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나희경 ( Heekyung Nah ) 21세기영어영문학회 2017 영어영문학21 Vol.30 No.1
Literary criticism for Henry James`s The Ambassadors tends to focus on its descriptive technique and narrative manner. Critics have analyzed how thoroughly James, in composing the novel, concentrated his attention on delineating the vision, perception, impression, and recognition of Lambert Strether, the protagonist of the novel. In short, they have tried to prove the fact that James showd an exquisite craftsmanship in practicing the technique of `showing.` Engaging in such critical discussion on the writing style and structure of The Ambassadors, this paper aims to illuminate the nature and process of Lambert Strether`s perceptual experience of the cultural environment of Paris. Strether`s perceptual experience can be characterized by such psychological concepts as attention, the fusion and flow of consciousness, impressionistic pictorialism, attraction and confusion, and an ironical conversion of recognition.
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나희경(Heekyung Nah) 한국영미문학교육학회 2003 영미문학교육 Vol.7 No.2
Theory of criticism, as it began to grow luxuriantly since the mid-twentieth century, seems to face its full blossom nowadays. This paper first explores both the gap between theory and practice and the subsequent feeling of disorientation inherent in the literary discourse of today. Then it interprets and introduces the pragmatic view on literature which is suggested, as a solution to the problems found in the field of present literary criticism, by such pragmatic writers as John Dewey, Richard Rorty, Harold Bloom, and C. S. Lewis. Those pragmatic writers in common point out, as the cause of those confusions, that the theory-dominated critical trend of today unduly severs human experience and then violently equalizes the different colors of experience. Those pragmatic writers respectively suggest, as an alternative to theory-dependent criticism, the recovery of the continuity and fullness of experience, reading of literary works as a spiritual exercise, the joy of solitary reading, and a wholehearted acceptance of literary experience. They all argue that a reader should focus his attention not just on the content of reading but on the modality of the act of reading, and that a critic aim at acquiring the fullness of experience, rather than that of self-indulgent authority and power from literary reading.
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나희경 ( Heekyung Nah ) 21세기영어영문학회 2015 영어영문학21 Vol.28 No.3
This study is to explore the aspects of contradiction observed in the relationship between human and nature, or in the human attitude toward nature. All the environmental problems caused by human beings are considered to stem from the contradictory ontological condition of the human species, that is, the discrepancy between the existential and the perceptual condition inherent in humanity itself. Meanwhile, the practical inconsistencies are shown in the emotional, moral, and literary responses of human beings toward nature. Man is an inconspicuous part of nature in biological terms, while he subsumes the whole world of nature and beyond in his perceptive realm. Man discerns himself, a perceptive center, from nature, considering nature as an external environment. But his body, though a purely natural existence, can never be considered external, but it is himself. Man can never exist as a self-sufficient being completely independent of the natural environment. Nevertheless, he cannot but make a demarcation between himself and nature, and between wildness and civilization in order to survive in the given environment as well as to understand the world and the self. Human beings cannot be completely assimilated into the order of nature as the other species do, but they are a peculiar and self-contradictory species that can survive and thrive only through the act of at once demarcation from, and affiliation with, nature.
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