[인터뷰] 한국기계연구원 신뢰성평가연구실 박종원 실장

박종원,장원석,양회관 대한기계학회 2023 기계저널 Vol.63 No.4

베르그손 철학에 있어서 의식의 의미

박종원 철학연구회 2002 哲學硏究 Vol.59 No.-

美國人의 行動言語事例硏究

박종원 경기대학교연구교류처 1986 論文集 Vol.19 No.1

The Climate and the Exotic Environment in Maugham's Stories

朴鍾洹 경기대학교인문과학연구소영어영문학회 1984 경기영문학 Vol.1 No.-

民法 第九○條의 適用에 있어서의 動機가 주는 影響

朴鍾元 淸州大學校 1957 論文集 Vol.1 No.1

民法 第九○條의 適用에 있어서 나는 여기에서 民法 第九○條에 規定되어 있는事項全般에 對하여 特히 專門的인 번쇄한 議論을 할生覺은 없다. 單지, 나 自身이 十餘年法前에 日人 民法學自 穗積博士의 民法原論 講筵에서 民法이라는 法律을 비로소 趣味있게 배우기 始作하었고 또 그 講義에서 많은 影響을 받았다고 自信하는바있어 民法原論에 對해서는 特別한 情을 가지고 있다고 生覺하고 있는 것이다.

청소년 정신장애 환자의 생활사건에 관한 연구

박종원 大韓神經精神醫學會 1982 신경정신의학 Vol.21 No.4

The author studied life events of middle and high school students(102 males, 63 females) who had visited the Neuropsychiatric Department of Seoul Red Cross Hospital between August 1st 1978 and 31st July, 1981. The time period for which events were recorded for the patients was the six months immediately prior to the onset of psychiatric illness. The results were summarized as follows; 1. The diagnostic distributions were the neurosis(44.2%), the schizophrenia(28.5%), the transient situational disturbance(9.1%), the affective disorders(7.3%) and the behavioral disorder(6.1%), in the order of frequency. 2. Subjects in their final year at both middle and high school showed significantly high incidence of life event in item of academic problem (middle: 43.1%, high: 68.8%). The four main events reported amongst all grades were academic problem (34.5%), trouble with parens (15.2%), financial difficulties (13.3%) and trouble with friend (13.3%). 3. In the schizophrenics, the common events were trouble with parents (25.5%), financial difficulty (17.0%), separation of parent(17.0%). death of family(12.8%), in their order of frequency. In the neurotics, academic problem(52.1%) was clearly the commonest life event and trouble with friend(17.8%), personal injury or illness(15.1%) also being quite common. 4. In the schizophrenics and the affective disorders, the most frequent event category is family problem (schizophrenics, p<0.01; affective disorders, p<0.02). On the other hand, those of the neurotics are school performance (p<0.01) and interpersonal problem (p<0.05).

19世紀 標題音樂의 特性에 關한 考察

朴鍾源 釜山敎育大學 1987 부산교육대학 논문집 Vol.23 No.1

Program music increased in extent and status within the art through the program symphonies and symphonic poems of the 19th century. Between the symphony and the symphonic poem there is an intermediate stage, the program symphony illustrated by the pastoral symphony. Before L. V. Beethoven, J. Haydn had in his humorous way infused an element of external reality in small does into the Farewell, the Suprise, and the Clock symphonies. But L. V. Beethoven in the pastoral symphony went the whole way and indicated in words what he has depicting cheerful. From the pastoral symphony stemmed a line of program symphonies, in which the form was musically self-sufficient but the content contained extra musical matter in varying degrees of density; very thick in H. Berlioz' Symphonie fantastique, which purports to depict episodes in the life of an artist and minimal in his symphony. H. Berlioz was a most successful seccessor of L. V. Beethoven in the history of Program music, who despised the traditional method as a composer but used his gifted literary or psychological method to express his image. His romantic idea scattered in his composition succeeded to express his poetic thought in his time. F. Liszt radically extended the technique of giving the instruments not only brilliante but a full and rich for orchestral sound. Most of F. Liszt's pieces bear litles and are representations of some natural scene or of some poetic idea or work of art. Apart from introducing a new poetic note into music, F. Liszt extended the harmonic language of his time, even in his ealier works, and his later development of chromatic harmony led eventually to the breakdown of tonality and ultimately to the atonal music of his followers. His transformation of themes was fully developed by R. Wagner in his system of Leitmotive, and the invention of the one-movement symphonic poem was also due to F. Liszt. G. Mahler inherited the romantic conception of music as an expression of a guest for spiritual reality. He drew together many different strands of romanticism, L. V. Beethoven's conflict symphony, F. Liszt's program symphonic poem, R. Wagner's enlarged time scale, expanded orchestra, prominent brass tone and emotional intensity. R. strauss gave a new importance, as well as independence to discords; in fact it might well be said that he was one of the first important composer to make effective use of unresolved discords. He also enriched and extended the art and science of orchestration. With H. Berlioz, R. Strauss the orchestra assumed the role of a virtuoso and extended orchestration coloration. Each instrument shared equal importance with every other instruments.

Baroque Concerto 樣式의 特性에 대한 考察

朴鍾源 釜山敎育大學 1979 부산교육대학 논문집 Vol.15 No.1

No less important than the principle of unity in Baroque music was that of contrast. The concerto made its entrance at the beginning of the 18th century much as had the sonata at the beginning of the 17th century. Because the early concertos were church forms, the musical method was similiar to that of the sonata da chiesa. After, the concerto gradually became an instrument characteristics; the polyphony style and the antiphonal treatment of tonal bodies. Corelli's Concertos were simillar to form of the sonata da chiesa, but his instrumentation was not always same, the solo parts in his concerto grosso were usually climated 3 instruments, although the number of accompanying instruments constantly grow larger. Torelli created the standard form of Baroque concerto in three movements, fast slow fast. The first movement of his concertos are usually in a free ritornello form, in which an orchestral ritornello alternates with solist episodes. The slow movement is usually in a continuous style in three part with a solist melody and an orchestral accompaniment. Vivaldi's concertos made him the direct successer of Corelli as a composer for the orchestra. He in troduced a novel style of rhythmic drive and brilliant precision, which was adopted by Bach. His name is most prominently connected with his concertos for solo violine with string orchestra accompaniment. Bach's Brandenburg concertos are reflected with the form of the concerto sinfonia and Vivaldi's solo concerto. And some of that are in the concerto grosso style, alternating a small group of solists, the concertino, the main body of players, the Tutti.

Array Access를 위한 Memory System에 관한 연구

박종원,김관중 충남대학교 자연과학연구소 1984 忠南科學硏究誌 Vol.11 No.2

This paper discusses the design of an addressing ciruitry in the memory system for an array processor which allows parallel, conflict-free access to various slices of data(e. g., rows, columns, diagonals, etc.) This design is based on the "relative address calculation method" proposed in〔13〕and extends the treatment in〔13〕in respect of the kinds of available array slices without access confict and displacement among the elements in a given array slice for array processing.

Hypercube에서의 Matrix Multiplication에 관한 연구

박종원,강창훈 충남대학교 자연과학연구소 1988 忠南科學硏究誌 Vol.15 No.1

At present, Most powerful inter-connection network topology is Hypercube. The hypercube is devided various topologies, i.e. Binary N-Cube, Cube-Connected Cycle, Dual-Bus Hypercube. In this thesis, we analyze the performance of the various hypercubes for the iterative matrix vector multiplication y= …A_tA_(t-1) …A_2A_1A_(0x) in the case where the matrix A is full and quite small and in the case of M by N matrix.