『竹取物語』に見られる神仙思想

무라마츠 마사아키 한국일본사상사학회 2015 일본사상 Vol.0 No.29

本稿は『竹取物語』に見られる神仙思想の全体像を把握しようとするもので、物語の展開に従い「かぐや姫の素姓」「難題譚」「かぐや姫の昇天」の三つに分け、神仙思想的な語彙や内容の典拠、物語構想への効果、作者の意図などについて考察した。先ず「かぐや姫の素姓」では、月の都と謫仙について考察し、次に「難題譚」では、蓬莱の玉の枝と火鼠の皮衣、龍の頸の玉について論じ、最後に「かぐや姫の昇天」では、天の羽衣や飛ぶ車、かた時の間、不死の薬などについて考察した。これら神仙思想的な要素が、物語の雰囲気を神秘的にするだけでなく、物語の構想を唐から天竺、蓬莱から月の都へと拡大させ、人間世界と神仙世界が交錯する複雑かつ劇的な展開を可能にした。 This is an study about Taoism-like element in "the Tale of the Bamboo Cutter". The first chapter is the summary of the history on Taoism in China and archeological or historical introduction of Taoism to ancient Japan. In addition, the influence on main works of Japanese literature, such as Manyoshu or the Tale of Genji, is also summarized. The second chapter is the consideration on the identity of Princess Kaguya who was born in the capital of the Moom and was deported to the Earth. The capital of the Moom is a place where there is no aging or death like Taoism’s fairyland. The third chapter is the consideration on five difficulties which were given to the noblemen who wanted to marry Princess Kaguya. Among five difficulties, three difficulties are related to Taoism, such as the branch of the tree which grows in Mt. Hourai, the cloth made by the skin of the fire mice and the gemstone stuck to the dragon’s neck. The forth chapter is the consideration on the rising of Princess Kaguya into the capital of the Moom. An angel's feathered robe, a flying car, the elixir of life and a difference of time between the Moon and the Earth are related to Taoism. Even though Taoism is the main architecture of the novel, the author does not long for Taoism’s fairyland blindly. He is advocating the superiority of the life in the Earth.

古代 東아시아史에 있어서의 「塢」

무라마츠 코이치 역사교육학회 2009 역사교육논집 Vol.42 No.-

In this paper, I will discuss the transformation of the word “wu(塢)” throughout the course of East Asian history. The word “wu”, as described in “戊戌塢作碑”, which is currently in possession of the museum of Kyungpook National University in Korea, refers to water supply facilities. On the other hand, the word “wu” in China, refers to a barrier. Therefore, in the Korean peninsula, “wu”, as described in “戊戌塢作碑”, is considered to be the original meaning of this word. When we analyzed this word with the use of historical materials dating back as far as the Han Dynasty, there were cases in which “wu” referred to a barrier and a fortress in the northwest of China, which was constructed in the Chang Jiang(長江) region around the end of the East Han dynasty and the Three Kingdom era. After the Yongjia Revolt(永嘉), which occurred during the Western Jin dynasty, we know that “Wu zhu(塢主)” referred to the chief of the migratory population. During the Tang and Song dynasties, “wu” referred to the geographical features of a valley as opposed to the water supply facilities. However, with further investigation into the meaning of the word “wu”, as referring to the water supply facilities in China, I discovered it used to describe the central part of the Huanghe(黃河) River and the central and downstream parts of the Chang Jiang River, during the Jin and Southern dynasties. It is my understanding that these waterways entered the Korean peninsula via Jiannan in the northeast. Interestingly, by reconstructing East Asian history, I discovered a new fact that lies beyond the scope of the national history of this region.

동(東)아시아 근대(近代)에서 '건축(建築)'의 변용(變容) -중(中). 한(韓). 일(日)의 비교(比較)를 통하여-

무라마츠 신,Shin, Muramtsu 한국건축역사학회 1992 건축역사연구 Vol.1 No.2

木棺墓 葬送儀禮의 復原: 密陽校洞遺蹟을 中心으로

무라마츠 요스케 부산대학교 인문학연구소 2009 코기토 Vol.- No.65

The wooden coffin burial of funeral rite is one of actions which has strong symbol among the formal actions of the human behavior. In this report, focused on Milyang-gyodong site, I divided wooden coffin burial of funeral rite into four grades with studying the construction process of the wooden coffin and the aspect of arranged remains. In Milyang-gyodong site, the waist pit which fall into the first grade is only one, but any instruments didn’t discovered there, therewas no detail explanation so far. In the second grade, there is a rule that just one sword is buried in a single coffin and it is put near a head or waist of the buried. A small pottery appeared in the stage of the Wajil-pottery and various ironware were arranged outside the coffin. It is the reason that an item was limited by the narrow space between tomb and wooden coffin. The item arranged outside a coffin and in a coffin is different in a reversion object based on the difference of the aspect and conventional recognition. Because the item arranged in a coffin means representation of a social position of the buried, and outside a coffin was based on the principle of the community which administered funeral rite, I suppose these two people had two different professional abilities each. In the third grade, limitation in the space disappeared so Mumun-potteries and the large-sized of the Wajil-potteries as well as items which appeared in the second grade are discovered. Itis important that not many items of a single form are buried, but each of variety forms are buried. Then based on the number of items arranged in each stage, I confirmed about the progress of the funeral rite of wooden coffin burial. It is not so uniform but it has continuation, a limitation, stability and concentricity. Finally, I examined the planar position of item at each grade and grasped an aspect of the wooden coffin burial of of funeral rites from both sides of the solid and the plane. The wooden coffin burial of funeral rite is one of actions which has strong symbol among the formal actions of the human behavior. In this report, focused on Milyang-gyodong site, I divided wooden coffin burial of funeral rite into four grades with studying the construction process of the wooden coffin and the aspect of arranged remains. In Milyang-gyodong site, the waist pit which fall into the first grade is only one, but any instruments didn’t discovered there, therewas no detail explanation so far. In the second grade, there is a rule that just one sword is buried in a single coffin and it is put near a head or waist of the buried. A small pottery appeared in the stage of the Wajil-pottery and various ironware were arranged outside the coffin. It is the reason that an item was limited by the narrow space between tomb and wooden coffin. The item arranged outside a coffin and in a coffin is different in a reversion object based on the difference of the aspect and conventional recognition. Because the item arranged in a coffin means representation of a social position of the buried, and outside a coffin was based on the principle of the community which administered funeral rite, I suppose these two people had two different professional abilities each. In the third grade, limitation in the space disappeared so Mumun-potteries and the large-sized of the Wajil-potteries as well as items which appeared in the second grade are discovered. Itis important that not many items of a single form are buried, but each of variety forms are buried. Then based on the number of items arranged in each stage, I confirmed about the progress of the funeral rite of wooden coffin burial. It is not so uniform but it has continuation, a limitation, stability and concentricity. Finally, I examined the planar position of item at each grade and grasped an aspect of the wooden coffin burial of of funeral rites from both sides of the solid and the plane.

'大和物語' に於ける夢の一考察

무라마츠 마사아키 선문대학교 인문과학계열 2001 선문인문과학논총 Vol.2 No.-

Investigation the tip-sample interaction of the AFM for biological nano scale analyses

장상목,김종민,무라마츠 한국공업화학회 2004 한국공업화학회 연구논문 초록집 Vol.2004 No.1

C-61 : Investigation the tip-sample interaction of the AFM for biological nano scale analyses

장상목,김종민,무라마츠 한국화학공학회 2007 화학공학의이론과응용 Vol.10 No.2

Atomic force microscope phase lag imaging of protein-DNA oligonucleotide complexes has been performed to visualize the immobilized oligonucleotides on the protein surface. In normal sample conditions, neither the topographic nor phase lag images show any discriminate signals for the immobilized oligonucleotides. Use of a highly humid incubator, controls the surface humidity. Thereby, it reveals the oligonucleotide location by the local difference of tip adhesion distribution. The resultant phase lag image shows extremely strong signals in the center of the protein surface, indicating the location of oligonucleotides. This experiment, however, demonstrates the strong adhesion force between the tip and the sample leads to the production of abnormal image artifact. In the presentation, we will show the current effort to reduce the imaging artifact by a new tip preparation method.