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엔도 슈사쿠 『오바카상(おバカさん)』고찰 - 엔도의 중간소설의 의미 -
김하연 한국일본근대학회 2014 일본근대학연구 Vol.0 No.45
엔도는 일본 전후의 가톨릭문학계의 선구자로서 평론과 소설을 통하여 다른 작가가 파고들지 못한 종교적과제를 추구해왔다. 그는 전 생애를 통하여 끊임없이 가톨릭의 유일신을 탐구해가며 일본문단에서 황무지와 같았던 가톨릭문학을 한 장르로서 구축하였다엔도는 거리감이 있었떤 서구의 유일신을 일본에서 어떻게 토착화시킬까에 대한 해결책을 모색하는 수단으로서 소설이라는 매체를 이용하였다. 엔도가 추구하는 신은 부성적인 신이 아니라 한없이 부드럽고 용서하고 사랑하는 모성적인 신이라고 할 수 있는데 이 모성적 사랑의 신의 모습을 가스톤을 빌어 나타낸 것이다. 독자들에게 가까이 있는 엔도의 중간소설이란 작가 엔도 자신이 의도한 모성적인 영원한 사랑의 동반자 예수로서의 가톨릭을 독자들에게 전달하는 장소였다고 할 수 있다. 실제로 엔도가 작가로서 활동함에 있어 일본인에게 맞는 가톨릭의 문제를 찾아내는 것은 1959년의 중간소설『오바카상』의 연재 때부터라고 할 수 있다. Endo had researched on how we can approach Catholic that has a distance, during whole his life, constantly, and he cultivated Catholic literature like wasteland in Japan literature as a genre. To sad together and to forgive all and to love are God’s figure that Endo understood, it is overlapped as it is, with Gaston’s image in <Obacasang> If so, in situation of 1959 that <Obacasang> was published, the fact that Catholic understood by Endo is changed from paternity to maternal, can be reasoned. Endo’s works is divided as the pure fiction and the middlebrow novel according to genre and contents. If someone doesn’t observe the other rich literature world that the middlebrow novel showed by a shape and the author’s face projected in it, Endo Shusaku’s research also is no more than showing only one side literature world. There is Endo’s worry for contemporary man of no God in the middlebrow novel, in other words, most Japan readers who enjoy fiction work. Endo’s the middlebrow novel can be supposed as a place that delivers readers a well-fitting Catholic, in other words, a place that seeks the delivery place. Really, in the point that Endo act as a author, the time that he found issue of Christianity suitable for Japan was the time that the first work of the middlebrow novel of 1959, <Obacasang> was published serially.
3차원 혈관촬영을 이용한 전산유체분석: 여러 가지 근위부 혈관 형상에 따른 결과 비교, 예비 보고
김하연,박성태,배원경,구동억 대한영상의학회 2014 대한영상의학회지 Vol.71 No.6
근위부 혈관 형상이 전산유체역학(computational fluid dynamics; 이하 CFD) 결과에 미치는 영향을 알아보았다. 뇌동맥류가 있는 63세 여자 환자의 혈관을 기초로 5개의 편집된 혈관 모델로 CFD 분석을 하였다. 해면동 근위부 연장 모델만이 출구쪽 최대수축혈류속도가 입구쪽에 비하여 빠른 값을 가지고, 나머지 모델은 오히려 느렸다. 뇌동맥류 직전의 관심영역에서 혈류속도 도면(flow velocity profile)은 등고선의 분포가 모든 모델에서 비슷하였고, 혈류속도는 해면동 근위부 연장 모델에서 가장 높은 값을 보였다. CFD 연구에서 근위부 길이와 모양이 해석 결과에 영향을 미칠 수 있을 것이라고 생각한다. We studied the influence of proximal geometry on the results of computational fluid dynamics (CFD). We made five models of different proximal geometry from three dimensional angiography of 63-year-old women with intracranial aneurysm. CFD results were analyzed as peak systolic velocity (PSV) at inlet and outlet as well as flow velocity profile at proximal level of internal carotid artery (ICA) aneurysm. Modified model of cavernous one with proximal tubing showed faster PSV at outlet than that at inlet. The PSV of outlets of other models were slower than that of inlets. The flow velocity profiles at immediate proximal to ICA aneurysm showed similar patterns in all models, suggesting that proximal vessel geometries could affect CFD results.
MBTI 성격 지표와 패션 브랜드 감성에 따른 패션소비성향 차이 연구
김하연,김윤정 한국패션비즈니스학회 2023 패션 비즈니스 Vol.27 No.5
This study aimed to elucidate any differences in fashion consumption tendencies among fashion consumers according to their MBTI personality types and fashion brand sensibility (Chanel vs. Off-White). Differences in fashion consumption tendencies (fashion sensitivity, fashion innovativeness, and fashion ostentation) were determined based on two of MBTI’s four bipolar indicators: extroversion-introversion, sensing-intuition, thinking-feeling, and judging-perceiving. It was found that intuitive consumers showed higher fashion innovativeness than sensory consumers. In addition, feeling-type consumers showed more fashion-sensitive and ostentatious fashion consumption tendencies than thinking-type consumers. Fashion brand sensibility acted as a moderator in the relationship between personality type and fashion consumption tendency. Especially, moderating effects of fashion brand sensibility and fashion consumption tendencies were evident in sensing-intuition and judging-perceiving types. Among intuitive consumers, those who preferred Chanel brand sensibility exhibited higher tendencies for fashion ostentation than those who preferred Off-White brand sensibility. However, sensory type consumers showed no difference in fashion ostentation based on their preferred fashion brand sensibility. Interaction effects regarding fashion sensitivity and fashion innovativeness were not found. Among perceiving-type consumers who preferred Chanel brand sensibility, high fashion sensitivity was evident. Conversely, judgment-type consumers who preferred Off-White brand sensibility showed high fashion sensitivity. Interaction effects concerning fashion innovativeness and fashion ostentation were not found.