멋론서설 : 민족성과의 관련 및 그 개념 규정에 관한 대체적 고찰

박노준 안암어문학회 1961 어문논집 Vol.5 No.1

향가(鄕歌), 그 현대시로의 변용 : 「 헌화가(獻花歌)」 , 「 서동요(薯動謠)」 를 대상으로

박노준 한국시가학회 1999 韓國 詩歌硏究 Vol.5 No.-

초고연색 LED 조명시스템

박노준,고재현,유재형,황명근,Park, No-Jun,Go, Jae-Hyeon,Yu, Jae-Hyeong,Hwang, Myeong-Geun 한국정보디스플레이학회 2016 인포메이션 디스플레이 Vol.17 No.1

회전 및 크기 변화를 고려한 영상추적에 관한 연구

박노준,조남익 서울시립대학교 산업기술연구소 1996 산업기술연구소논문집 Vol.4 No.-

A tracking algorithm employing HMA is proposed for more accurate guidance of autopilot system guided missiles and unmanned vehicles. HMA is based on spatial transform with triangular patches and 2-D affine transform, from which the information on rotation and scale changes is obtained. Also, we can adaptively adjust the size of the target block from these information. As a result, the algorithm provides more accurate tracking results than BMA when the object has rotational motion, zooming, or scale changes.

국내 고교야구선수들의 상대연령효과(RAE)분석

박노준,방상열 한국웰니스학회 2019 한국웰니스학회지 Vol.14 No.1

이 연구는 국내 고교야구에서 상대연령효과(RAE) 현상이 존재하는지를 규명하기 위해 수행하였다. 대한야구협회에 등록된 총 2,932명의 국내 고등학교 야구선수를 대상으로 자료를 수집하였고 과학적 통계기법을 활용해 수집된 정보를 분석하였다. 이번 연구를 통해 각 학년별로 상대연령이 빠른 야구선수들의 과분포가 발견되었고, 이는 회귀분석과 카이스퀘어 검증을 통해 확인되었다(1학년, x2=3171.000, p<0.05; 2학년, x2=3072.000, p<0.05; 3학년, x2=2553.000, p<0.05). 하지만, 국내 고교야구 선수들의 상대연령효과에 따른 신체 속성(키, 체중)간 차이에서는 통계적으로 유의미한 차이를 발견할 수 없었다. 이러한 측면에서, 본 연구진은 선수생활과정에서 상대연령이 높은 선수들이 상대적 성숙도의 우월함으로 인해 상대연령이 낮은 선수들보다 생존할 가능성이 높아지고 동기 부여될 환경이 쉽게 조성될 수 있다고 보았다. 반면, 상대연령이 낮은 선수들은 여러 가지 불리함을 감수하면서 조기 운동중단 상황으로 이어질 수 있다고 추측된다. 국내 고교야구에서 나타나는 상대연령효과(RAE) 현상은 엘리트 그리고 경쟁기반의 고교야구 환경에 중요한 시사점을 던져준다고 할 수 있다. The purpose of this study was to identify relative age effect(RAE) on high-school baseball teams in South Korea. Data of total 2,932 baseball players was collected in a cooperation with Korea Baseball Association(KBA) and analysed with statistical methods. Our findings confirmed an over-representation of high-school baseball players born early in all age-groups, which were statistically proved by the regression and Chi-square test(Year1, x2=3171.000, p<0.05; Year2, x2=3072.000, p<0.05; Year3, x2=2553.000, p<0.05). However, no correlations between the RAE and physique were found in the South Korean Junior baseball teams. In that respect, we argue that relatively old baseball players were more likely to survive and be motivated in their sporting careers due to their early maturation. On the other hand, the relatively young players may experience disadvantages leading to early drop-out situation. The existence of the RAE in South Korean high-school baseball teams has important implications for elite and competition-oriented environment of high-school baseball.

화이트 컨버전 방식의 AC직결형 식물생상 LED 보광등 실증 사례 연구

박노준,박영철,김근식,박재영,이진환,Park, No-Jun,Park, Yeong-Cheol,Kim, Geun-Sik,Park, Jae-Yeong,Lee, Jin-Hwan 한국정보디스플레이학회 2020 인포메이션 디스플레이 Vol.21 No.2

"김학성(金學成) 저(著), 국문학(國文學)의 탐구(探究)

박노준 국어국문학회 1988 국어국문학 Vol.- No.99

1930年代 詩歌文學史硏究의 두 성과 : 『朝鮮詩歌史綱』과 『朝鮮平民文學史』

박노준 한양대학교 한국학연구소 1992 韓國學論集 Vol.21.22 No.-

雙花店攷

朴魯준 한양대학교 한국학연구소 1987 韓國學論集 Vol.11 No.-

This essay examines "Ssanghuajom in its various aspects "Ssanghuajom" was a song sung in the reign of King Ch'ungyol 忠烈王(1275-1308) during Koryo 高麗 dynasty (908-1392), First of all, this study inquires into the question about the auther of "Ssanghuajom" on the premise that a folksong was introduced into the royal court of Koryo and finally being formed into its present form at that time. Secondly, the article discusses both the time when the song was brought into the palace and the mode in which the song was chanted. In fact, "Ssanghuajom" was intoned in order for some of royal subjects to further dissipation of King Ch' ungyol. Thirdly, therefore, taking into account the prodigality of the monoarch and other concrete historical facts, the present work explores reasons why the ruler indulged in such a song as "Ssnghuajom." Fourthly, the study endeavors to analyze literary characteristics of this song itself through looking into the emotional attitude of the hero of the song. In conclusion, the present essay aims both at going into detailed criticism about the errors which the existing studies on "Ssanghuajom" have made and at having a correct grasp of the song.

韓國古典詩歌에 나타난 '志節'의 모습 : 新羅·高麗時代 작품을 중심으로

박노준 한양대학교 한국학연구소 1984 韓國學論集 Vol.6 No.-

The aim of this paper is to examine some poems of Silla and Koryo in order to find out how the features of chijo (志操), or con-stancy are literarily reflected. Chijo (chijol) praised in their po-ems by such contemporary Korean poets as Han Youn-un, Kim So-wol, Yi Yuk-sa, and Yun Tong-ju as led me to embark upon this-study. During the Japanese colonial period (1910~45), these poets sang in the praises of the constancy. Modern poems in Korea have been influenced by historical circumstances. These poets eulgized the constancy as a means of thir indepedence struggle against the Japanese colonialism. I believe that both classical and modern poems in Korea have been composed under the influence of histo-rical circumstances of the time, and also under the influence of Silla hyangga 鄕歌 or "native songs", slkyo 俗謠 or "commoners' songs" and sijo 時調 or "poems" in Koryo. In this context, this paper primarily seeks to Jocate the source of chijo. In order to investigate chijo shown in hyangga, I have used as texts Mo Chukjirangga 慕竹旨郞歌, and Ch'an Kip'arangga 讚耆婆郞歌 Mo Chukjirangga is a song by Tuk'o 得鳥, to express his longing for hwarang, or a "flower knight", Chukjirang, and Ch'am Kip'arangga by nangdo, or a "flower knight cadet", and Ch'ungdamsa 忠談師, in praise of Kip'arang. The authors have pledged in the two songs that they would live up to the high spirit of hwarang to the end. I have kept the facts in mind that it was after the unification of Korea by Silla when the two works were composed, and the power of Hwarangdo or the "Way of Flower Knights" was declining after the height of its prosperity. At the same time, I have disco-vered that the features of hwarang shown in the two works are more like those of literary men rather than like those of knights. In conclusion, I consider chijo valuable literary assets which are found for the first time in the history of Korean poetry. I have used, as texts, Chongslk ga 鄭石歌, Tongdong 動動, Sog-yong pylgok 西京別曲 and Kasiri by anonymous authors in order to examine chijo evinced in sokyo of Koryo. All of the four songs have delineated women's upright chijo. These anonymous authors respectively expressed their unchangeable chelgae (chijo) through poems when they had to part with their nim or "lovers", when they were waiting for their nim after separation, or when they wanted to perpetuate their love which they were sharing at that moment. I have pointed out in this study that chijol manifested in Koryo sokyo is quite different from that in hyangga in terms of technique of expression. For example, the mode of such forceful expression as was used in Koryo sokyo is not found in hyangga. Moreover, as a striking example, the Koryo sok'yo composers paid atterntion even to many parts of the natural world so as efectively to express their constancy. In spite of the distinctive aspects in the mode of expression between Koryo sokyo and Silla hyangga, I have confirmed that Koryo sokyo succeeded to the traditio of hyangga in terms of the spirtual aspect. In addition, I have discovered that the tradition of hyangga has been handed down to the present time by way of sijo or "poems" in the later years of Koryo. So as to find out chijol or "constancy" revealed in sijoduring the last years of Koryo, as texts, I have used works by such Neo-Confucian scholars as Chong Mong-ju, Kil Chae, and Won Chon-sok. Their works include songs which contain the spirit of chijol for the loyalists to maintain their conviction, and their sincere hearts towards kings and the states. Through these songs, I have tried to look into how conscientous statesmen and intellectuals coped with the real world during a period of dynastic changes. At the sametime, I have endeavored to observe evidences of thir an-guish, tenacious will power, lofty spirit of sonbi or "gentleman scholar" in many aspects. I have come to find that solemn chijol evinced in their sijo was derived from Weltanschawng of Neo-Con-fucianism. The present author has pointed out that such tradition of chijo to defend the royal house as was established in sijo during the last years of Koryo has been handed down to sijo of contem-porary Korean poets especially during the Japanese colonial period by way of sio composed by Sayuksin or the "Six Loyalist Marty-rs" under the reign of King Sejo of Choson Dynasty. I have viewed the chijol manifested in classical songs of Korea as eyer-lasting intellectual beauty and as the beauty in the history of Korean people. As a means of finding out true features of chijol of this sort, I have tried to connect Silla hyangga verticlly with sijo during the last years of Koryo. At the same time, I have made my best endeavors to examine similarities and differences in the works by making a comparison of the works in respective periods horizontally.