박태원 문학의 문학사 기입과정 연구

박진숙(Park, Jin-sook) 우리말글학회 2016 우리말 글 Vol.71 No.-

이 글은 박태원 문학이 한국문학사에 어떤 식으로 기입되었는지 그 과정을 살펴보는 것을 목적으로 한다. 이를 위해 박태원의 「소설가 구보씨의 일일」이 발표된 1934년 전후의 비평계에 박태원이 어떠한 평가를 얻고 있었는지, 한국문학사에는 어떤 식으로 기입되어 있는지 그 과정을 추적해보았다. 1934년을 전후한 비평계에서 박태원은 문체, 형식 면에서도 조선어문학의 새로운 경지를 개척하였으며, 1936년 무렵 고현학에 대한 소개가 있었다는 것, 이태준의 지지가 「소설가 구보씨의 일일」에 매우 중요한 역할을 했다는 것, 프로작가들은 기교파, 심리주의라고 비판했으나 안회남부터 박태원의 도회적 감각, 기교주의의 긍정성에 대한 평가를 하고 있다는 점을 확인할 수 있었다. 백철의 문학사에서는 최재서의 비평을 토대로 천변풍경에 대한 평가가 이루어지고, 조연현의 문학사에서는 박태원에 대한 언급이 사라졌다. 박태원이 문학사에 복원되는 것은 1973년 김윤식 김현의 한국문학사 서술에서이다. 여기서 언급된 장거리문장은 1938년 이태준이 단행본 『소설가 구보씨의 일일』 서문에서 언급한 것이 유래가 된다. 이러한 논의에 기대어 박태원과 이태준이 공유하고 있는 문학, 한국문학사 내에서 장거리문장에 대한 본격적인 연구, 기교파라는 지칭의 일본 · 조선 간 비평의 맥락에 대한 복원 등을 통해 박태원 연구 나아가 한국문학연구가 풍성해지길 전망해본다. This study is to trace the process of how the works of Tae-won Park secured a position in Korean literary history. Above all, I traced what evaluations Tae-won Park received in the field of literary criticism around the year of 1934, when his novel A day in the life of Mr. Gubo the Novelist was published, and how he is described in Korean literary history nowadays. The results are as follows: Park developed a new fields in the aspects of writing style and literary form in Korean literature around the year of 1934. Mun-chip Kim introduced the modernology around 1936. The support of Tae-joon Lee played a critical role in the evaluation of the novel A day in the life of Mr. Gubo the Novelist. While the writers in proletarian literature criticized him as technicism or psychologism, Hoe-nam Ahn appraised his urban sensibility and technicism. After Korea’s independence, Chol Paik rated Scenes From Chong-gye Stream high in his literary historiography, on the while Yeon-hyeon Cho never gave any comment on Tae-won Park in his literary history. It is in the Korean literary history by Hyeon Kim and Yun-shik Kim in 1973 that Park is restored in literary history. The concept of ‘long distance sentence’ referred by them, originated in Tae-joon Lee’s preface which was included in the Park’s book A day in the life of Mr. Gubo the Novelist. I am looking forward that research of Korean literature as well as Tae-won Park will bear abundant fruit with my findings as followings: ‘long distance sentences’ in Korean literary history which Park and Tae-joon Lee is sharing, technicism in the contexts of criticism between Colonial Korea and Japan.

교양교육으로서의 대학 글쓰기 교육의 의미 ― 가상 글쓰기를 중심으로―

박진숙 ( Park Jin-sook ) 한국작문학회 2010 작문연구 Vol.0 No.11

대학에서 가르치는 ‘실용적 글쓰기’는 모두 가상 글쓰기이다. ‘실용적 글쓰기’ 훈련 자체가 가상 글쓰기이기 때문에 ‘실용적 글쓰기’ 교육은 교양의 중요한 의미인 공감 능력, 타자에 대한 상상력을 기르는 데도 도움이 된다. 나아가 이러한 가상 글쓰기의 궁극적 목적은, 글쓰기 과정에서 학습자 자신이 처해 보지 않은 상황을 체험해 보고 자신의 내부와 외부를 상상하고 공감하여 타자에 대한 상상력을 확장시키는 데 있다. 이 과정에서 글쓰기의 수사적 상황에 대한 이해를 통한 글쓰기 능력 신장은 물론, 교양 교육의 목적까지 달성할 수 있다. 가상 글쓰기는 이 두 가지 교육적 효과를 생산하는 글쓰기라는 점에 그 의미가 있다. The practical writing lectured in the university, in fact, cannot but to be imaginary writing. As the training of the practical writing itself is a imaginary writing, it helps students improve the empathic abilities and imaginative powers, which are very important elements of the education of Liberal Art. The ultimate purpose of imaginary writing lies in that students would imagine the inner and outside of themselves and expand the imaginative powers for the others by supposing an wholly new situation to them. We can achieve the purpose of the education of Liberal Art as well as the extension of writing abilities through making students understand the rhetoric context in writing. So, the imaginary writing is very important in these two educational effects.

이태준의 언어의식과 근대적 글쓰기의 場

박진숙(Park Jin-sook) 한국근대문학회 2011 한국근대문학연구 Vol.12 No.1

이태준은 조선어와 조선어 글쓰기에 대해 자각적인 작가이다. 그는 외국인이 썼더라도 조선글과 조선말로 써야 조선문학이라며 속문주의를 주장하고 있다. 이때 그가 주장하는 속문주의의 실체는 조선어 ‘어감’, 실증에 기반한 산문정신의 구현, 자신의 생각을 언어로 표현하는 것이 근대적 글쓰기라고 하는 근대적 언어인식과 접속되어 있다. 『문장강화』를 통해서 이를 확인할 수 있다. 『문장』지에 〈한중록〉을 비롯한 고전을 수록하려 애썼던 것도 속문주의적 입장에서 비롯된 것이다. 『문장강화』가 와세다 미사학의 계보인 일본 문장론의 대가 이가라시 치카라五十嵐力의 영향과 구메 마사오久米正雄의 문장론에 기인하고 있는 것은 사실이지만, 조선어 문장론인 『문장강화』는 그의 속문주의를 확인할 수 있는 근거가 됨과 동시에 속문주의 실현의 결과물이기도 하다. Taejoon Lee is self-conscious of Chos?n language and Chos?n tongue writing. He asserts Songmunchu?i('Jus soli'' in literature) that a work, written in Chos?n sentence and Chos?n tongue, belongs to the Chos?n literature even though it is written by a foreign writer. The entity of Songmunchu?i is linked with a few elements: firstly, the 'nuance' of Chos?n tongue, secondly, the realization of prose spirit based on proofs, thirdly, modern language consciousness defining that modern writing is an expression of one's thought by language. We can confirm this aspect in Lee's Munchang Kanghwa(a leture on writing). It is from this Songmunchu?i that he tried to include such classics as Hanchungnok(records in leisure hours) in the journal Munchang(the writing). It is true that Munchang Kanghwa was affected by the theory on writing of Masao Kume(久米正雄) as well as Tikara Igarashi(五十嵐力), a great master of theory on Japanese writing, who belongs to the lineage of rhetorical flourishes studies of Waseda Universtiry. But, as a theory on Chos?n language writing, it is a result of trying to realize Songmunchu?i as well as a proof by which we can confirm his Songmunchu?i.

일부 중소병원 행정직원의 이직의도 영향요인 : 코로나19 상황에서 근무환경, 직무스트레스, 신체적 피로 및 직무만족을 중심으로

박진숙(Park Jin Suk),유미(Yu Mi) 한국보건사회학회 2022 보건과 사회과학 Vol.- No.59

목적: 본 연구의 목적은 코로나19 상황에서 병원행정직의 이직의도를 확인하고, 근무환경, 직무스트레스, 신체적 피로, 직무만족이 이직의도에 미치는 영향을 파악하는 것이다. 방법: 연구대상자는 경남 J시 지역에 있는 100병상 이상 300병상 미만의 선별 및 안심 병원으로 지정된 6개의 중소병원에근무하는 행정직원 140명이다. 자료수집은 2021년 10월 20일에서 2021년 10월 23일까지 이루어졌으며, 자료 분석은 SPSS/WIN 23.0 프로그램을 사용하여 independent t-test, ANOVA, Scheffé test, 위계적 회귀분석(hierarchical regression analysis)을 이용하였다. 결과: 코로나19 상황에서중소병원 행정직원의 이직의도에 영향을 미치는 요인은 모형1에서는 급여 만족도_불만 (β=.46, p<.001), 모형2에서는 근무환경(β=-.24, p=.003), 신체적 피로 (β=.31, p<.001), 직무만족 (β =-.23, p=.001)이었다. 모형의 총 설명력은 60.9% 이었다(F=22.46, p<.001, R2=.609). 결론: COVID-19 상황에서 병원 행정직원의 신체적 피로를 줄이고 근무환경을 개선해 줄 필요가 있다. 또한 코로나19와 관련한 보상체계 개선과 직무만족을 향상시킴으로써 이직의도를 줄일 수 있을 것으로본다. Purpose: This study aimed to identify the working environment, job stress, physical fatigue, job satisfaction, and turnover intention of hospital administrators in the situation of COVID-19 and to investigate factors affecting turnover intention. Methods: A cross-sectional design was used, with a convenience sample of 140 administrative staff from 6 small and medium-sized hospitals designated as screening and relief hospitals in the J city. Data were collected from October 20, 2021, to October 23, 2021, and analyzed using SPSS/WIN 23.0 program, independent t-test, ANOVA, Scheffé test, and hierarchical regression analysis. Results: Factors affecting turnover intention were the salary unsatisfaction (β =.46, p<.001) in Model 1 and working environment (β=-.24, p=. 003), physical fatigue (β=.31, p<.001), and job satisfaction (β=-.23, p=.001) in Model 2. The total explanatory power of the model was 60.9% (F=22.46, p<.001, R2=.609). Conclusion: Considering the results of this study, it is necessary to reduce the increased workload related to quarantine, physical fatigue, and job dissatisfaction factors. Furthermore, a strategy should be developed to improve the working environment, such as additional support for manpower and a compensation system to lower turnover intention of medium-sized hospitals administrative staff in the COVID-19 situation.

우리나라 무역에서 Incoterms 2010의 시사점

박진숙(Jin-Sook Park) 한국무역연구원 2012 무역연구 Vol.8 No.3

Incoterms are contractual sales standard trade terms most commonly used internationally and the 7th Revision, Incoterms 2010, came into force on January 1, 2011, to replace Incoterms 2000. This rules take account of the continued spread of customs-free zones, the increased use of electronic communications, increasing concern about security in the good’s movement, and changing in transport practices, etc. In this study, I reviewed the new rules and focused more on FOB and CIF which are frequently being used in Korea customarily. There are some important changes. Among them, concerning “transfer of risks and goods delivery, the risk and the goods transfer when the goods are placing on board the vessel instead of passing the ship’s rail. It became more obvious and clear than before. But there still remains some problems reducing the gap between the new Incoterms rules and the current transport practices in order to bring the rules in line with Incoterms 2010’s purpose of revision. To use both of the rules; FOB and CIF correctly, it requires more attention and study continuously.

영어 어말 치경마찰음과 선행모음길이에 관한 연구: 미국 영어를 중심으로

박진숙 ( Jin-sook Park ) 현대영어교육학회 2024 현대영어교육 Vol.25 No.-

It has generally been accepted that vowels are shorter before voiceless consonants than before voiced consonants in English. The purpose of this study was to investigate duration and intensity of English word-final alveolar fricatives with preceding vowels depending on gender, age, function word versus content word, word frequency, and preceding vowel length of alveolar fricatives factors based on the Buckeye Corpus of Conversational Speech. First, vowel shortening before voiceless alveolar fricatives was not found. Overall preceding vowel durations of the voiceless and voiced alveolar fricatives were longer than frication noise durations. Second, the ratio of preceding vowel duration to frication noise duration appeared to be larger in voiced contexts than in voiceless contexts. Third, there was no significant gender difference in the ratio of preceding vowel duration to frication noise. These results suggest that preceding vowel durations are not determined by the voicing of alveolar fricatives and that vowel shortening before voiceless alveolar fricatives does not apply in a conversational speech.

우리말 문장과 문장론 이태준 문장론의 형성과 근대적 글쓰기의 의미

박진숙 ( Jin Sook Park ) 시학과 언어학회 2003 시학과 언어학 Vol.6 No.-

영국의 곡물법 - 제정과 폐지를 중심으로

박진숙(Jin Sook Park) 이화사학연구소 1993 이화사학연구 Vol.- No.20-21

N/A

케네디의 『니그로의 요술집』: 흑인여성 자아의 양상

박진숙(Park Jin-Sook) 한국영어어문교육학회 2006 영어어문교육 Vol.12 No.1

??This paper argues how Adrienne Kennedy embodies the features of a black woman"s self-identity in Funnyhouse of a Negro. An educated young black woman, Sarah lives in a funnyhouse which is surrounded by mirrors. The reflections in the funnyhouse"s mirrors are a metaphor of a black woman"s life in America. Sarah"s narrative is played out by four “selves,” differing by sex and race. These selves imply her mixed cultural heritage. Two white women symbolize white European royalty, Jesus expresses christianity which is the basis of western culture and Lumumba represents Africa. Sarah"s desire for whiteness is concentrated on skin color and hair. She longs for pallid skin and straight hair of the white race. Sarah wanted to be white, but her “tainted blood” by her black father made that impossible. Sarah is always obsessed by the fear of her father and the unhappy destiny of her mother. Ceaseless knocking, paralyzed images of lifelessness and surreal dreams effectively show her fear. Sarah"s selves remain fragmented in the funnyhouse. Sarah exposures the black woman"s anger and frustration through her death. Her death is a gesture of denial and refusal of the dominant society. At the same time, it was her last choice and struggle not to completely lose her own identity.

수잔-로리 팍스의 『비너스』 - 흑인여성의 몸에 나타난 식민주의적 억압과 폭력

박진숙(Park Jin-Sook) 한국영어어문교육학회 2007 영어어문교육 Vol.13 No.4

  The purpose of this paper is to illuminate how Suzan-Lori Parks reveals colonized oppression and violence in a black woman"s body in Venus. The body of Hottentot Venus is an "object" of white male spectators" gazes and a dissection from a medical study. The report on her pathologic anatomy gives the audience the illusion that the body of a black woman is inferior to those of others. Not only "subjective" aesthetics, but also "objective" medicine makes us confuse "fact" with "truth" about black women. By publicly exhibiting her erotic body, Venus is represented as a singular emblem for nineteenth-century colonial discourse on race and sexuality. Her body stands for the powerful signifier of raped Africa. A distinctive feature of black Venus is her raciality. The ownership of her body is only transferred from Mother-Showman to Doctor Baron. She had no right to her ownership. Her body is an object of hatred and curiosity and at the same time a site which is represented by conflicting desires. Parks" eventual goal in Venus is to investigate "hindsight" of Venus Hottentot, "the past" and "the posterior". As the meaning of original chocolate can be regained, the insulted and damaged body of Venus should also be recovered and resurrected.