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      • KCI등재

        대퇴골 내고정술 후 발생된 가성 동맥류에 의한 소모성 혈액 응고 장애

        박현주,임창무,전영수,정덕환,박현주 대한골절학회 1998 대한골절학회지 Vol.11 No.1

        A case of consumptive coagulopathy due to pseudoaneurysm, which occured as a complication of intramedullary nailing, was rarely reported. Pseudoaneurysm of peripheral artery is presented with pulsating mass and may show extrinsic indentations of the adjacent bone. The coagulopathy and bleeding responded to surgical elimination of the fistula and aneurysm. Diffuse intravascular coagulopathy or consumptive coagulopathy is infrequently associated with pseudoaneurysm of deep femoral artery. Laceration of major arteries are more common in open than in closed fractures. They usually occur only when a major artery is in close proximity to bone as complications to fracture. Diffuse intravascular coagulopathy or consumptive coagulopathy is characterized clinically by excessive bleeding, ecchymosis and petechiae and by laboratory evidence of a disease in the numbers of platelets and amount of fibrinogen and an increase of fibrin degradation products with prolonged prothrombin and partial thromboplastin times. When the two coexist, they create a difficult clinical problem that requires optimal medical and surgical treatments. If the appropriate treatment was delayed, serious complication such as sepsis or death could be occured. Prompt recongnition through appropriate laboratory tests and early surgical intervention was indicated essentially, We are reporting one case of coagulopathy associated with pseudoaneurysm of deep femoral artery that presented to the broad clinical picture.

      • KCI등재후보

        조선후기 철화백자와 회화에 나타난 화조문양의 조형성 연구

        박현주 한국도자학회 2019 한국도자학연구 Vol.16 No.2

        White porcelains are a kind of ceramics that existed and prevailed through the early part of the Joseon Dynasty to its later part since its initial production in the 10th Century during the Goryeo Dynasty. In the 15th Century, hard porcelains were produced by the influence of white and blue porcelains of the Ming Dynasty of China. However, in the 17th Century, historic events of Japanese Invasion of Korea and Second Manchu Invasion made the purchase of expensive Chinese white and blue pigments no further available and, as a result, iron oxide porcelains (鐵 畵白磁porcelain made using iron oxide pigment) became hugely popular owing to their good accessibility of pigments everywhere in the country. Along the way, in step with wide distribution of porcelains to the countryside, local porcelain kilns were actively operated. The origin of iron oxide porcelains was from the 11th Century during the Goryeo Dynasty, and the 17th Century when iron oxide porcelains started to get popular in full fashion was their heydays. Iron oxide technique was a decoration method using pigment of ruddle mostly composed of iron oxide. This pigment tends to spread so quickly on the surface once contacting the water that producers must draw the picture in an extremely fast way, but they can express it freely. Iron oxide porcelains, in particular, expressed a diverse range of patterns such as birds and flowers, flowering plants, clouds & dragons and four gracious plants with a bold and picturesque stroke. This study, which conducted comparative research with bird-and-flower paintings during the Joseon Dynasty drawn in a similar period with bird-and-flower patterns out of a number of patterns of ceramics, sought to introduce unique pictorial expressions of iron oxide porcelains as shown at bird-and-flower patterns. For this, Chapter Ⅰ discussed the purpose and methodology of the study, while Chapter Ⅱ examined background of emergence of iron oxide porcelains and characteristics by each period to introduce iron oxide porcelains that expressed the sentiments of the Joseon society in a unique way. Chapter Ⅲ analyzed classification of bird-and-flower paintings and symbolism as appeared in paintings during the Joseon period and examined examples of work connected to the latter part of the Joseon period. Chapter Ⅳconducted comparative research with bird-and-flower paintings shown at folk paintings which were drawn in the similar period with bird-and-flower patterns of iron oxide porcelains that attempted diverse pictorial expressions out of diverse porcelains. And it found bird-and-flower patterns were drawn frequently not only in paintings but on ceramics because of their symbolism of good auspice. Along the way, Chapter Ⅴ attempted to vividly represent the feelings of patterns by linking old patterns of ceramics with today's 3D technique. This treatise was a follow-up of the researcher's previous comparative research with paintings regarding iron oxide patterns in grayish-blue-powdered celadon at A Study on Pictorial Expression Shown at Patterns of Grayish-blue-powdered Celadon: Focused on fish patterns at Gyeryongsan celadon. And it sought a comparative research between the patterns on paintings and those on porcelains. And the study suggested two works of 3D as an example in search for a fresh and unique method and the researcher would like to use them in ceramic creation and treatises in a path towards extending ceramics in the pictorial point of view in the future studies. 백자는 고려시대 10세기 이후 제작되기 시작하여 조선 전기에 걸쳐 말기까지 지속된 자기의일종이다. 15세기에는 중국 명대의 청화백자의 영향으로 경질백자가 제작되었고 17세기에는 임진왜란과 병자호란으로 인해 중국에 의존하여 구입했던 값비싼 청화안료가 더 이상 수급이 어려워지자 국내 어디서나 안료를 쉽게 구할 수 있는 철화백자가 크게 유행하였다. 또한 백자의보급이 지방으로까지 널리 확대되어 지방 백자 가마들이 활발하게 운영되었다. 철화백자의 기원은 고려시대 11세기경부터이며 본격적으로 유행하기 시작하는 17세기는 철화백자의 전성기이다. 철화기법은 석간주(石間硃)라는 산화철이 주성분인 안료를 이용하여 그림을 그린 장식기법을 말한다. 이 안료는 물에 닿으면 빨리 퍼지므로 아주 빠른 필치로 그려야하므로 그림을 자유롭게 그려 표현할 수 있다. 특히 철화백자는 대담하고 회화적 느낌의 선으로화조(花鳥)·화훼(花卉)를 비롯해 운룡(雲龍), 사군자류 등 다양한 문양을 표현했다. 본 연구는 백자의 여러 문양 중 화조문양과 비슷한 시기에 그려진 조선시대 화조도(花鳥圖)를 비교 연구함으로서 화조 문양을 통해 나타난 철화백자만의 특별한 회화적 표현을 소개하고자한다. 이를 위해 Ⅰ장에서는 연구의 목적과 방법을 논하고, Ⅱ장에서는 철화백자의 발생배경과시기별 특징을 고찰하여 조선사회의 감성을 특유의 방법으로 보이고 있는 철화백자를 소개한다. Ⅲ장에서는 조선시대 회화에서 등장하고 있는 화조도의 분류와 상징성에 대해 분석하고 조선시대 후기로 이어진 작품사례를 살펴보았다. Ⅳ장에서는 백자 중에서도 회화적 표현이 다채롭게 시도된 철화백자의 화조문양과 비슷한 시기의 그려진 민화에 나타난 화조도를 비교연구하였으며 화조문양은 길상적 의미의 상징성 때문에 회화뿐 아니라 도자기에서도 많이 그려진것으로 분석하였다. 또한 Ⅴ장에서는 도자기의 옛 문양을 오늘 날의 기술인 3D와 접목하여 문양의 느낌을 실감나게 재현하고자 하였다. 본 논문은 앞서 본인이 연구했던 박현주(2018).「분청사기 문양에 나타난 회화적 표현 연구: 계룡산 철화분청사기의 물고기문양을 중심으로」『한국도자학연구』Vol.15 No.2 2018. 에서 분청사기에서의 철화문양에 대해서 회화와 함께 비교연구 하였던 사례에 이어 후속으로 백자에서의 철화문양에 대해서 회화와 함께 비교연구 하고자 하였다. 아울러 본 논문에 좀 더 색다른방법을 모색하기위해 시범적으로 3D 두 작품을 제시하였고 이를 바탕으로 향후 이어지는 본인의 연구에서 도자기를 회화적 관점으로 확장하는 도자작품 창출과 대논문에 활용하고자 한다.

      • KCI등재

        청소년들의 학업중단 경험 이후 5년 동안 자살시도 예측요인 : 종단연구

        박현주 한국학교보건학회 2021 韓國學校保健學會誌 Vol.34 No.3

        Purpose: The purpose of this study was to identify predictors of suicidal attempts in adolescents over 5 years after school dropout. Methods: The data of the Panel Survey of School Dropouts (of 2013 to 2017) conducted by the National Youth Policy Institute were analyzed. The analysis used the 2013 survey data as the baseline and examined suicidal attempts from 2013 to 2017. A total of 776 adolescents were included in the analysis. Descriptive statistics, x2 test, t-test, and multiple logistic regression were carried out using SAS 9.2. Results: About 11% (87 out of 776) of the adolescents with an experience of dropout attempted suicide between 2013 and 2017. The risk of suicidal attempts was significantly lower in female (AOR: 0.57, 95% CI: 0.87~0.93) than in male adolescents. The higher the self-esteem, the lower the risk of suicidal attempts (AOR: 0.87. 95% CI: 0.78~0.97). The higher the depression level (AOR: 1.10, 95% CI: 1.05~1.16) and the rate of parental abuse (AOR: 1.09, 95% CI: 1.02~1.18), the higher the risk of suicidal attempts. Conclusion: The findings of the study suggest that those who are male, depressed, have low self-esteem or have been abused by their parents are at high risk of suicidal attempts among the adolescents with dropout experiences. Therefore, early intervention is necessary for those at high risk.

      • KCI등재

        국내 박물관 번역 연구 활성화를 위한 해외 연구 고찰 및 시론적(試論的) 논의

        박현주 한국통역번역학회 2021 통역과 번역 Vol.23 No.1

        In Korea, despite the comparatively rich provision of translations in museums, museum translation has been under-researched in Translation Studies. The reason can be attributed to the limited perceptions of museum and museum translation here. According to the definition of the International Council of Museums, the term “museum” encompasses diverse institutions such as archeological, ethnographic, historic and natural monuments and sites, botanical and zoological gardens, as well as science centers. In contrast, a narrower definition is generally used here, strictly referring to museums as the repository of artifacts. Also, museum translation tends to be associated only with textual factors or translated materials in museums. Hence, this study reviews related studies overseas, adopting broader concepts of and diverse perspectives on museum translation. Then, with a view to invigorating related research here, this paper explores ways to apply those various approaches to museum translation research in the Korean context. To sum up, it suggests that interdisciplinary perspectives should be applied in research on museum translation here, drawing upon concepts and theoretical frameworks from other disciplines. It is also suggested that museum translation research should examine, to cite Sturge’s (2007) terms, not only “translations in the museum” but also “museums as translations.”

      • KCI등재

        소설 기반 STEAM 프로그램 개발과 적용

        박현주 한국창의정보문화학회 2022 창의정보문화연구 Vol.8 No.4

        The purpose of this study was to develop a STEAM program with fiction of W. Shakespeare’s ‘The Merchant of Venice’ based on the ADDIE instructional design. In the demand analysis stage, learners and learning environments were analyzed. In the design stage, the teaching and learning program was designed by analyzing the achievement standards of the curriculum. Learning goals were set, and related learning contents and learning activities were sequenced and arranged. In the development stage, practical teaching and learning materials were developed and organized according to the specified performance goals. And in the evaluation stage, the validity of the program was verified. The Merchant Venice STEAM program selected keywords such as measurement, law, communication, life dignity, and standards from subjects such as science, social studies, Korean, morals, and technology, and includes teaching and learning contents based on content elements and achievement standards. The validity of the 6 experts on the program was 0.91. 이 연구에서 ADDIE 교수설계를 기반으로 '베니스의 상인' STEAM 프로그램을 개발하였다. ADDIE 요구분석 단계에서 소설 활용 수업의 목적을 설정하고, 학습자와 학습 환경 등을 분석하였다. 설계 단계에서 교육과정의 성취기준을 분석하고, 프로그램을 기획·설계하였다. 학습 목표를 설정하고, 학습 내용과 학습 활동을 계열화·배열하고, 교수 전략과 매체를 선별하였다. 개발 단계에서 명세화된 수행목표에 따라 실제적인 교수학습 자료를 개발하였다. 평가 단계에서 전문가와 학교 현장의 예비조사를 통해 프로그램의 타당성을 검증하였다. 베니스의 상인 STEAM 프로그램은 과학, 사회, 국어, 도덕, 기술 등에서 측정, 법, 소통, 생명 존엄성, 표준 등의 키워드를 연결하고 관련된 성취 기준에 기반한 학습 내용을 포함한다. 프로그램에 대한 전문가 6인의 타당도는 0.91이었고, 과학중점학교 학생들을 대상으로 적용한 결과, 학생들은 프로그램이 ‘융합’이라는 ‘새로운 접근’의 ‘사회수업 같은 과학수업’이었고, 몰과 같은 어려운 화학 개념을 쉽게 접근할 수 있었고, 단위의 필요성과 중요성을 인식하는 기회가 되었다고 하였다. 또한 베니스 상인의 상황 및 스토리를 새롭게 생각할 기회를 가졌다는 등의 긍정적인 소감을 보였다.

      • KCI등재

        양안시 이상의 임상 사례 연구

        박현주 대한시과학회 2005 대한시과학회지 Vol.7 No.1

        양안시 이상의 문제륜 연구하기 위하여 팔절 검사와 양안시 검사룹 실시하였다- 편 안한 양안시틀 위해서 조절과 폭주의 균형이 중요한데, 조절과 양안 λl 에 문제가 있는 대상자들은 굴절 이상 교정 외에도 다른 추가적인 처방이 필요하였다. 그 증 폭주 파 다와 폭주 부족의 문제플 가지고 있는 2 명을 대상자륜 정하여 완전 교정된 안경을 처방하고 4주간 시기능 훈련을 실시하였다 4주 후 근업시 환자뜰의 불편감은 많이 해소되었으며 타각적 검사값들도 개선되었 다 시기능 훈련이 폭주 여력뿐만 아니라 개산 여력을 증가시키는 데또 효과가 있었 으므로, 임상에서도 양얀시 이상의 치료에 적극적으로 적용하고, 향후 연구플 동해 다양한 양얀시 이상 치료에 시도해도 좋온 결과가 있을 것으로 판단된다. To study binocular dysfunction, 1 performed several tests to diagnose any form of refractive, accommodative or binocular dysfunction. For comfort fusion the balance of accommodation and convergence was important, patients examined had some form of accommodative or binocular dysfunction and required not just the correction of the refractive eπor but a specific treatment for each of the problems diagnosed. Of two chosen patients, one had convergence insufficiency the othcr had convergence excess. Full corrections were prescribed to subjects and trained for 4 weeks. 4 wecks later V1Slon therapy(vision training) was quite effective in convcrgence excess and convergence insufficiency. Therefore continuous research of vlsion training in binocular dysfunction was necessary

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