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- 저자 : 송인갑 ( Song In-gap ) (검색결과 7 건)
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송인갑 ( In-gap Song ),고경원 ( Kyung-won Ko ) 인하대학교 교육연구소 2003 교육문화연구 Vol.9 No.-
Stephen King is well known as a popular horror writer. His works have been neglected and even ignored as mass entertainment by academic circles. However, he is reappraised as a feminist horror writer because his recent works deal with women's problems. The aim of this paper is to study the femininity in his horror novels. Also this paper investigates what King's perspective of women is and how his feminism is embodied in his four novels, Carrie (1974), Rose Madder (1995), Gerald's Game (1992) and Dolores Claiborne (1992). King creates terrible female characters in his horror novels: Carrie of Carrie, Rosie of Rose Madder, Jessie of Gerald's Game and Dolores of Dolores Claiborne. In Carrie, his protagonist is repressed by her religious fanatic mother and is alienated from her friends. Therefore, she hurts and kills them by exercising her psychokinesis. In Rose Madder, King shows the Dionysian power of a woman warrior who fights against men's violence. In Gerald's Game and Dolores Claiborne, women fight against male sexual harassment in the patriarchal society. In King's novels, the aliens who most frighten and horrify us are the women who live with and within us, yet remain isolated from a male-centered culture. Women that King's novels seem to show us are often "the perpetrators and victims of an American domestic horror". These women hide theirs alien and terrifying face beneath a familiar mask. Thus King's women in his horror novels make males fear women who live in the patriarchal society. The theory of King's domestic horror is based on Freud's "uncanny" strangeness and "otherness" of the Kristeva's horror world. The uncanny strangeness and otherness of the horror world represent the human aspects of a fanatic Dionysian world which is the opposite of the rational Apollonian. In the Dionysian world, everything is contradictory and all humans are Janus-faced. King's women prove that all human beings, not only women but also men, can reveal fanatic Dionysian power. King's terrible female characters embody the idea that it is necessary to maintain an equal and harmonious relationship between men and women in the society which does not repress women's self.
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Saul Bellow의 Seize the Day 에 있어 "진실한 영혼"과 "거짓된 영혼"
송인갑 ( Song In-gap ),한문자 ( Han Mun-ja ) 인하대학교 교육연구소 2000 교육문화연구 Vol.6 No.-
Saul Bellow, who was awarded the Nobel Prize for Literature in 1976, is one of the American Jewish novelists whose idea comes from the Bible. He regards a writer's role as "a cure of soul" and affirms the "savior faculty" of the art. The most important idea in Bellow's works is the affirmation of human values and the salvation of "the real soul" . The purpose of this paper is to investigate "the real soul" and "the pretender soul" in this work. Bellow emphasizes that human beings have a lot of souls, but there are two main souls; the real soul and the pretender soul. From the biblical view, the real soul means the truth, the image of God, while the pretender soul means the evil spirit, Satan, who betrays God. Tommy Wilhelm recovers the real soul through the death of his pretender soul and find brotherhood by throwing away the death-in-life in which God is Mammon. In conclusion, human beings can recover the real soul only through love, and then, human beings can love not only their neighbors as themselves but also all mankind. Bellow's idea that love is the only way of curing "the pretender soul" is embodied well in this novel.
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D. H. Lawrence의 Lady Chatterley's Lover에 나타난 남근사상과 반문명주의 (Ⅰ)
송인갑 ( Song In-gap ),임팔남 ( Lim Pal-nam ) 인하대학교 교육연구소 2001 교육문화연구 Vol.7 No.-
Throughout his career, David Herbert Lawrence had asserted that man must replace the humanism of Western civilization with the new faith whose basis is that instead of putting an emphasis on the mental consciousness, we need to reinsure the polarity of body spheres in the unconscious. In other words, we must not reject the body for the mind; the chief task is the preservation of the body's vital health. This paper aims to trace how pertinently his philosophy is embodied in his long work, Lady Chatterley's Lover.
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송인갑 ( Song In-gap ) 인하대학교 교육연구소 1997 교육문화연구 Vol.3 No.-
One of the dominant themes of Auden's poetry is love, but his love poems lack the agony, rapture, and passion that are characteristic of the love poems of such poets as Spencer, Shakespeare, and Donne. The reason is that Auden's intellectual and moralistic concern discourages his poetic sensibility from indulging in the realization of love as an emotional experience. The aim of this paper is to trace how and by what ideas Auden's love poems were generated.
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송인갑 ( Song In-gap ) 인하대학교 교육연구소 1998 교육문화연구 Vol.4 No.-
"The Absurd", Vonnegut’s dominant theme, is the belief that ours is an absurd universe, chaotic and illogical. To present this theme, Vonnegut has employed various novelistic strategies of which gallows humor is the most prominent. Gallows humor is "the humor of people laughing in the midst of helplessness." Through humor arising from a sense of the purposelessness of a universe, Vonnegut's novel would lead us toward accepting the futility of human endeavor and the meaninglessness of the universe. The purpose of this paper is twofold; one is what the main idea of Slaughterhouse - Five is, and the other is how Vonnegut expresses his view of the absurd in this novel.
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송인갑 ( Song In Gap ) 인하대학교 교육연구소 1999 교육문화연구 Vol.5 No.-
When he wrote "September I, 1939", Auden had lost all faith in secularist remedies which he had found helpful in curing diseased individuals and their society. Due to his disillusionment with all the old dogmas-psychology, liberal humanism, and Marxism- that had shaped so much of his early work, he became a poet without a world view around which he could organize his poetry. Meeting Charles Williams, however, changed all that and led him back to the Christian church, whose doctrine of original sin provided his imagination with a religious explanation for anxiety in the modem age. New Year Letter was born at that time. The aim of this paper is not to analyze the poem rigorously, but to trace why and how Auden changed his mind.
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THE LANDSCAPE IMAGERY IN W.H.AUDEN'S POETRY
Song, In-Gap 淸州大學校 1978 論文集 Vol.11 No.1
The landscape imagery frequently used in Auden's poems tends to serve as part of the allegorization of his poetry. Since a landscape presents clear outlines and is based on a firm pattern, it can play an important part in the formation of any schematic imagrey or allegory.
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