<열녀함양박씨전>의 박씨와 『삼강행실도: 열녀편』의 관계를 통해 본 열녀제작의 심리적 요인

서은아 ( Seo Eun-a ) 한국고전문학교육학회 2008 고전문학과 교육 Vol.16 No.-

The author analyzed the psychological factors which affected on the way of Mrs. Park in the < Yeleohamyangparksigeon > became a virtuous woman and compared these psychological factors with a virtuous women in Samganghaengsildo based on the relationship between Mrs. Park in < Yeleohamyangparksigeon > and Samganghaengsildo's the virtuous women volume. First of all, it’s about the power of authority on women. The volume of Samganghaengsildo’s virtuous women was about the group of women who were recognized as virtuous women by the king who had absolute power at the time period. The volume of Samganghaengsildo’s virtuous women was very well known for women. This book had a huge impact on women since the government authority educated the women using this book. In addition, the incredible events which were written in Samganghaengsildo indicated that the behavior of virtue was the right thing to follow since even super power recognized it as a good thing to do and the woman might be punished when she didn’t follow the behavior of virtue. Second, it was based on the similarity of circumstance and uncertainty for the future. Mrs. Park in < Yeleohamyangparksigeon > showed similar behavioral patterns with a virtuous woman in Samganghaengsildo since she took her role model from the virtuous woman. When Mrs. Park lost her husband, she was not sure about her future and the volume of Samganghaengsildo pointed out that there was another world after the death and she would meet her husband again after the death. In addition, the incorrect information that she would feel better psychologically when she followed her dead husband instead of living herself. Third, it is about the resemblance of obsessive mind and self internalization. The examination of the record of Mrs. Park showed that Mrs. Park tried to internalize integrity, loyalty, and virtue of virtuous women in Samganghaengsildo and became herself like virtuous women. In addition, the woman’s obsessive mindset remarkly reflected in Samganghaengsildo. For instance, Mrs. Park in < Yeleohamyangparksigeon > held to the time of death of her husband and the writer who wrote about the behavior of Mrs. Park also emphasized that the time of death of Mrs. Park was closed to the time of the death of her husband. This explained that the obsessive mindset of women in the epic of virtue women could have influence on the women’s mind who tried to show the similar behavior with a virtue woman and internalize it. Finally, the people of the day also were not free from it.

구비설화를 활용한 출생가족 내 형제자매갈등 상담 프로그램 개발 -어머니의 성차별로 인한 남매갈등-

서은아 ( Seo Eun-a ) 한국문학치료학회 2023 문학치료연구 Vol.68 No.-

본 논문에서는 출생가족 내 형제자매갈등 중 ‘어머니의 성차별로 인한 갈등’에 한정하여 연구를 진행하였다. 여기서는 어머니의 성차별로 인한 남매 갈등 설화의 양상을 살펴보고, 실제 내담자를 대상으로 한 상담에 설화가 어떻게 활용될 수 있을지 확인해 보았다. 2장에서는 어머니의 성차별로 인한 남매갈등에 활용될 수 있는 설화군을 제시해보았는데, [오뉘 힘내기, 아들 편든 어머니] 설화군, [오뉘 힘내기, 동생 걱정한 누이] 설화군, <이성계와 변시열 장군>, <오누이의 절 짓기, 못 막기 시합(2)>, <불국사와 오누이>, [불가사리] 설화군이 여기에 해당될 수 있었다. 그리고 각 설화군과 설화에서 보이는 남매갈등의 양상을 정리하여 보았다. 3장에서는 이 설화군, 혹은 설화를 대상으로 실제 내담자를 대상으로 한 상담을 진행하였다. 그 결과 해당 설화군, 혹은 설화는 내담자가 처한 인간 관계 속에서 내담자 본인의 자기서사를 이끌어내고, 내담자가 설화 속 인물들의 삶을 통해 객관적으로 자신의 문제를 바라볼 수 있게 하며, 내담자 본인의 관점에서 설화를 해석하고 자신의 상황에 맞게 수정해 나간다는 것을 확인해볼 수 있었다. 또 [오뉘 힘내기, 아들 편든 어머니] 설화군에서 [오뉘 힘내기, 동생 걱정한 누이] 설화군에서 실패의 요인을 찾아 해결방안을 제시한다면, 그것은 둘 중 하나이다. 한쪽이 더 이상 주장하지 않는 부재의 상태가 되든지, 아니면 대화를 통해 소통하는 것이다. 이런 의미에서 <최장수와 누나의 힘>이라는 설화는 남매간의 소통을 보여주는 중요한 작품서사가 될 수 있다. In this paper, the study was conducted only on conflicts caused by gender discrimination of mothers among sibling conflicts in birth families. Here, I looked at the aspects of the story of sibling conflict caused by the mother's gender discrimination, and how the story can be used in counseling for actual clients. Chapter 2 presents a folktale-cycle that can be utilized in addressing sibling conflicts caused by the mother's gender discrimination. These include Sibling Competition and Mother's Favouritism folktale-cycle, Sibling Competition and Sister's Care folktale-cycle, < Lee Seong-gye and General Byun Yeol-sa >, < Onui's making a temple and a nail-blocking competition(2) >, < Bulguksa Temple and Onui >, Bulgasari’ Monster folktale-cycle. In addition, I also summarized the aspects of sibling conflict observed in each folktale-cycle and folktale. In Chapter 3, counseling was conducted on actual clients for this folktale-cycle or folktale. As a result, it was confirmed that the folktale-cycle or folktale elicits the client's own narrative in the client's human relationship, allows the client to objectively look at his or her problems through the lives of the characters in the story, and interprets the narrative from his or her own perspective and corrects it to his or her situation. In addition, if the Sibling Competition and Sister's Care folktale-cycle finds the factors of failure and suggests a solution, it is one of the two. Either one side is in a state of absence that no longer asserts its rights, or it is communicating through dialogue. In this sense, the folktale of The Power of Choi Jang-soo and Sister can be an important narrative that demonstrates communication between siblings.

<구렁덩덩신선비>를 이용한 부부상담의 가능성 탐색

서은아 ( Seo Eun-a ) 한국고전문학교육학회 2006 고전문학과 교육 Vol.12 No.-

In this paper, I used the story of Gurungdungdung Shinsunbee to explore how marital conflict might be resolved. In this story, the wife is rejected by her husband's family because she breaks a taboo; eventually, she overcomes the problem and rejoins her husband. I wanted to show how the solution presented in this folktale might apply to real-life conflicts between spouses and their families. The conflict in the folktale of Gurungdungdung Shinsunbee occurs when the husband asks his wife to keep "a case-off skin." When her older sister takes it away and burns it, the wife has to leave her husband. Essentially, the behavior of her older sister causes her to break her promise and severs her attachment to her husband's family. In the process of finding her way back to her husband, she learns to accept the role of wife and leave behind her role as youngest daughter in her first family. The husband and wife resolve this conflict by following traditional social norms, clearing up their misunderstanding, being honest, and overcoming obstacles. In the process, the wife, once the youngest daughter in one family, discovers the true meaning of her new role in a new family.

19,20세기 초 국어의 풀이씨 이름씨 씨끝 -ㅁ,-기 연구

서은아 ( Eun A Seo ) 한말연구학회 2001 한말연구 Vol.- No.8

This study deals with the direction of change of nominalizers `-m` and `-ki` with respect to the preservation, the expansion, and the reduction in the scope of their realizations. The contents discussed here can be summarized as the following. First, in the 19th-century Korean, the scope of nominalization had been expanded in the case that a `-m`-adjoined clause functioned as a subject in a clause and that a `-ki`-adjoined clause functioned as an object. In the 20th-century Korean, the scope of `-m` had been expanded when its realization functioned as an object, and the one of `-ki` was expanded when its realization functioned as a subject. Secondly, `-m` was more frequently used than `-ki` when `-m` and `-ki` each maintained its scope. Thirdly, the mixed uses of `-m` and `-ki` in the same sentence were identical in the two periods. Particularly, the historical evidences of these mixed uses provide the explanation about the direction of change in `-m` and `-ki`.

고전작품을 활용한 각색스토리텔링의 세 가지 방식

서은아(Seo Eun a) 서울여자대학교 인문과학연구소 2012 인문논총 Vol.25 No.-

In this paper, three ways of creating a cultural-content story based on classical literatures are discussed. The results are followed. The first of way of creating a new story is that the main storyline will be the same while adding new storylines. For instance, the writer looks for the part which is not understandable and adds new storylines. Second, the writer keeps the main storylines of classical literature and adds the story of what happens after the end of classical literature. For instance, the writer can borrow the main storylines of classical literature and creates a new story. Or the writer can add the story of what happens after ending of old-literature. The third way is a new twist of classical literature. For instance, a new story starts with the same storyline of classical literature at the beginning of it, and then, a new storyline is added. Or, a new story is created from the perspective of a person overlooked piece of work by twisting the story.

<장화홍련> 이야기의 문학치료적 효용

서은아 ( Seo Eun-a ) 한국문학치료학회 2007 문학치료연구 Vol.7 No.-

This study analyzed the content of narration in the six folk-tales of “JangHwa HongRyeon” and “The novel of JangHwaHongRyeon” and then examined about how this story could be used for the literature therapy. First of all, the stories of “JangHwaHongRyeon” and “The novel of JangHwaHongRyeon” made up of five different sequences such as 1) After his first wife died he married again and then, two daughters (JangHwa and HongRyeon) were left to the tender mercies of his stepmother; 2) the step-mother made a false accusation about her step-daughters; 3) the step-daughter were drowned to death; 4) the step-daughters who were drowned to death became a ghost and showed up in front of “Wonnim” and asked to revenge since they had a grudge against their step-mother; 5) the “Wonnim” revealed the crime of the step-mother and disentangled from a grudge over their step-mother. [“Wonnim” is a governmental officer who rules the district] Second, the author examined how the story of “JangHwaHongRyeon” and “The novel of JangHwaHongRyeon” could be used from the perspective of literature therapy. From the father`s point of view, the father who was in the realm of father and mother epic expected that his daughters should obey their parents unconditionally. However, he lost his mind when he found out that his daughters had an abortion and made them drown to death because he could not let his daughters to move from the realm of father and mother epic to the realms of man and woman epic. Like in the story of “JangHwaHongRyeon” and “The novel of JangHwaHongRyeon,” two daughters returned to life and rejoined with their father and their father realized that he made a mistake and let his daughters move to the realm of man and woman epic or the realm of husband and wife epic. From JangHwa and HongRyeon`s standpoint, two daughters, who obeyed their father unconditionally before, were negative and passive women. However, when two daughters were confronted by death, they became active women through self-awakening. The third, the author discussed how the story of “JangHwaHongRyeon” and “The novel of JangHwaHongRyeon” could be used in the literature therapy. This story could be beneficial for the father who is in the same situation. The problem in the story of “JangHwaHongRyeon” is that the father didn`t know the difficulty of their daughters when he got married since he showed apathy towards his family. In addition, he still missed his wife who passed away so he took his daughters side instead of his new wife and made them against each other. For the fathers who are in the same situation, they should realize that theirs children are in the realm of father and mother epic so they have to provide care for their children and also, their children could not stay in that realm. The children have to move to the realm of man and woman epic later on. In addition, in the realm of husband and wife epic, the husband should not compare his new wife over his wife who passed away and treat his wife as one human being and as a mother of his daughters even though she is not a biological mother.

<운영전>의 인간관계 분석과 문학치료에의 적용

서은아 ( Seo Eun-a ) 한국문학치료학회 2009 문학치료연구 Vol.11 No.-

본고에서는 <운영전>의 세 중심인물 안평대군· 운영· 김진사 사이의 인간 관계를 분석하고, <운영전>이라는 작품이 문학치료에는 어떻게 사용될 수 있을지 고찰해 보았다. 먼저 <운영전>에서 운영이 안평대군을 바라보는 위치는 자녀서사영역에, 운영이 김진사를 바라보는 위치는 남녀서사영역에 위치한다는 것을 이야기 할 수 있었다. 이러한 관점에서 볼 때 <운영전>은 운영이 자녀서사영역에서 남녀서사영역으로의 이행을 꾀하다가 실패한 서사이며, <운영전>에서 드러나는 애정 삼각관계의 특징은 한쪽에는 아버지, 다른 한쪽에는 사랑하는 남성이 자리 잡고 있다. 다음으로 <운영전>이 문학치료적 효과를 줄 수 있는 대상은 첫째, 운영의 입장에서 김진사를 바라보고 있는, 즉 남녀서사영역에 위치하고 있는 사람들의 경우이다. 이런 사람들에게 <운영전>은 현재 애정관계를 점검해볼 수 있는 텍스트로 활용이 가능하다. 둘째, 운영처럼 자녀서사영역에서 남녀서사영역으로 이행을 꾀하고 있거나, 이행을 꾀하다 좌절한 사람들의 경우이다. 이런 사람들에게 <운영전>은 자신이 불안해하는 것의 실체가 무엇인지, 사랑의 방해요인으로 작용하는 금기가 자신이 극복할 수 있는 것인지를 객관적으로 판단하게 해준다. In this paper, the author analyzed the relationships of three main characters Anpyong daegun(안평대군), Woonyoung(운영), and Kim Jinsa(김진사) and examined the possibility of using the epic of “Woonyoungjeon(운영전)” as a tool of literature therapy. First of all, the author emphasized that from the point of Woonyoung, the way of looking at Anpyong daegun indicated the realm of son and daughter epic and the way of looking at Kim Jinsa indicated the realm of man and women epic. Based on this point of view, the author claimed that Woonyoungjeaon is the epic about Woongyoung who tried to move from the realm of son and daughter epic to the realms of man and woman, but she was not successful. In addition, Woongyoung is the center of love triangle because Woonyoung has her father for the one side and his boyfriend for the other side. Next, the author stated the possibility of using "Woongyoungjean" as a tool of literature therapy. First, when the author examined the way of looking at Kim Jinsa from the point of Woonyoung, the authors found out that this epic can be used for the people who are in the realm of man and woman epic. For example, the people who are in the relationship can check their relationship using this text. Second, people who tried to move from the realm of son and daughter epic to the realm of man and woman epic but the transfer was not successful can use this text to look at the cause of the failure. People can find out the source of their nervousness and whether they can overcome the taboo which prohibits their successful love using the epic of "Woongyoungjeon". In addition, people who already failed a love relationship can reexamine the source of failure and how to overcome the taboo and eventually will have a better relationship.

원전 폐콘크리트의 방사성 폐기물 처분용 고화제로의 활용을 위한 고화체 특성 평가

서은아(Eun-A Seo),이호재(Ho-Jae Lee),권기현(Ki-Hyon Kwon),김도겸(Do-Gyeum Kim) 한국건설순환자원학회 2021 한국건설순환자원학회 논문집 Vol.9 No.4

이 연구에서는 원전 해체 콘크리트에서 분리된 폐콘크리트 미분말을 방사성 폐기물용 고화제로 재활용하기 위한 성능평가를 수행하였다. 원전 해체 콘크리트에서 분리된 폐콘크리트 미분말을 모사한 시료를 제작하였으며, 주요 변수는 결합재 종류와 제올라이트 혼입율이었다. 고화제 특성평가는 유동성과 압축강도 및 비방사성 세슘에 대한 침출 저항성을 수행하였다. 폐콘크리트 모사시료의 압축강도는 제올라이트 혼입율이 증가함에 따라 증가하였으며, 제올라이트가 5% 이상 혼입된 고화제는 인수기준 대비 1.4∼1.7배 높은 압축강도를 나타내었다. 모든 시험체의 세슘 침출지수는 6 이상으로 인수기준을 만족하였으며, SA의 침출지수는 OPC 대비 1.47∼1.63배 높게 나타났다. 특히, 제올라이트 5% 치환 고화제의 28일 이후 평균 침출지수는 9.15으로 OPC 대비 약 6.4% 향상되었으며, 전 기간 동안 안정적인 성능을 나타내어 제올라이트가 세슘이온에 대한 침출저항성 향상에 효과적임을 확인하였다. The purpose of this study is to evaluate the performance of a solidifying agent for recycling the fine powder separated from the nuclear power plant decommissioned concrete as a solidifying agent(SA) for radioactive waste. In order to evaluate the performance of the solidifying agent, a powder simulating the fine powder of waste concrete separated from the dismantled concrete of a nuclear power plant was produced, and the main variables were the type of binder and the replacement ratio of zeolite. The solidifying agent was evaluated for fluidity performance, compressive strength, and leaching resistance to non-radioactive cesium. The compressive strength of SA increased as the zeolite replacement ratio increased, and the SA containing 5% or more of zeolite showed a compressive strength that was 1.4 to 1.7 times higher than the acceptance criteria. The cesium leaching index of all specimens was 6 or higher, satisfying the acceptance criteria, and the leaching index of SA was 1.47∼1.63 times higher than that of OPC. In particular, the average leaching index after 28 days of the 5% zeolite-substituted solidifying agent was 9.15, which was improved by about 6.4% compared to OPC, and it was confirmed that the zeolite was effective in improving the leaching resistance to cesium ions by showing stable performance over the entire period.

<나무꾼과 선녀>의 부부갈등 중 `선녀의 개인적 결점`으로 인한 갈등과 그 문학치료적 가능성 탐색

서은아 ( Seo Eun-a ) 한국문학치료학회 2005 문학치료연구 Vol.2 No.-

This study deals with conflicts between husband and wife, focusing particularly on the "personal flaws" of the heavenly maiden and the means by which these conflicts are eventually resolved. Also, based on actual cases, the possibility of using literary therapy to resolve real-life problems is explored. The findings include the following: First, the conflicts arising from the personal flaws of the heavenly maiden begin when she refuses to accept the changes required of her as a woodcutter`s wife. Although she married him, she misses her former life in heaven and thinks only of returning to her heavenly home as soon as she recovers her flying dress. Therefore, she is unwilling to adjust to her married situation or compromise with her husband, and eventually this interferes with communication between husband and wife. Second, when she returns to heaven after regaining the flying dress, she finds her status changed because of her "sins" of marrying a human being and having his children. These sins incur her father`s hatred, but when the woodcutter follows his family to heaven to live with them, the heavenly wife begins to support her husband positively and place her loyalty to him above peripheral issues. Thus, the conflicts caused by her rejection of changes on earth are resolved by her new willingness to change her perspective and her behavior. Third, this study explores the possibilities of utilizing the story of the woodcutter and the heavenly wife in literary therapy. Real-life cases in which the wife is unwilling to change or compromise often resemble the condition of the heavenly maiden; thus, similarities can be identified and presented concretely. In other words, applying the methods the heavenly maiden used to resolve conflict in the fable can lead to open discussion and possible resolution of conflict in real-life cases.

재난보도 방송에 사용된 자극적 표현 연구

서은아 ( Seo Eun-a ),김형주 ( Kim Hyeong-ju ) 한민족어문학회 2017 韓民族語文學 Vol.0 No.76

이 연구에서는 재난보도 방송에 사용된 자극적 표현의 개념을 명확하게 규정하는 한편, 2014년 4월 16일 세월호 사고를 다룬 지상파 채널 3곳과 종합편성 채널 3곳의 정규 뉴스 프로그램 6회 분(88,133음절)을 대상으로 `자극적 표현`의 유형을 8가지로 세분하여 그 사용 실태를 점검하였다. 그 결과, 피해 상황을 과장하는 정도 표현으로는 `대형-`과 `최악`의 사용 빈도가 높고, 구조 상황을 과장하는 과일반화 표현으로는 `총동원`과 `급파`, `필사` 등의 사용 빈도가 높은 것으로 나타났다. 아울러 피해 상황을 과장하는 극단적 표현으로 `아비규환`과 `아수라장`이 널리 사용되고 있는 것을 확인하였다. 그런데 이들 표현은 정확성이 떨어질 뿐만 아니라 언론의 감시 기능을 소홀히 했다는 비난을 받을 수 있다는 점에서 문제가 있다. 뉴스 진행자의 직접적인 감정 표현으로는 `안타깝다`를, 수사적인 감정 표현으로는 `악몽`을 자주 사용하는 것으로 나타났고, 피해자 가족의 감정 표현으로는 `오열하다`와 `항의하다`를 많이 사용했는데, 이들 표현은 `과어휘화`의 문제가 우려된다는 점에서 신중한 사용이 요구된다. 피해 상황의 구체적인 묘사 표현으로는 뉴스 진행자가 사고 직후 피해 현장을 생중계로 직접 묘사한 표현과 목격자의 진술에 근거한 표현보다 방송 진행자의 추측이나 가정에 근거한 표현이 많이 사용되었다. 피해자의 슬픈 사연 소개 표현으로는 50년 지기 초등학교 동창생의 마지막 환갑 여행에 관한 이야기에서부터 여섯 살 어린이의 신상을 파헤친 이야기, 희생자들이 가족과 주고받은 문자 메시지를 공개하는 등 자극적인 사연을 소개하는 것을 확인하였다. This study examines the inciting expressions in disaster broadcasting with the aim of preparing guidelines for appropriate language use in disaster news reporting. The analysis is carried out on news reports on the Sewol ferry disaster April 10, 2014 by three terrestrial broadcasters(KBS News 9, MBC Newsdesk, SBS 8 News) and three general cable TV channels(ChannelA News, MBN News 8, JTBC News 9). The collected news reports analyzed in terms of the following eight criteria: 1. superlative exaggeration expression, 2. over generalization exaggeration expression, 3. extreme exaggeration expression, 4. emotions expression of newscasters, 5. emotions expression of victim`s family, 6. representation of the damage situation, 7. representation of the rescue situation, 8. sad story of victim`s. The results are as follows: The frequency of use of `대형(oversize)` and `최악(worst)` is high in the superlative expression that exaggerates the damage situation, and the frequency of use of `총동원하다(mobilize fully)`, `급파 하다(dispatch)`, `필사(prepared for death)` Respectively. In addition, it was confirmed that `아비규환(agonizing cries)` and `아수라장(pandemonium)` were extensively used to exaggerate the damage situation. However, these expressions are problematic in that they are not only inferior in accuracy but also criticized for neglecting the monitoring function of the press. The news facilitator often used `안타깝다(sorry)` as a direct expression of emotions and the `악몽(nightmare)` as a rhetorical expression of emotions. The victim`s family, they used a lot of `오열하다(omit)` and `항의하다(protest)`, but these expressions require careful use because they are concerned with the problem of `over lexicalization`. As a concrete description of the damage situation, the expression of the news facilitator directly after the accident was portrayed directly by the live broadcast and the expression based on the assumption of the witness` The story of the victim`s sad story introduction includes a story about the last sixty years old children`s story from the story of the last sixty-fifty year old Jianguo elementary school alumni, and the story of the victims revealing the text messages exchanged with their families.