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신아현(Shin, Ah-Hyun) 한국어문학회 2015 語文學 Vol.0 No.127
The purpose of this dissertation is to reveal the aspect of Son Chang-seob’s Shin-ui-hui-jak as an autobiographical novel. Shin-ui-hui-jak has been used as a primary reference which must be dealt with in the study of Son Chang-seob’s litulature. Previous studies showed a tendency to treat the main character and the author Son Chang-seob presented in this work by the same person and extract the shape of a real artist from the main character’s abnormal personality and shocking experience. However, this study noted the writer consciousness that produced the controversial work Shin-ui-hui-jak, not like previous studies that eventually converge into psychoanalytical methodology. This study tried to purpose a new critical view under the premise that Shin-ui-hui-jak is also a fiction just like other stories. Shin-ui-hui-jak shows it’s character as an autobiographical novel from the introduction. If the autobiographical novel can be defined as a kind of confession, the confessional narration on the story exposes ugly and freakery shape of ego plainly which is distinct from usual confessions. The main character proves that the authority of society and system is nothing more than an illusion by his own existence as a ‘Superflous man’. He is portrayed as a person who has no will to enter the society. Son Chang-seob damages the authority of literature, literaty world and social position of writer by naming it’s character his real name. The narrator in the story plainly expose the other than self. In this process, the narrator, that is Narrating-I takes the subject of telling position which can realize and expose his ugly shape. He never be ashamed or penitent while he confesses the fault and unusualness of Narrated-I. His confession rather takes attitude of show-offish exposure, and attacks the inherent deception under the reader and social community which is presupposed to be listening the confession.
신아현 ( Shin Ah-hyeon ) 현대문학이론학회 2017 現代文學理論硏究 Vol.0 No.69
이 논문은 르네 지라르의 이론을 바탕으로 황순원 문학에 나타난 희생양 메커니즘을 검토한다. 지라르는 집단적 폭력을 다룬 텍스트들에서 공통적으로 나타나는 몇 가지 전형에 대해 이야기한다. 그에 따르면 위기에 처한 사회는 그 책임을 하나의 희생양에게 덮어씌움으로써 위기와 혼란에서 벗어나고자 한다. 이때 특정한 개인이 박해의 대상으로 지목되는 이유는 그가 가진 희생양의 징후들 때문이다. 저자는 더 나아가 이러한 메커니즘이 실제 사회와 역사에서 발견되는 현상임을 지적한다. 황순원 문학에서 희생양으로 지목되는 이들은 금기를 위반한 인물들, 내부의 소외계층들, 혹은 이방인들이다. 위기에 처한 집단의 다수는 희생양에 대한 박해의 명분을 만들어낸다. 박해자들은 희생양들에게 부과된 책임에 대해 진지한 믿음을 가지고 있기 때문에 집단적 폭력을 행하면서도 스스로를 자연스럽게 정당화할 수 있다. 이러한 과정 속에서 사회는 위기에서 비롯된 욕구 불만과 불안을 희생양에게 쏟음으로써 대리만족을 얻는다. 작가는 희생양 메커니즘이 발동되는 방식을 다양한 소재를 다룬 단편들을 통해 알레고리적으로 제시한다. 『카인의 후예』는 해방 직후 북한의 토지 개혁을 다룬 작품으로, 작가가 견지해온 희생양 메커니즘에 관한 문제의식을 실제 역사적 배경 속에서 형상화한다. 작품 속 인물들은 군 인민위원회가 주도하는 인민재판의 과정에 참여하는데, 이때 이들은 서로를 모방하며 만장일치적 합의에 도달한다. 인물들의 이러한 모방 욕망은 새롭게 등장한 권력층의 도구로 활용된다. 공작 대원들의 선동과 강요 아래 지주들이 숙청되어가는 과정 속에서 대부분의 소작인들은 권력층의 욕망을 자신의 것으로 재생산해나간다. 군인민위원회는 반동의 죄목을 들어 박해의 명분을 만들어내고 집단 구성원들의 모방욕망과 폭력성을 부추긴다. 질서와 안정의 이데올로기라는 거대한 명분 아래 왜소한 개인의 삶은 파괴된다. 이 작품에서 무엇보다 비판적으로 제시되고 있는 것은 지배 질서를 견고히 세우기 위해 집단적 메커니즘을 계획적으로 활용하는 권력의 형태이다. This study reviews Hwang Sun-won`s Novel in terms of the scapegoat mechanism of Rene Girard`s theory. Girard mentions several common archetypes in different texts that deal with communal violence. He says a society in crisis tends to escape from it by `scapegoating`. The reason that a certain individual is pointed out as the object of persecution is because that individual shows symptoms of a scapegoat. Girard mentions that this mechanism is also found in the real society and history. Those who get pointed out as scapegoats in Hwang Sun-won`s Novel are underprivileged people, strangers, or someone who break taboo. The majority of a group in crisis make up reasons to justify the persecution. Persecutors can justify their organized violence by believing that the scapegoats are responsible. In this process, the society gets vicarious satisfaction by pouring out its frustration and anxiety to the scapegoat. The writer allegorically embodies how the Scapegoat mechanism is operated with various material. A Descendant of Cain(카인의 후예) is a novel about the land reform of North Korea right after the Korean liberation. It shows the critical mind on the scapegoat mechanism, that have already been tried in Hwang`s previous works, on the basis of real history. The people participate in a kangaroo court trial that is hosted by the People`s Committee, and they reach unanimous agreement by mimicking each other. Their desire to imitate become the tool for the new power. While the landlords are being purged under the instigation and pressure of the agents, most tenants reproduce the desire of the power into their own desire. People`s Committee keeps slandering them as a reactionary, and instigate people`s desire of imitation and violence. Individual lives are destroyed under the great cause of order and stability. This novel especially criticize the shape of power that efficiently use the group mechanism to make the order solid.
BASINS/WinHSPF를 이용한 충주댐 상류 유역의 오염부하량 산정
신아현 ( Shin Ah Hyun ),윤춘경 ( Yoon Chun Gyeong ),장재호 ( Jang Jae Ho ),이승재 ( Lee Seung Jae ) 한국농공학회 2007 한국농공학회 학술대회초록집 Vol.2007 No.-
Upstream of Chungju Dam watershed measured to applicability of the Batter Assessment Science Integrating point and Non-point Sources (BASINS 3.1)/ Window interface to Hydrological Simulation Program-FORTRAN (WinHSPF). Water flow calibration was performed using monitoring data from 2004 to 2005 and verification was performed 2005. Water quality (water temperature, DO, BOD, total nitrogen and total phosphorus) was calibrated from 2000 to 2005 and verificated 2006. Calibration results were reasonably reflected simulated and observed data over total simulation period. But TN and TP was some period look out of the observed data. Therefore, It's need to calibrated for more profit parameter. The estimated of pollutant load for average annual BOD, TN and TP was 6,639,663 kg yr<sup>-1</sup>, 13,414,389 kg yr<sup>-1</sup> and 228,237 kg yr<sup>-1</sup>. Non-point source loading contribution was showing great part of total pollutant loading about 86.5~95.2%.