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손은하 동북아시아문화학회 2011 동북아 문화연구 Vol.1 No.29
How has been used the concept of ‘publicness’ in the domestic public art? This concept of ‘publicness’ can be divided into three categories in the social science. The first one is the value of the public, the second one is the territory, and finally the subject performing its role. The meaning of the territory has something in common with public space. When the arts came out of the exhibition hall and was placed on the public space, it was affected by the mass and place. When the initial types of the arts were displayed, it brought about disputes with various points of publicness. It caused the necessity to pay attention on the concept “in-between” of Hannah Arendt. Not confronting between personal and public territory, you need to pay attention to the various communication opportunities maintaining the relationship while they are crossing their borders each other. Variability of view points has been formed and progressed since the formation of New Genre Public Art as social movements. However, it still have been causing confusion as the public art is explained as site-specific -art and community-oriented-art. Recently, the public art can be divided into three types: public arts, village regeneration, artist village. Each type has its own advantages and disadvantages and this study investigated the ‘Seoul Art Space Sin-dang’ as the third one. This one also is in need of artists' labor by the explanation through community-oriented-art's viewpoints. Therefore, it is necessary to differentiate in separate areas of the public arts.
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다문화사회에서 이주민의 타자화: 재현된 영상물을 중심으로
손은하 성결대학교 다문화평화연구소 2013 다문화와 평화 Vol.7 No.1
We tried to look into characters which are projected to images and to discuss about multiculturalism as we were facing the entry of extended multicultural society by increasing immigrant workers and international marriage. The Film “Bandhobi” gazes at the encounters and experiences of Karim, a male worker from Bangladesh and Minseo, a female suffering from double alienation - as a minor and a female in a man-ruled society. The violence, exclusion, social ostracism and indifference of Korean society towards the foreigners may touch the minds and hearts of many Korean viewers who perhaps never looked at their country in such a way. The main hero has to experience forceful assimilation at the hands of governmental institutions, and his suggestion to the alternative approach are not being heard. <Persepolis>looked around the life of Marjane who experienced the life of both minority and the stranger in a multicultural society as an example of another country. My argument incorporates philosophy studies of ``the Other`` and ``Otherness`` as suggested by such thinkers as Emmanuel Levinas, Georg Simmel who look at these issues with Strangers. For instance Levinas and Derrida in their studies gave attention to “hospitality”, which possibility I here also explore. Hereof, Richard Kearney is saying that it is necessary to compensate the deconstruction of absolute hospitality. Finally, locality discourses were suggested for drawing change of frame in views to accept and respond to others. As a resistance against imperial view, this is a discourse to overthrow the logic of modern centralization and to re-organize others. In the era of multi-cultural society of migrant workers and married migrant women, this study sheds new light on parts which were excluded and alienated from logic of capital letter, and tries to give attention on newly formed locality.
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지역서사의 변곡점(變曲點) - 부산 감천문화마을을 중심으로
손은하 전남대학교 인문학연구소 2022 용봉인문논총 Vol.- No.61
This thesis examines the change process of urban regeneration project targeting Gamcheon Culture Village located in Saha-gu, Busan. I looked at the reasons why the name culture was chosen, from the definition of the cultural village to examples by referring to the records in the literature. The narrative of Gamcheon Culture Village was investigated and the differences were compared with the cultural village creation project. Finally, in the current crisis situation, necessary parts were suggested in consideration of the situation and conditions of the village. About 10 years have passed since the project started for villages, and the problems of the urban regeneration project were analyzed and the limitations of the newly started 'Cultural City Creation' project were pointed out. Although the village became known as a tourist destination, except for the topographical factors of the village, various events and projects performed had similar outputs and noises that can be seen anywhere. Moreover, most businesses have been reduced or temporarily suspended due to the pandemic at a time when a new perception must be changed. Although it is a time when the necessary education and systems are needed in the non-face-to-face era, it is a difficult environment considering the population distribution, age, and social situation of the village. A system that can cope with a pandemic by analyzing the unique characteristics of this place needs to be built, and it is necessary to think in the humanities to create the locality of this place. 이 논문은 부산 사하구에 위치한 감천문화마을을 대상으로 하여 도시재생사업의 변화과정을 살펴본 것이다. 문화라는 이름이 선정된 이유를 문헌의 기록들을 참고해서 문화마을에 관한 정의부터 사례들까지 살펴보았다. 감천문화마을의 서사를 조사하고, 문화마을 만들기 사업과의 차이점을 비교해 보았고, 마지막으로 펜데믹 시기와 맞물린 지금의 위기 상황에서 마을의 상황과 여건들을 고려해 필요한 부분들을 제언하였다. 마을을 대상으로 사업이 시작된 지 10여 년이 지난 현재, 도시 재생 사업의 문제점을 분석하였고, 새롭게 시작된 문화도시만들기 사업의 한계점을 지적하였다. 마을이 관광지로서 이름을 알리게 되었지만, 그 마을이 지니고 있는 지형적인 요소 외에, 시행되는 다양한 행사와 사업들은 어느 곳에서나 볼 수 있는 아웃풋과 다르지 않았고, 잡음 또한 비슷하게 나타났다. 더욱이 새롭게 인식을 전환해야 할 시기에 코로나 펜데믹으로 인해 대부분의 사업들이 축소되거나, 잠정 중단되었다. 비록 비대면 시대에 필요한 교육과 시스템이 필요한 때이긴 하나, 마을의 인구분포와 연령, 사회적 상황을 고려했을 때 쉽지 않은 환경이다. 이곳만의 특성을 분석하여 펜데믹 시 대처할 수 있는 시스템이 구축되어야 하며, 로컬리티를 만들어 갈 수 있는 인문학적인 사고가 필요하다.
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에이젠슈테인의 ‘총체적 이미지’몽타주 이론을 적용한 애니메이션
손은하 한국디자인트렌드학회 2026 한국디자인포럼 Vol.31 No.1
연구배경 영화에서의 몽타주 이론은 특히 소련 시절 여러 평론가에 의해 발전되었다. 본 연구는 그 가운데 에이젠슈테인의 몽타주이론의 발전 과정을 따라가 보고, 실제 애니메이션을 대상으로 하여 사용된 사례들을 살펴보려고 한다. 연구방법 한국에서 개봉한 애니메이션들 가운데 몽타주 이론이 잘 접목된 작품을 선정하여, 에이젠슈테인의 ‘총체적 이미지’몽타주에서 제시한 ‘조화로운 이미지’, ‘표상과 이미지’, ‘수직적 이미지’에 해당하는 장면들을 찾아 분석한다. 연구결과 ‘조화로운 이미지’는 노골적인 충돌의 몽타주에서 벗어나, 장면과 장면 사이의 카메라 구도나 색감, 대위법적인 표현, 화면 분할 등을 이용하여 표현하였다. ‘표상과 이미지’에서는 상징적인 표현을 통해 나타내고자 하는 바를 간접적으로 나타내었고, ‘수직적 이미지’는 다양한 감각을 예술적이고 통합적인 방법으로 나타냈다. 여기서는 음조적 일치에 해당하는 장면을 분석하였다. 결론 에이젠슈테인의 몽타주 이론의 변화와 발전 과정을 살펴본 후 각 애니메이션의 장면에서 적용된 사례를 통해 활용되고 있는 바를 분석하였다. 장면과 장면의 충돌을 통해 나타나는 이미지의 해석에서 머물지 않고, 포괄적이고 종합적인 시각으로 발전하여, 총체적인 관점에서 작품의 영상미를 높일 수 있는 방법으로 몽타주 이론은 현재에도 유용한 도구임을 알 수 있다. Background The theory of montage in film was developed by various critics, particularly during the Soviet era. This paper primarily studies Eisenstein's theory of montage. It analyzes scenes used in actual animation. Methods Among the animations, I selected works that well incorporated the theory of montage, and looked for scenes that corresponded to the ‘Harmonious image,’ ‘Representation and image,’ and ‘Vertical image’ in the montage of the total image suggested by Eisenstein. Result“Harmonious images” move beyond montages of overt conflict, expressing themselves through camera angles, color palettes, counterpoint, and split screens between scenes. “Representation and image” indirectly conveys the intended message through symbolic expression. Finally, “Vertical images” represent diverse senses in an artistic and integrated manner. Here, scenes corresponding to tonal unity are analyzed. Conclusion This paper examines the development of Eisenstein's montage theory over time and presents case studies of its application in various animations. Beyond the initial interpretation of images through the clash of scenes. I found that the theory evolved into a comprehensive and holistic approach, demonstrating its continued utility as a tool for enhancing the visual beauty of works from a holistic perspective.
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