ci-Poetry of Su Dongpo(written by Su Shi, trans. by Kyubaek Cho, Literary & Intellectual Publishing Company, 2007), Ci-Poetry of Su Shi(written by Mong-Mok Ryu, Zhongwen publishing company, 1993), Su Shi’s way of life and Ci style(written by Mong-Mok Ryu, Bakmunsa publishing company, 2017) and other domestic and foreign academic texts. First, the researcher divided Su Shi’s 292 Ci-poetry works into 4 chronological periods in reference to the major events he experienced. Thus, his poems could be divided into 107, 104, 51, and 30 per period. Methodologically, the researcher has used Chinese Corpus Word Parser to collect data on the diction frequency per period. From this, the researcher could confirm precisely the high- and low-frequency word choices. Finally, the researcher could successfully attempt to grasp the semantic changes objectively. In the third chapter, the researcher has confirmed, based on Su Shi’s diction, how Su Shi’s lyricism developed and changed, and how his self-reflexive words are manifested. Su Shi called himself ‘Jiaren(Beautiful Woman)’ and thereby established himself as a narrator in his poems. Furthermore, he also expresses his feelings, as a narrator, to offer a first-person point of view and lyrical element. Additionally, the works that champion ‘a self-reflexive word’ account for the majority of his Ci-poetry. The researcher likewise confirmed that Su Shi expresses his feeling candidly through realism instead of idealism; indeed, he was liberated from desire and despair to control his emotion thoroughly. Su Shi tends to describe his direct and indirect experiences by exposing himself as a narrator. In the fourth chapter, the researcher, in various respects, classifieds his narrators into experiential, lyrical, and ideal ones. In addition, the researcher selected certain the Poetic Words and Meanings(詞語) to identify those that could help to peer into his diverse self-reflexive words to understand some specific revelations of these self-reflexive words. In the concluding chapter, the researcher summarized Su Shi’s the Poetic Words and their Meanings according to each period of Su Shi’s life, the characteristics of his lyricism, and the types of the self-reflexive words revealed in his Ci-poetry. Finally, the researcher discussed the direction for future studies, as well as complementary future foci for the field. 본 논문은 蘇軾(1036-1101)의 사 작품에 내재 된 서정성을 어휘 활용 빈도수 및 특정 어휘를 통해 분석함으로써 다른 사인들과는 차별화된 서정 특징과 자아의 이미지를 고찰하는 데에 그 목적이 있다. 그동안 소식 사의 서정과 자아에 관한 연구는 다방면으로 많은 논의가 축적되었으나 서술자의 주관적 판단으로 조사와 분석이 이루어져, 객관적인 시각에서의 탐구가 부족한 측면이 있었다. 작가는 적절하다고 생각하는 최적의 어휘를 취사선택하여 자신의 심정과 생각을 표현하므로, 어휘사용 빈도에 관한 통계 자료는 작가의 서정 특징을 직관적으로 보여주는 하나의 핵심 지표로 작용한다. 또한 시간의 흐름과 처한 상황에 따라 작자의 심경에 변화가 일어나고 그것이 작품에 반영되는 바, 같은 어휘라도 시기에 따라 내포하는 의미가 달라질 수 있다. 이에 소식의 사를 분석함에 있어 특정 어휘의 사용 빈도와 빈도수의 변화를 비교함으로써 작가의 내면과 감정의 흐름을 좀 더 정확히 파악하고자 하였다. 이러한 통계와 함께 해당 시기의 대표적인 작품을 구체적으로 살펴봄으로써 소식이 특정 시기에 어떠한 표현으로 어떻게 내면의 정감을 풀어냈는지, 다른 시기와 비교했을 때 어떤 변화가 있었는지, 나아가 당시 다른 詞人의 작품과 견주었을 때 어떤 차별점을 가지는지에 대해 고찰하고자 하였다. 본 연구는 창작 시기가 분명한 편년사 292수를 대상으로 하고, 원문은 교정이 상세한 唐圭璋의 『全宋詞』(上, 中州古籍出版社, 1996)를 저본으로 삼았다. 작품의 번역과 창작 배경 및 해설 부분은 『蘇東坡詞』(蘇軾 著, 柳種睦 譯, 서울대학교출판문화원, 2010), 『蘇東坡詞選』(蘇軾 著, 曹圭百 譯, 문학과지성사, 2007), 『蘇軾詞硏究』(柳種睦, 중문, 1993) , 『蘇軾의 인생역정과 詞風』(柳種睦, 박문사, 2017) 등 국내외 소식사에 대한 번역과 전문학술서를 참조하였다. 먼저 소식의 편년사 292수를 그가 일생에서 겪은 주요사건을 기준으로 네 개의 시기로 구분하고 각 시기에 해당하는 107수, 104수, 51수, 30수의 작품에 대해 어휘 빈도수 통계분석을 진행하였다. 연구방법에 있어서는 중국어 코퍼스 도구인 ‘语料库在线(Corpus Word Parser)’을 활용해 시기마다의 어휘 빈도 데이터 자료를 수집하였으며 이를 통해 어휘출현 빈도수를 정확하게 확인함으로써 각 시기 어휘 활용의 양상과 의미 변화를 객관적으로 파악하고자 하였다. 제3장에서는 각 시기 어휘사용의 빈도수 통계와 특징 파악을 토대로, 구체적인 작품의 예를 들어 소식의 서정성이 어떻게 전개되고 변화되었는지, 그 속에서 자아가 어떻게 발현되었는지를 확인하였다. 본인에게 ‘佳人’이라는 칭호를 부여하여 자신을 작중 화자로 설정하고 일인칭 관점으로 서정을 전개한 점, ‘我’자를 내세운 작품을 통해 자아를 강하게 드러낸 점, 현실과 이상의 괴리 속에서 진솔하게 갈등의 심경을 표현한 점, 욕망과 좌절에서 해방되어 현실에 초연하고 감정을 절제할 수 있는 경지에 오른 점 등을 발견할 수 있었다. 제4장에서는 자신을 화자로 내세워 직간접적 체험을 바탕으로 서술한 사에서 그 화자를 경험적 자아, 서정적 자아 그리고 이상적 자아로 분류해 다양한 분석을 시도하였다. 또한 제3장에서 살펴본 사어 중 자아의 모습을 엿볼 수 있는 특정 사어를 뽑아 구체적인 자아표현 양상에 대해서도 알아보았다. 마지막으로 제5장에서는 시기별 사어 활용 양상과 서정 특징, 그리고 사에 발현된 자아의 유형을 종합하여 정리하고, 연구의 의의에 대해 서술하였다.

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