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박정신 한국교회사학회 2011 韓國敎會史學會誌 Vol.28 No.-
It was in the year of 2010 that the news, which the thirteenth General Assembly of the World Council of Churches would be held in Pusan in 2013, was reported. Since then, the Korean Protestant church community has been extremely divided. While many Christians welcomed the news in jubilation, some opposed it in anger. Those church leaders and theologians in opposition have said that the WCC denies the orthodox doctrine of proselytism and promotes a religious pluralism through its program of dialogue among various religions The WCC’s theological orientation, they argue, “anti-Biblical, anti-Christian and anti-church.” The WCC’s theology and ecumenical movement ia “a Satanic challenge to the church. Therefore, they oppose the scheduled General Assembly of the WCC. However, their seemingly theological argument and accusation is, it seems, is political rather than theological. An anti-WCC movement in Korea, which began immediately after the Liberation, more specifically after the north-south division, was also begun not by theologians but by some politicians and ultra-conservative church leaders during the Korean War in Pusan. This article aims to explore this historical context in which the anti-WCC movement was begun. Who did initiate it, when and why? This article thus discusses such concepts as the Cold War, the emergence of a new world order, the division of Korea, the Korean War, McCarthy’s anti-communist hysteria, ‘red complex and so forth. All of these elements brought about a new doctrine that communism is anti-Christianity and Christianity is anti-communism. In this peculiar historical context, a strong militant anti-communist element is so strong in the Korean church community that some church leaders have stood militantly against the WCC.
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유아기・아동기・청소년기의 피부수분도・탄력도・거칠기 비교 ; 광주광역시를 중심으로
박정신,양기숙,강수경 한국피부과학연구원 2009 대한피부미용학회지 Vol.7 No.1
In this study, we compared the skin condition of young people in a babyhood, childhood, and adolescent period using a non-invasive method. The conditions to compare the skin of the young people include moisture, roughness, and elasticity. The skin measurement was performed using an ARAMO-TS instrument in a room at 27.57±3.19℃, under 39.27±10.82%% of relative humidity. After face washing with a cleansing foam, the moisture was evaluated at the center of the forehead and the cheeks, and the below eyes, respectively. The elasticity and roughness data were obtained from the center of the cheeks and the below eyes, respectively. The skin moisture and elasticity of the man were more excellent than those of the woman (p<0.01). The skin moisture value decreased in the order of adolescent period, babyhood, and childhood. As older from an infant to an adolescent, the elasticity was better (p<0.01). Moreover, the surface of the skin was more smooth in order of an adolescent period, babyhood, and childhood (p<0.01). The moisture and elasticity showed the correlation between the age and sex. In contrast, there was no the correlation for the skin roughness. In conclusion, we anticipate that these results can be extensively used as a basic information to develop cosmetics and skin care programs for the growing people. 본 연구는 비침습적 방법을 이용하여 유아기, 아동기, 청소년기의 피부상태를 측정하였다. 성장시기에 따른 피부표면의 수분, 탄력, 거칠기 측정값 간에 상관관계를 확인하였으며, 피부표면은 아라모티에스(ARAMO-TS) 기기를 이용하여 평균기온 27.57±3.19℃, 상대습도 39.27±10.82%의 실내에서 측정하였다. 수분값의 측정은 동일 세안제로 세안하고 1시간 안정 후 이마 중앙, 눈 밑, 볼 중앙부위를 차례로 측정하였고, 탄력값과 거칠기 측정은 양쪽 볼 중앙과 양쪽 눈 밑을 측정하였다. 측정 결과 남자가 여자에 비해 수분값과 탄력값이 높았으며, 그 중 수분값에서는 청소년기, 유아기, 아동기 순으로 감소하였고(p<0.001), 탄력 값에서는 청소년기, 아동기, 유아기 순으로 감소하는 경향을 확인할 수 있었다(p<0.001). 피부표면의 거칠기 값은 아동기, 유아기, 청소년기 순으로 감소하였고(p<0.001), 연령과 성별에 따른 수분과 탄력값에서 유의한 상관성을 보였으나 거칠기 값에서는 상관성이 없는 것으로 나타났다. 따라서 본 연구는 유아기, 아동기, 청소년기를 대상으로 성장시기에 따른 화장품 및 피부 관리 프로그램 개발에 유용한 기초 자료로 활용될 수 있다고 판단된다.
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패션쇼 메이크업의 아방가르드 이미지 표현방법에 관한 연구
박정신 한국피부과학연구원 2013 대한피부미용학회지 Vol.11 No.1
Recently fashion make-up has shown a tendency towards total fashion. It also often creates images with unique world of art as visual language which induces harmony with clothes. Fashion show make-up has several images. Above all, an avant-garde image often shows experimental, future-oriented, and the most creative image design and is also expressed in many different ways. This study aims to examine how the characteristics of expression elements exist in avant-garde make-up images and how they are expressed as a visual message. The methods of study included both theoretical and empirical research. First of all, theoretical research reviewed the concept of fashion show make-up and avant-garde in domestic and foreign literatures and previous researches. Then the characteristics of avant-garde make-up were investigated in connection with expression elements, which contributed to a theoretical basis. Based on the theoretical basis, empirical research analyzed photographs extracted from fashion show make-up. The scope of the study was fashion show make-up of the world’s four major fashion shows (Paris, Milan, New York, and London) and haute couture from 2001 to 2012. The findings of the study were as follows. The element of a point represented an avant-garde image through the arrangement and clustering of points. The element of a line showed a creative image by breaking the locations of features or the frame of shape. The element of a plane expressed an avantgarde image in various forms of transformed design. The element of color suggested an avant-garde image by experimental effects contrary to conservative make-up through free expression of excessive vivid color. The element of a texture represented a creative avant-garde image by differentiation from general make-up through the use of glossy and shiny materials. Objects showed that all daily materials could become a object. Daring changes using special objects allowed very avant-garde expression and the analysis as an avant-garde image. Based on the results, it is suggested that the make-up of avant-garde image can be accomplished with the mixture of creative techniques through the characteristics of expression elements.
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사회사에 기대 읽어 본우리 사회 인문학자들의 비인문학스런 모습
박정신 한국인문사회과학회 2007 현상과 인식 Vol.31 No.3
Recently, ‘liberal arts’ scholars of colleges and universities came out together from their so-called ivory tower to the press. With a solemn look on face, they told that liberal arts have been in a serious crisis. The government should, they demanded, prepare a plan to help and promote systematically and financially the ‘liberal arts’, which is the backbone for other fields of knowledge. This article is concerned with their collective behavior, their diagnosis of the crisis, their strategy to escape from the crisis and so forth. What the author found is a dual nature of their position and behavior:a power-leaning tendency and kyongjejuui(economism), which he calls ‘unscholarly.’ As Confucian intellectuals in traditional Korea studied Confucianism for power, stayed in power with the support of their learning (Confucian ideology) and established a symbiotic relationship between power and learning, the so-called ‘liberal arts’ scholars today also have shown a similar behavior. They also try to solve their scholarly and educational crisis with government support. The behavior of these ‘liberal arts’ scholars also shows that they became ‘prisoners’ of economism that has ‘colonized’ Koreans since 1960's. They diagnose the so-called ‘liberal arts’ crisis only from economic perspective, and they try to solve their scholarly and educational crisis just economically. It is both interesting and ironical to note that while they argue that the crisis of ‘liberal arts’ came from the economy-first way of thinking which has prevailed in Korea, they try to escape from the crisis just economically. The reason why the author takes a critical stance to the behavior of the ‘liberal arts’ scholars is for the benefit of ‘liberal arts’ scholars in particular and intellectuals in general. 이 글은 최근 우리 지식인 사회에서 일고 있는 인문학의 위기 담론을 다룬다. 특히 이 위기 담론 뒤에 도사린 인문학자들의 학인스럽지 못한, 비인문학스런 모습을 담아내고 그 뿌리를 찾아보고자 하였다. 오늘의 인문학자들의 이 비인문학스런 모습과 행태는 우리 전통시대 권력을 위한, 권력에 기댄, 권력과 짝한 유학 지식인의 모습과 이어져 있고, 오늘의 우리 사회가 함몰되어 있는 ‘경제주의’와도 이어져 있음을 자기 성찰적으로 고발하고자 한다. 지식, 지식인, 특히 인문학자들의 위기 돌파 방안과 행태에서 권력의존성을 보고 경제주의에 노예됨을 읽는다. 이러한 자기 성찰적 고백은 우리 지식인 사회, 우리 인문학의 밝은 올제를 그리고 기리기 때문이다. 이 글에서는 인문학자들의 최근 행태를 다루지만 그 관심은 이공계 지식인을 비록한 우리 지식인 사회 일반과 이어져 있음은 물론이다.
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