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중세 영국 로맨스 영웅을 찾아서: 『해브럭』에 나타난 이상적인 군주
배경진 ( Kyung Jin Bae ) 영미문학연구회 2009 영미문학연구 Vol.16 No.-
The Middle English romance, Havelok, composed around 1289-1300 and one of the oldest English romances, relates a rags-to-riches male Cinderella story of heroic adventure, heroes and villains, and restored kingdoms. Considering the fact that the subject of half of the romances in Anglo-Norman dialect we know of today is English heroes, this paper aims to examine an English hero in Havelok in an attempt to reveal some characteristics that distinguish Middle English romances from the counterparts of the Continent. Even though every Middle English romance of English heroes has an Anglo-Norman antecedent, the heroes in Middle English romances reveal very unique social contexts of England, where, unlike the continental hereditary nobility, the feudal organization is relatively inclusive and flexible. As Middle English romances address not only gentle audiences but also bourgeois and peasant audiences because of their language, Havelok also stretches to encompass a wider community from the ruled to the rulers. Havelok`s journey through the classes has led to constructive discussions about the way the work portrays the rulers and the ruled. Havelok depicts a king who is a man of the people, in tune with the wants and needs of the laboring class, while at the same time, he rules over them by right of divine favor. At some point, the work seems to please a peasant fantasy in which a cook and fisher men become lords. At other point, the work seems to please barony by reinforcing the existing feudal structure. And at some other point, the work seems to please the crown by defending absolute royal power in order to keep the nation in law and justice. No matter what variety of audience the work pleases, it is a romance in which the hero`s goal is personal, typically involving the protection of his rights. However, it is also a Middle English romance in that it delineates the correct interaction between a ruler and his community and emphasizes the positive virtues of social order. Havelok defines a hero in terms of his relationship with his people and identifies his fate with that of his followers.
배경진(Kyung Jin Bae),차동안(Dong An Cha),권오경(Oh Kyung Kwon) 대한설비공학회 2013 대한설비공학회 학술발표대회논문집 Vol.2013 No.11
The objective of this study is to investigate the overall heat transfer coefficient and adsorption rate with adsorber heat exchanger type. From the experimental result, the overall heat transfer coefficient of finned-tube type adsorber was 107.6 W/m²·℃ in the basic operating conditions. The adsorption rate of finned-tube type adsorber was about 3.5∼5.3 times higher than that plate type adsorber.
노예와 식인종: <로빈슨 크루소>에 나타난 감정과 식민주의적 욕망
배경진 ( Kyung Jin Bae ) 한국18세기영문학회 2014 18세기영문학 Vol.11 No.2
Daniel Defoe adopted a form of the spiritual autobiography for hisfirst novel Robinson Crusoe, allowing the eponymous hero to describehis life as commercially and religiously advantageous. The novel, despiteits religious tone, reveals Crusoe’s ceaseless attempt to satisfy his desireof acquisition. Indeed, Ian Watt, in The Rise of the Novel, identifiedCrusoe as an economic individual in the early modern age. Crusoe’splantation in Brazil, cultivated by indentured servants and slaves, bringsan enormous sum of money by the novel`s conclusion, and his slavingtrade to Guinea ends in his isolation on the island. His wealth, rooted inslavery and colonization, enables us to read his account of life alongwith his colonial desires, and it is interesting that he is not entirelyinsensitive to the wrongs of slavery and violence against natives. Hisjustification of colonial desires, which an economic reading of the novelilluminates critically, is intriguingly involved in his humane emotions. Inthis paper, I do not challenge but rather reinforce the economic approachto the novel by demonstrating that Crusoe`s emotions?such as pity,compassion, anxiety, fear, abhorrence, and indignation?allow him todisclaim any responsibility for his colonial desires and thus legitimizehis pursuit of interest. At first, I examine how Crusoe justifies hisslavery in the case of Xury and Friday and then reinterpret the massacrein the novel in terms of Crusoe`s emotions. Crusoe, a colonialist during the early modern age, betrays humaneemotions to depict himself as a man of humanity. Yet his heartlesspursuit of interest is never defeated by his humane concern about others. While he always endeavors to gratify his desires, and enjoys the benefitsthereof, slavery and the massacre portrayed in the novel demonstrate thatCrusoe not only denies any sort of responsibility for such atrocities butalso attempts to evade criticism of his decisions and behaviors. Thenovel, written when British colonial involvement in the New World wasgrowing, not only depicted the acquisition of advantages but alsoincluded the elaborated rhetorical strategy of self-justification, makingevident the close relationship between the rise of the novel andeconomic transformation in Britain.
효과적인 Fast Handovers for MIPv6 동작을 위한 액세스 라우터 간 정보 교환 프로토콜
배경진(Kyung-Jin Bae),권동희(Dong-Hee Kwon),서영주(Young-JoG Suh) 한국정보과학회 2004 한국정보과학회 학술발표논문집 Vol.31 No.2Ⅲ
IETF에서 제안한 MIPv6는 MN이 핸드오프를 수행할 때마다, 그 위치를 관리함으로써, MN의 이동성을 지원 하고 있다. 하지만 MIPv6는 핸드오프와 관련된 동작을 하는 동안 일정 시간 동안 통신이 불가능해짐으로 인해, 끊김 없는 통신 서비스를 제공하지 못하는 단점이 있다. 이를 보완하기 위해, 여러 프로토콜이 제안되었으며 그 중 하나가 FMIPv6이다. FMIPv6는 MN이 핸드오프를 하기 전 관련 정보를 미리 이동하고자 하는 네트워크의 AR에게 알려줌으로써, 핸드오프에 필요한 지연 시간을 줄이는 방법을 사용하고 있다. 하지만 FMIPv6에는 AR 간의 정보 교환에 대한 직접적인 언급이 없다. 이에 본 논문에서는 FMIPv6에서 중요한 AR 들의 정보 교환 프로토콜을 제안하고, 이를 이용하여 FMIPv6를 보다 효율적으로 수행하는 방법을 제안한다. 또한, 실제 네트워크를 구축하여 기존의 MIPv6, FMIPv6와 비교함으로써 제안된 프로토콜이 더 우수한 성능을 가진다는 것을 보여준다.
배경진 ( Kyung Jin Bae ) 한국근대영미소설학회 2015 근대 영미소설 Vol.22 No.1
In Robinson Crusoe, the eponymous hero mentions the devil several times, but the discovery of a footprint on the shore as well as his propagation of the religion to Friday forces him to consider seriously the nature of devil. He does not dare to deny the existence of apparitions, nor does he hold that the evil spirit directly intervenes in the life of human beings. Yet he is less concerned to explore the religious significance of the evil spirit; instead, his aim is to exploit the notion of the devil. While his statistical analysis of the devil hypothesis in the episode on the foot print helps him manage anxiety and fear, his assumption that the devil corrupted natives in America allows him to confirm the religious authority of the Bible and his religious belief in the divine will. Except for the episode of a grotto in which, Crusoe believes briefly, the devil lives, he does not have any occasion to think over the evil spirit until the end of the novel. More precisely, he does not feel the need to raise the question on the nature of evil spirits because the devil in the novel serves merely to be a psychological and rhetorical device for his survival on the island.