디지털기술 발전에 따른 영화 부가시장의 다변화 -디지털 온라인 시장을 중심으로-

박병윤 ( Byung Yun Park ) 한양대학교 현대영화연구소 2014 현대영화연구 Vol.10 No.3

Development of digital technologies in the production of film screenings, distribution, etc. Overall, over clinch a lot of changes. Changes in the development of this technology is influenced by those ‘audience’ internal environment, as well as just watching a movie of filmmaking itself, which was given the different ways in which audiences will enjoy the film. The movie looked passages are being met through routine machine outside the theater and video sparked innovation put these media changed the cinema habits of the people. The changes in the digital media from the audience’s perspective that you can touch and feel on the skin is the fact that you can just enjoy the movie in a variety of media. The consumption of the theater after the movie and gradually moving online using the Internet-based and hold a variety of services to occupy an increasingly lot situated within the online market share. Now this is the audience share come see a movie theater as download services and IPTV, cable TV and free.fee is going to spread in a variety of ways. Each feature of each medium and technology are constantly changing and the audience, and this phenomenon because it seems to be adapting to these media continues to lead the future. Academic papers related to digital movies are mainly related to the state whether ‘cinematography’ for any change in the development of digital technology, film production system, or been done to study for a theater outside the theater, which is the production and screening of films and discuss the changing patterns centered changed. At this point we see the development of a wide range of technical audience movie - it needs to try a more systematic organized in the audience’s perspective. In addition, the impact on the overall process of the film industry and on the basis of this change will also review what Must. Therefore, I would like to pay attention to the film medium, which has been conducted in various ways through the development of digital technology. First, learn about the Internet and the digital environment should be the premise for the film industry in this period accordingly we will look for a correlation to the market and how that digital online form. This also provided a digital online market will see discussed with reference to the statistics of the Film Council for State whether any impact on the audience and the film industry.

초,중등 영화교육 시행 10년을 바라보며 영화와 미술의 상호매체성 -페드로 알모도바르의 <내가 사는 피부>를 중심으로-

박병윤 ( Byung Yun Park ) 한국영화교육학회 2012 영화교육연구 Vol.14 No.-

Media is affected adjacent arts film from the birth itself. Paintings from dozens of chapters activity was gathered Was this animated movie. Film, sound absorption and also because these composite media, film and other artistic interaction between the inevitable only be no Than Intermedial paintings of literature and movies like this one step further enrich the film`s story and express how he gave us, have made interested in these genres other than the adjacent arts and interaction. In the film, the visual aesthetics of movement, dance and film, as well as the interaction of the actors or insert a different movie, the shooting of the film process to break down the boundaries of film and reality by showing the process of de-spatialized through metabolism and who rely on the behavior away from the narrative style of the film, based on a combination of various genres and to try new ways. Also implies implicit and painting in the movie that was borrowed for the mise-en-soon the film`s narrative is associated with an important motif and a double track is. This paper, especially about sex movies with a focus on Intermediality appear in his movies such as painting and sculpture of ``art`` and plastering ahbim as a ``movie``, and movements of the artists` dance of Pedro Almodovar`s recent work in this film, is used by looking at how to analyze a variety of Intermediality. Also been actively studied since the 1990s, Intermediality theory and cinematic applications prior to analysis, the film`s look.

영화 <수취인 불명>(2001)에 나타난 세대 간 전쟁기억의 전승과 이미지의 형상화 -집단기억과 세대이론을 중심으로-

박병윤 ( Byung Yun Park ) 한양대학교 현대영화연구소 2013 현대영화연구 Vol.9 No.2

Memories of the past events or experiences or to recall is the act of keeping. But remember, the meaning of the subject and in society in that it can be obtained, depending on the memory configuration is optional and can never be called, and the social context and the events of the past in various forms in accordance with the terms of the memory can be Maurice Halbwachs remember the “personal belongings but also popularly used as a symbol and a story that is stored, transmitted, and the product of the social means” looking into the autobiographical memory and historical memory, and looked at by dividing the collective memory, especially in war memories of the ‘collective memory’ as a country and member plays an important role in the formation of their identity, so many countries, the official history of the war gives special meaning to. From this point of view at the time of the war in 1950, South Korea Koreas happened across social changes, as well as brought to us to live the present influence is still being remembered. Of the division of Korea due to the war situation, rationalizing the national norm of violence that has been used is the most appropriate two euros. This war of the Republic of Korea, South Korea to form a collective memory, its influence continues to the present in that it is different from any other single country, South Korea and the unique atmosphere brings on national sentiment. After all the events of the past South Korea the war is not fixed, or the subject and the situation varies depending on the flow of time and the generations can be remembered. Korea War that the past 60 years, even today, we still have a division in the country to live and the collective memory of consciously or ever envision is muui. This ‘collective experience of war’ and ‘inter-generational tradition’ in terms of the Kim Ki-duk`s film <Address Unknown> U.S. base near the village in the 1970s against the backdrop of the war in the ‘survivors’ own experience and the collective memory of the war due to the lasting division and after that move on to the next generation, a tradition symbolizing the memory image of the enemy is shown. 20 years after the armistice generations years, flows through the years, but nonetheless still a remnant of war and the scars that remain have no qualms stalking the town of USFK military figure and from time to time to train fighters,gun,bow,such as day-to-day use of weapons of war became a long truce still, despite the war cloud passed, will remain the same anxiety appears visualization. Kim Ki-duk is also extremely special to remember the iconic image of the war between the generations been handed down generations and memories, or in the same generations stylized differences and conflicts naeeotda put the brutal images. Thus, this study comes from the Korea War division resulting in the formation of collective memory and tradition of intergenerational memory based on the theory of Karl Mannheim and this film <Address Unknown> symbolically, how to evaluate imaging hayeotneunjireul analysis.

오가피 추출물이 CoCl2에 의해 유도된 SK-N-MC Neuroblastoma Cells의 세포자멸사에 미치는 보호효과

박병윤 ( Byung Yun Park ),송윤경 ( Yun Kyung Song ),임형호 ( Hyung Ho Lim ) 한방재활의학과학회 2012 한방재활의학과학회지 Vol.22 No.2

Objectives :Acanthopanax cortex belongs to Acanthopanax genus, and it has been used as a tonic and sedative agent to treat the patients with rheumatism, diabetes and liver disease for many years. Cobalt chloride(CoCl2) is used to induce hypoxic condition in vitro study. The purpose of this study was to evaluate the effects of Acanthopanax cortex extract on CoCl2-induced apoptosis in human SK-N-MC neuroblastoma cells. Methods :In order to investigate whether Acanthopanax cortex possesses a protective effect on CoCl2-induced cytotoxicity in neuronal cells, MTT (3-(4,5-dimethylthiazol-2-yl)-2,5-diphenyltetrazolium bromide) assay, DAPI(4,6-diamidino-2-phenylindole) staining, TUNEL(terminal deoxynucleotidyl transferase-mediated dUTP nick end-labeling) assay, DNA fragmentation assay, flow cytometry, DNA fragmentation assay, and Western blotting were performed on SK-N-MC neuroblastoma cells. Results :Cells treated with CoCl2 exhibited several apoptotic features, while cells pre-treated with Acanthopanax cortex prior to CoCl2 exposure showed a decrease in the occurrence of apoptotic features. CoCl2 increased HIF-1α expression, however, Acanthopanax cortex treatment decreased CoCl2-induced HIF-1α expression. The extract of Acanthopanax cortex treatment suppressed Bax and caspase-3 expressions, and increased Bcl-2 expression in human neuroblastoma SK-N-MC cells. Conclusions :These results suggest that Acanthopanax cortex may exert a protective effect on CoCl2-induced apoptosis in SK-N-MC neuroblastoma cells.

특집논문 : 에밀 쿠스트리차 영화의 환상성과 시대의 알레고리

박병윤 ( Byung Yun Park ),정태수 ( Tae Soo Jeong ) 한양대학교 현대영화연구소 2015 현대영화연구 Vol.11 No.3

에밀 쿠스트리차는 1981년 첫 장편 데뷔작 이후 오늘날까지 8편의 장편 극영화를 만들면서 1941년 나치의 지배에서부터 각 공화국 간의 내전과 독립, 그리고 민주주의와 자본주의의 도입에 이르기까지 매우 격렬하고 역동적인 시대의 흐름을 시대적 배경으로 삼고 있다. 여기에 집시들의 가난한 삶과 무슬림과의 갈등 등의 소재들이 추가되어 그의 영화는 대담하면서도 위험한 작품들이다. 그의 영화에는 여전히 사회와 개인의 문제, 정권과 이데올로기에 대한 발언들이 빠지지 않으면서 여전히 자기만의 방식과 화법을 구사하고 있다. 특히 쿠스트리차의 장편 극영화 8편은 당시 정치적으로 혼란스러웠던 다른 국가들의 영화와 마찬가지로, 민감한 정치 사항들에 대해 직접적으로 비판하거나 사실적 묘사를 하기 보다는, ‘환상성’과 ‘알레고리’의 방법을 통해 보다 은유적이고 함축적으로 관객들에게 이야기하고 있다그의 영화는 현실과 꿈, 혹은 현실 속 비현실의 상황이 항상 ‘환상적’으로 등장하는데, 현실과 환상의 세계가 분리되어 나타나는 것이 아니라 두 세계의 공존을 통해 그 경계를 모호하게 만들어버린다. 또한 그는 ‘비유’의 방법으로서 벤야민식 의미의 ‘알레고리’를 사용하고 있다. 현실을 기준으로 하여 여기서 벗어난 것에 대한 ‘명백한 가시화’의 환상성과 역사와 이데올로기를 그대로 담아내는 알레고리의 기법은 쿠스트리차의 영화에서 주된 영화 표현 방식으로 사용되고 있다. 이러한 역사성과 시대성을 과거와 현실을 통해 환상적으로 재현하여 시대의 알레고리를 묘사하였고 극적인 요소들을 통해 현실과 비현실의 경계의 모호한 경계를 효과적으로 표현하였다. 또한 비현실적 상황의 현실적인 전개 방식인 ‘마술적 사실주의’에 따라서 관객들에게 ‘진짜 현실’을 일깨워주는 방식으로 사회적 경각심을 놓치지 않았다. Emir Kusturica has made eight feature films since his first feature film debut in 1981 until today. A very intense and dynamic flow of time ranging from Nazi domination of the 1941 civil war and independence, and the introduction of democracy and capitalism make it a historical background. Here the conflict of the poor life of gypsies and Muslims are material to his film work is bold yet risky. His films still do not fall for their comments to social and personal problems, the regime and ideology. Especially Feature film 8 side of Kusturica, like the film in other countries confused at the time politically, for sensitive political matters criticisms directly, or than a realistic description, implicitly audience through the process of ‘fantasy’ and ‘allegory’ They are talking to. His films have appeared Present Situation and dreams, reality or unreality is always ‘fantastic’. Is the world of reality and fantasy blur the boundaries separating`ll make it through the coexistence of two worlds, not shown. He also uses the allegory of Benjamin as a way of analogy. Method of allegory that capture the history and ideology, as it has been used as the main movie in a movie representation of Kusturica. This historic castle was to recreate a fantastic performance period through the past and the reality of the times ambiguous allegory depicting the boundaries of the boundaries between reality and unreality effectively expressed through dramatic elements. Also it did not miss a realistic way deploy social awareness in a way that reminds us the ‘real reality’ to audiences in accordance with the “magical realism” of unrealistic situations.

공동주택 현장 경량바닥충격음 차단성능 규준화의 문제점 및 대안

오양기(Oh, Yang-Ki),박병윤(Park, Byung Yun),주문기(Chu, Mun-Ki) 한국건축친환경설비학회 2014 한국건축친환경설비학회 논문집 Vol.8 No.3

The accreditation scheme for the floor impact noise insulation performance of apartments is announced officially in 2004 by Korea Ministry of Construction and Transportation. Though based on Korea Standard, KS, the accreditation scheme contains further restrictions to make definite legal criteria. This research raises questions on those restrictions whether they are adequate for assessing the floor impact sound pressure level.

호흡에 의한 실내공간의 O₂, CO₂ 농도 변화와 산소발생기에 의한 실내의 산소농도 상승효과

이준용(Lee Jung-Yong),윤동원(Yoon Dong-Wong),박병윤(Park Byung Yun) 한국건축친환경설비학회 2007 한국건축친환경설비학회 학술발표대회 논문집 Vol.- No.-

The indoor air has been polluted seriously in a residential room, wherever the air tightness is improved only for preventing infiltration with energy conservation strategies in buildings. Originally oxygen is most important element to vitalizing human body. In a small room, occupants inhale the oxygen and exhale the carbon dioxide to the ambient air. However, ventilation or oxygen generator could be applied to compensate oxygen consuming with respiration in a room. In this study, the variation of concentration for oxygen and carbon dioxide with human breaths has been measured in a typical bed room when occupied with 2 persons during 12 hours of measurement periods. And the effects of compensation of oxygen with operating oxygen generator in a selected room. The CO₂ concentration has been increased dramatically in a air tight room and the oxygen concentration is decreased with residence activities.

백서를 이용한 수술 후 통증 유발 모형에서 척수강 내로 투여한 Ginsenosides의 효과

신동진 ( Dong Jin Shin ),윤명하 ( Myung Ha Yoon ),이형곤 ( Hyung Gon Lee ),김웅모 ( Woong Mo Kim ),박병윤 ( Byung Yun Park ),김여옥 ( Yeo Ok Kim ),황란희 ( Lan Ji Huang ),최금화 ( Jin Hua Cui ) 대한통증학회 2007 The Korean Journal of Pain Vol.20 No.2

중국 녹색건축 인증제도의 개선방안 연구

홍종필(HONG, Jong-Pil),장향인(Jang, Hyang-In),안형준(Ahn, Hyung-Jun),박창영(Park, Chang-Young),김연아(KIM, Yeon-Ah),박병윤(PARK, Byung-Yun),최창호(Choi, Chang-Ho),우강(YU, JIANG) 한국건축친환경설비학회 2015 한국건축친환경설비학회 논문집 Vol.9 No.1

The purpose of this study is to suggest improvement direction of China Evaluation Standard for Green Building (ESGB) and to validate the application propriety of evaluated standard through case analyses based on current environmental conditions in China. By analyzing comparative three different criteria, some ESGB rating systems are impractical and unrealistic. These rating systems are eliminated and nine rating systems are added considering economical social condition in China. Furthermore, the current and revised version of ESGB applies to review a building which obtains G-SEED certification in Korea. As a result of this experiment, the current version is impossible to obtain the certification, but the revised version is distinguished and received the grade of certification. Therefore, this study shows the validity to change to the current ESGB and demonstrates the need to further improvement of ESGB in China.

組織擴張器를 利用한 耳介再建術

한병기,정윤규,이영호,박병윤 大韓成形外科學會 1989 Archives of Plastic Surgery Vol.16 No.1

One of the most difficult problems in ear reconstruction is the extreme shortage of available skin to cover the reconstructed framework. To accomplish the successful outcome of total ear reconstruction is equally dependent on the quality and quantity of available skin coverage. The prerequisite to good skin coverage should be thin, hairless, sensitive, good color-match, pliable, well-vascularized and easily available. In an effort to obtain this good skin coverage, we used the tissue expander as the first stage of auricle reconstruction in congenital microtial and traumatic anotia. We felt that expanded skin provides thin, pliable and well-vascularized cover for framework of autogenous cartilage graft or silastic implant, especially, the expanded skin flap was excellent for contour of the cartilagenous framework. But there are some contractures of the expanded pocket so that it is difficult to keep the deep auriculocephalic sulcus as that of immediate operation. This paper represents the authors' 5 to 19 months experience with 6 cases in 5 patients of a ear reconstruction in which tissue expander was used.