영화 배경으로서의 도시 공간의 특징과 의미 해석 - 1960년 이후의 한국영화를 중심으로 -

서영애,조경진,Seo Young-Ai,Zoh Kyung-Jin 한국조경학회 2006 한국조경학회지 Vol.34 No.1

The purposes of this study are to analyze the meanings of urban spaces which are the background of the Korean films, and to capture the interactions of ordinary culture and urban spaces. By reading urban spaces through films, it is possible to understand the variety of experiences that are hardly captured with direct eyes, specific and vivid urban images, and various events formed by the interactions of spaces and people. The scope of the study is the urban spaces revealed in Korean films portraying cities after the 1960's as their settings, and the total of 18 films was selected with every $4{\sim}5$ films for each time stage. With the selected films, analytical meanings were developed with considering three aspects; 1) phylogenetic meaning that simply reflects social-cultural and historical background, 2) the outer strum meaning that concerns the situation of special background and film scene, and 3) metaphorical and metanymic meaning on films. According to the appearance frequency, spatial backgrounds of film scenes are mainly alleys, main streets, railroad, loft, and riverside. And then the connection between spaces and meaning clusters was grasped, and reflected meanings were derived for every spaces. And the meaning of urban space in films was analyzed based on the meaning of developments and outer stratum. The fundamental characteristics and feelings of people in media such as films are more emphasized than in real world. Urban space is not considered as a simple visible shell, but is recognized as 'a real situation' created by people. The intension of this study was to open the possibility of the various views of urban spaces. The construction of the urban space should be approached from a perspective of creating new places at where the space and human beings interact with considerations of stories of various human lives. I hope new vistas can be opened up for the research subjects and methodologies about the hereafter study of urban spaces through the mutual communications with various adjacent regions including films.

남산 회현자락 설계 공모 출품작에 대한 역사도시경관적 분석

서영애,Seo, Young-Ai 한국조경학회 2015 한국조경학회지 Vol.43 No.4

본 연구는 남산 회현 자락 설계 공모에서 수상한 작품을 역사도시경관 관점으로 분석하여, 각 설계안의 역사도시경관 접근 특성을 분석하고, 한계와 시사점을 도출했다. 회현 자락은 남산에서 한양도성과 공원의 변화가 가장 많은 장소로서 최근 발굴을 통해 조선시대의 성곽 유구와 일제 강점기의 흔적이 확인된 바 있으며, 근 현대의 공원 시설이 공존하는 대상지다. 역사도시경관 개념과 접근 방법, 전문가 논의, 현상 공모 지침서를 토대로 분석의 틀을 도출하여, 분석 항목으로 장소성과 문화다양성의 이해, 시간적 층위의 인식과 설계 구현, 보존과 공원 이용 방법, 향후 관리 방안으로 구분하여 출품작을 분석했다. 연구 결과, 역사도시경관 관점에서 볼 때 각 출품작은 장소성과 문화 다양성을 이해하고, 시간적 층위를 독창적인 방식으로 설계에 반영하고 있다는 점을 확인했다. 보존 대상에 대한 우선 순위를 선정하여 창의적인 개입 방법을 제시하고 있으나, 보존과 이용이라는 상반된 개념을 통합하는 면에서는 보다 실효성 있는 대안이 요구된다. 연구의 시사점으로 보존과 개발에 대한 새로운 인식과 접근 방식에 대한 가능성을 확인했으며, 역사적 층위가 중첩된 서울의 가치 있는 대상지의 보존과 관리를 위해서는 조사와 맵핑을 통한 역사경관 기본 계획이 수립될 필요가 있다. 본 연구에서 제외된 지역 주민 참여, 민관 네트워크에 의한 프로세스에 대해서는 향후 연구가 확대되어야 한다. 본 연구가 앞으로 역사문화적 가치가 큰 대상지의 설계에 방향을 제고해 줄 것을 기대한다.

이교원 조경의 특성에 관한 연구

서영애,최정민,조경진,Seo, Young-Ai,Choi, Jung-Min,Zoh, Kyung-Jin 한국조경학회 2007 한국조경학회지 Vol.35 No.2

This study aims to investigate the characteristics of Lee Kyo-Won's landscape architecture and add to the literature in this field. Also, the current status of and issues in landscape design will be dealt with through the lens of the individual landscape architect's worts. By adopting a critical analysis, this study will look closely into the background of his career and ideas regarding landscape design. The inherent nature of his coherent style in landscape design will be listed as follows: total design, design-build systems, experimentation with new kinds of plants and materials, and the pursuit of minimalism. His design domain covers various elements such as paving, street lamps, and clock towers, among others. He was often involved in managing outdoor sculpture and he also provided the total packaging of the design-build systems for most of his landscape projects. These are the main reasons why his landscape works can maintain their high end quality; through his craftsmanship, a fine quality of detail was achieved in his landscape design. This tell us the possible options that can be adopted such as landscape architectural design management or landscape architectural turn-key systems, which differ from the prevailing dual system between design and construction. However, his own particular system can not be replicated in ordinary situations because contemporary practices require us to coordinate the various stakeholders concerned in the decision-making process of the design. In general, it is fair to say that we can give him the credit for enhancing the status of landscape design as an independent, specialized field.

역사도시경관으로서 세종대로 (구)국세청 별관 부지 설계

서영애,Seo, Young-Ai 한국조경학회 2016 한국조경학회지 Vol.44 No.1

The Seoul metropolitan government announced an open design competition for reconfiguring the annex building of the National Tax Service Building site on Sejong-daero as a space for citizens to commemorate the 70th anniversary of Korea's liberation. The site, built during the Japanese colonial period, has been in use ever since. This study, as one of the entries for the competition, described the strategy and design contents by drawing the concept and main points of the design through an analysis of the historical context of the site. As the guidelines instructed to consider the value of the Sejong-daero area and the cultural heritage through a comprehensive analysis, this study specified the site as a place connecting the past, present and future. Since the foundation of the Joseon dynasty, the Korean Empire and the Japanese colonial period, Sejong-daero has been a main site for important events and activities along with the change of the city structure. Jungdong, to the rear of the site, was a place for adopting new culture during the beginnings of modern Korea, while adjacent places like Duksugung, the Anglican church, and the Seoul City Council building have also been historic urban landscapes of the historical layers of time as the city has changed. When Gojong announced the Korean Empire, the city structure was remodeled with this site as the center along with Sogong-ro, Wongudan and so forth. In this study, public interest stated in the guidelines was focused and the relevance of the road and the plaza was considered from the view of an historic urban landscape by a comprehensive analysis with Sejong-daero as the center. The restoration of public interest was to be drawn as the concept of the object site by considering the current status and the change around the site and Jungdong at the rear. Returning the site to the public is ambiguous with the relevance of the restoration of public interest and as the symbol of the idea of the Korean Empire by Gojong's announcement. The object site, having the characteristic of being returned to the public, must ensure public interest and therefore the design strategy has been established with the keywords of openness, connection and void. As a result of a review of the alternatives, a plan for a square has an 8% slope, just as the original site does, and provides ramps for convenient access for all, including the disabled and the elderly, and is connected to the grounds adjacent. No construction is allowed at the terrace square of the Anglican church level and the main square connected to the pedestrian street, so a variety of modern city utilization can be done. The value of the site at which this design is aimed shall be given back to the public with the concepts of modern democracy, independence, and the vision of Gojong by reinterpreting the space from a modern viewpoint. This study focused on the processes of establishing a main concept and strategy rather than the content of the design details, and the suggestion is meaningful in that the design for the object site with historic backgrounds and the layers of time can continue to be grown.

일제강점기 광장의 생성과 특성 - 조선은행 앞 광장을 중심으로 -

서영애,심지수,Seo, Young-Ai,Sim, Jisoo 한국조경학회 2017 한국조경학회지 Vol.45 No.4

A plaza represents the identity of a city, and that reveals a plaza's importance. Gwanghwamun Plaza and Seoul Plaza are two representative plazas where the citizens can freely express their opinions. Many major plazas in the center of Seoul were built under the Japanese occupation. Among these, the plaza of Joseon Bank has different characteristics than Gwanghwamun Plaza and Seoul Plaza. Even though this plaza was built in the center of the commercial, administrational, and cultural district during the Japanese colonial period, the research on this plaza has been limited. This study was conducted to verify the features of this plaza by analyzing its construction and transformation during the Japanese colonial period. The study's results outline how the plaza was constructed by the Japanese administration. The intention of the government is shown by the fact that it purchased land parcels and held a design competition. In the 1910s, the government purchased seven parcels of land during the expansion of roads as the place for the plaza. During the late 1930s, the government accepted a traffic circle to regulate the traffic and eliminate the conflict between crossing movements. In 1939, a fountain was built in the plaza's center, and its design was selected through a design competition. It was planned as a square, but gradually turned into a rotary. Furthermore, the plaza was a landmark and symbol of the power and modernity of Japan. As the main modal point of public transportation, the plaza became surrounded with largescale Western-style buildings, commercial advertising, and neon signs. The plaza became a place where people could experience the modern city. These spectacular displays showed that Japanese imperialism was perceived as a strange and peculiar landscape to the majority of Korean citizens. This study investigates the history and characteristics of the plaza, focusing on its beginning as well as the transformation of its form. As to the limitations of the study, it does not consider political and economic contexts within the transformation of Seoul and in relation to this plaza. Instead, that research remains for a future study.

남산공원 태동기의 공간별 활용 유형 -1883∼1917년까지 신문기사를 중심으로-

서영애 ( Young Ai Seo ),손용훈 ( Yong Hoon Son ) 한국전통조경학회 2013 한국전통조경학회지 Vol.31 No.1

As a symbolic landscape of Seoul, Namsan has undergone not only physical changes but also changes in its human use and characteristics. At this point, research on Namsan, which holds diverse stories that have accumulated over a long period, as a cultural landscape is necessary. In particular, a concrete understanding of the characteristics of the mountain`s use in the period of its initiation as a modern park is an important task in research on the history of urban parks. Consequently, the purpose of the present study lies in grasping the use of Namsan at the time of the establishment of Kyongsungbu Namsan Park Design Proposal in 1917 and examining the characteristics per space. The research process was based on the status of the park design plan. The primary source of information came from the analysis of historical newspaper articles. Additional materials including documents, old maps, photographs, postcard materials were also used. The period of the study was 1883 to 1917. This time was the initial period of Namsan Park soon after the opening up of Korea`s ports to the world. The major spaces in which Namsan was used as a park encompassed Hanyang Park, Waeseongdae Park, Noin-jeong, Jangchung-dan, and remaining parts of Namsan in a natural state. When the main ways in which each space is used are examined based on the data analyzed, Namsan has been used for purposes including public events, accidents, religious worship, track and field days, field trips, and strolls. When the nature of each of the spaces is determined in terms of the characteristics of their use, these spaces were characterized as community parks, outdoor community spaces, indoor community spaces, sports arenas, and natural parks, among other things. The present study is significant in terms of research on the history of parks for confirming that Namsan in the initial period already served as a modern park for urban activities and grasping the specific urban activities that were engaged in on Namsan.

현대 조경에서 지역 정체성 구현 양상 - 용산공원 설계 국제공모 출품작을 사례로 -

서영애 ( Seo Young Ai ) (사)한국경관학회 2015 한국경관학회지 Vol.7 No.1

Regional identity constitutes one of major issues in both the theory and design of contemporary landscape architecture. The International Competition for Master Plan of the Yongsan Park, Korea, 2012, has profound significance for the discussion of such an issue. This study aims to understand the aspects of design strategies for regional identity in the entries to the competition. In this study, the issues could be discussed with the interpretation of the diverse aspects of design concepts and strategies for regional identity in contemporary landscape. This study progressed with two processes of the competition and the analysis of the entries. The guidelines for the competition were made through the precedent plans of Yongsan Park for the last 20 years, which suggested the implementation of Korean landscape and the restoration of regional identity. The design content of each entry was analyzed in how they were implemented with the keywords involving Korean, identity, traditional idea and context of the place. As a result of the study, the aspects of the design strategies of regional identity in the entries were summarized as follows: recovery of the landscape by symbolic topography, contemporary reinterpretation of the Korean perspective of place, and maximization of the site's potential. The entries had different concepts with diverse strategies, but they made good use of a comprehensive understanding of Korea’s unique landscape and leisure culture as well as the discovery of the regional characteristics of Yongsan in their designs. This study is meaningful in that it has extended the possibility of the discussion on the ways of practice for regional concepts in contemporary landscape by considering the aspects of how regional concepts have been realized in the designs.

영화에 나타난 센트럴 파크의 문화 경환 해석 - 우디 앨런 영화를 중심으로

서영애(Young-Ai Seo),조경진(Kyung-Jin Zoh) 한국문화역사지리학회 2008 문화 역사 지리 Vol.20 No.2

  경관은 공동체적인 삶의 흔적이 누적되면서 형성되므로 단지 물리적인 요소와 그것들의 조합되는 방식으로만 이해될 수는 없다. 본 연구는 뉴욕 센트럴 파크를 문화 경관의 관점으로 조망한다. 센트럴 파크는 150여년 이상 그 가치를 인정받으며 한 도시의 특정 공원을 넘어 대형 도시 공원의 대명사가 되었다. 본 연구에서는 생생한 삶의 이야기가 누적되어 형성되는 센트럴 파크의 문화 경관을 포착하기 위해 오랜 시간 동안 뉴욕에서 꾸준히 작업하고 있는 우디 앨런의 영화를 연구 대상으로 한다. 영화, 소설, 풍경화 등의 재현 매체를 통한 경관 연구는 일상과 밀집한 경관의 의미를 찾아내는데 유용하다. 본 연구는 센트럴 파크의 물리적인 경관 특성을 고찰하고 영화 속에서의 주요 장소와 활동 의미에 대해 사례를 들어 분석한다. 우디 앨런의 영화를 통해서 본 센트럴 파크의 문화 경관은 첫째는 일상과 낭만의 장이라는 점이고, 둘째는 상징과 치유의 장이라는 점이다. 센트럴 파크는 낭만적인 공간으로 삶과 밀착된 일상의 장이며 도시를 상징하는 경관으로서 단순한 자연의 재현을 넘어 도시 생활의 역기능을 치유하는 문화 경관이다. 센트럴 파크가 오랜 역사 속에서 변지 않는 가치를 가질 수 있었던 가장 큰 원동력은 바로 도시 생활과 긴밀히 관계를 맺고 소통하면서 유연하게 진화하고 있다는 점이다.   The idea of landscape is formed by cumulating the communal life and ordinary experience. The essence of landscape cannot be explained by physical elements and its combination but by the people"s perception and colletive memory within it. This study aims at reading the cultural landscape of Central Park, New York by analysing Woody Allen"s films. With the help of films, we can get close to the reality which the park is consumed in the ordinary life. Especially, Woody Allen"s films were selected as the intermediate channel to capture how to use Central Park in everyday life based on several reasons. The diverse characteristics of Central Park represented in the films can be summarized into several categories. The park is portrayed as the place of everyday life and romantic. The park is also understood as one of the quintessential cityscape, especially New York. Lastly, the park is used as a therapeutic place through dialogue with people and contemplation by himself/herself Reading the cultural landscape of Central Park with the lens of films provides us with recognition of the diverse meanings of the park at present. Hence, we are ready to accept the fact that Central Park has evolved with city life beyond the mere representation of nature and it is widely consumed by various ways in ordinary life experience.

조선시대 풍속화를 통해 본 정원의 풍류적 의미 연구

조경진,서영애,Zoh, Kyung-Jin,Seo, Young-Ai 한국조경학회 2008 한국조경학회지 Vol.36 No.5

This study examines the diversity of garden culture in the Joseon Dynasty focusing on genre painting. Genre painting gives us insight into the various ways of enjoying the garden. The intimate activities portrayed in the painting show us about the vivid scenes of Korean garden at that time. Among the various meanings of gardens, sensual pleasure is focused on here. The garden has always been a place of pleasure for seeing, smelling, touching, meeting people and erotic flirting. Here, the oriental aesthetic idea of Pungryu is adopted to reformulate pleasure based on the traditional way of thought. Most Korean gardens in the Joseon Dynasty were understood as the place for Pungryu. Sensuality in the Korean garden associated with a high level of spiritual pleasure. In order to look closely into garden activities, genre paintings were selected and analyzed. Several characteristics were elicited. First, the garden was understood as the medium of communication through reconciling man with nature. Mediating man with nature often calls for uplifting the sense of community within groups of people. Second, the garden was featured as the place of cultural creation. Many scholars utilized the garden as a place for poetic imagination. Therefore, the garden was the locus of intellectual discourse. Third, personal retreat was one of important functions in the Korean garden. the humble attitude toward landscape such as solitude and mediation might be understood as one way of enjoying the nature. Fourth, taste, power and social relations were embedded in garden culture. Therefore, the garden was regarded as a space of distinction. Garden making was understood as one of the high class leisure activity. It was quite natural that the garden was used as a place of showing up their taste and culture. Finally, we need to reinvigorate the rich meanings of garden in contemporary practices. In-depth analysis of garden culture through the lens of genre painting gives us quite useful information in Korean garden culture.

1917년 경성부 남산공원설계안의 삼림공원 개념에 관한 연구

손용훈 ( Yong Hoon Son ),서영애 ( Young Ai Seo ) 한국전통조경학회 2012 한국전통조경학회지 Vol.30 No.4

The purpose of this study is to analyze features and meanings on Kyonsungbu Namsan Park Design Proposal established in 1917, and to discuss the significance of the idea of Forest Park on Namsan Park. This Namsan Park Design Proposal has been the first attempt to apply modern park concept to broaden Namsan area by a professional park planner. The professional park planner to conduct Namsan Park Design Proposal is Dr. Seiroku Honda who is a pioneer of modern Japanese park planning. He clarified the concept of Namsan Park into Forest Park. With his idea we can imaginethe position of Namsan at that time as a meaningful green space in Kyonsung city. In the proposal, the planning boundary of Namsan Park was considered widely as Namsan area into one big park, including the north with existing Wesungdae Park, Hanyang Park, Noinjeong and Jangchungdan, and the south with connecting park to Yongsan area beyond the walls of Hangyang castle. In a wide range of park space of the plan, parkways and park facilities were introduced. How to manage new parkways and facilities were also considered together. The significance of this plan is that it is the first trial of modern park planning with Namsan. In addition to the analysis of Kyonsungbu Namsan Park Design Proposal, the modern meaning and implications were also discussed.