인터뷰 - 김지혜 롯데칠성음료(주) 디자인팀 디자이너

김지혜,Kim,,Ji-Hye (사)한국포장협회 2010 包裝界 Vol.210 No.-

지식경제부와 한국디자인진흥원은 대한민국 디자인 산업을 이끌어갈 우수한 신예 디자이너 발굴의 장이자, 국내 산업 디자인의 미래를 조망하는 "대한민국디자인전람회" 수상작을 발표했다. 대한민국 디자인계를 이끄는 학계 산업계의 초대 추천 디자이너 542명을 배출한 이 전람회는 1995년부터 집계된 출품 수만 2만5천여 점에 달하는 국내 최대 최고 규모의 공모전이다. 이번 전람회에서는 롯데칠성 디자인팀의 김지혜 씨가 바쁜 현대인들에게 안전하고 건강한 생활 식습관을 제안한 "요리하는 즐거움, 건강한 라이프스타일을 위한 패키지디자인연구"로 국무총리상을 수상하게 됐다. 김지혜 디자이너에게 작품 소개 및 패키지디자인에 대한 견해를 들어보았다.

日本 文化廳 所藏 金玄成贊 〈瀟湘八景圖〉 考察

金智惠(김지혜) 한국미술사교육학회 2000 美術史學 Vol.14 No.-

The Stress-Reducing Effects of Forest Healing Activities in Maladjusted Military Force Members

김지혜,신창섭,김지혜,김도형,김윤수,이현채 인간식물환경학회 2020 인간식물환경학회지 Vol.23 No.3

Background and objective: In the Republic of Korea, military service is mandatory. Some of new recruits have the stress from the special environment, which could cause psychological maladjustment. The military forces have operated education programs such as green camp and healing camp. The study was conducted to investigate changes in psychological and physiological stress by conducting forest healing activities along with plant scent treatment for soldiers participating in a green camp. Methods: A total of 52 soldiers were participated including maladjustment soldiers and those recommended by their military units to protect the unfit soldiers who participated in forest healing activities in the green camp. The programs that were certified by the Korea Forest Service between 2014 and 2019, and were applied for stress reduction and relaxation training were classified into stress-coping programs and forest experience programs. Post-hoc surveys and cortisol measurements were carried out. Results: Green camp soldiers experience and differences in the level of stress responses were found to be very statistically significant between the treatment and control groups. The techniques for coping with stress were not significantly different in the control group, and the treatment group showed statistically significant results. In addition, the results of analyzing changes in the concentration of cortisol and measuring physiological stress were very statistically significant in forest healing activities at 4 p.m. Conclusion: Once green camp soldiers face stressful situations, forest healing programs using forest plant scents for green camp soldiers can have positive responses and forest healing activities can reduce psychological and physiological stress responses, improving maladjustment behaviors caused by stress and positively affecting the reduction of cortisol.

경성 고백, 광고 속의 경성

김지혜(金芝慧) 한국미술연구소 2017 美術史論壇 Vol.- No.44

In modern age, Gyeongseong was recognized as a space symbolizing modern civilization and culture. As a miniature copy of modern Joseon, Gyeongseong was not only event hall planning all sorts of national main events for internalizing Japanese colonization system but also capital market of Japan and center of commodity economy, whose head is department stores, an advance guard of consumptive culture. It was an origin of Korean modernity accepting, creating newly, and distributing modern culture. And, advertisements, new media originated in modern age, introduced it to people daily and visually. If Gyeongseong drawn in advertisements of the 1910s was the space of enlightenment and education, that is represented by exposition, Gyeongseong of the 1920s was changed to the space of consumption and popularity as consumptive culture was settled by penetration of Japanese capital market in the period of mammoth emporium. Therefore, the advertisements including modern city, Gyeongseong, such as their various events, goods of splendid shop, hobbies and leisure lives of Gyeongseong, etc., would be the mechanism awakening a desire of consumers and watchers for going up to the capital. In addition, after the general mobilization order, Gyeongseong of the 1940s was changed to the space of the order and their advertisements also showed the aspect to serve on the war basis. So, advertisements show the process modern systems and cultures were accepted and settled and acted as an important media internalizing modern cognition in lifestyle and attitude of colony city, Gyeongseong.

광고로 만나는 경성의 미인, 모던걸 모던보이

김지혜(金芝慧) 한국미술연구소 2016 美術史論壇 Vol.- No.43

Modern girl and modern boys meant a group of beauties who wore modern fashion and contemporary fashion at the height of modernity in Gyeongseong area. They are clearly distinguished from the previous figures by forming a new self that is mediated by the consumer of modern culture and the representation of goods. The leveling of consumption brought about by the transition from the class system to the capital society is accelerated by the appearance and advertisement of mass media which are printed and distributed to the masses like newspapers. In particular, newspaper advertisement can be said that it implies consumption culture by persuading and producing desire of people. As such, the advertisement in the modern era was not also a new culture but also a media that reflected and created a new awareness, value and ideology in the society by promoting consumption through introduction of new civilization and information. The narrative and image of modern girl and modern boy of Gyeongseong are suggested and vividly reflected through various visual materials such as newspaper advertisements, illustrations and photographs of the time. The advertisement was the medium that popularized and learned the idealized modern image that modern boy and modern boy pursued in the most familiar way to the public. In this way, modern boy and modern girl were consumers who appeared in the proliferation of consumer culture. In the process, while they were criticized as a symbol of luxury and vanity, they were also accepters of a new culture at the height of the modern era and the beauties of the modern era who attempted to experience modern, modernity, modern culture and modern value directly.

美人萬能, 한국 근대기 화장품 신문 광고로 읽는 미인 이미지

김지혜(金芝慧) 한국미술연구소 2013 美術史論壇 Vol.- No.37

The diverse discourses on the changing concept of female beauty that arose in the modern period culminated in advertisements of cosmetic products featuring women considered beautiful. Cosmetic advertisements are central vessels that embody one era's perception of beauty. Models featured in these advertisements are considered to possess the most popular features of beauty. The modern perception of beauty arrived in Korea(then known as “Joseon”) via Japanese colonizers, and was popularized by a series of dailies, such as Gyeongseong Ilbo, Maeil Shinbo, Chosun Ilbo, and Donga Ilbo. The advertisements published on these pates played a pivotal role in incorporating new features and perception of beauty into the modern Korean psyche. Traditions inherited from a strictly hierarchical society, which assigned different garments and other outward marks of status to different classes, stressed the concept of inner beauty. The transition to a consumer society, however, elevated beauty that met capitalist values, and also entailed the commercialization of beauty. Beauty now became a key private asset, a central marker of social status, and an indispensable tool for self-satisfaction. The interest in outward beauty led the explosive growth of the demand for products of the new civilization that embellished and enhanced one's physical and apparent attractiveness. At the forefront of these new products were cosmetic products. Beauties in cosmetic advertisements became symbols of success and happiness that modernity promised people would achieve by making themselves look more beautiful. These cosmetic advertisements, moreover, captured the changing perception of female beauty against the complex backdrop of the interaction among patriarchy, colonialism, and capitalism, and served to consolidate and standardize female identity and beauty. Beauty now became a power that women could yield. Images of beautiful models in cosmetic advertisements symbolized civilization, culture, and modernization. With the host of women in various age groups they featured-from elegant ladies to the New Women and university students, and to Western models-cosmetic products idealized and beautified the objects of desire. Female beauty came to divide tradition and modernity, represented the desire to raise one's social ranks, and also signified the aesthetic colonization of Japan that came to equate beauty with things Western, including Western actresses. External beauty came to be regarded as a key condition for women's happiness. The lookism that began with the commercialization of beauty at the onset of the modern period in Korea continues rampant to this day, along with the evolution of cosmetic products.

In Vivo Angiogenic Capacity of Stem Cells from Human Exfoliated Deciduous Teeth with Human Umbilical Vein Endothelial Cells

김지혜,남현,김지혜,김재원,편희장,이재천,이진 한국분자세포생물학회 2016 Molecules and cells Vol.39 No.11

Dental pulp is a highly vascularized tissue requiring ade-quate blood supply for successful regeneration. In this study, we investigated the functional role of stem cells from human exfoliated deciduous teeth (SHEDs) as a perivascular source for in vivo formation of vessel-like structures. Primarily isolated SHEDs showed mesenchymal stem cell (MSC)-like characteristics including the expression of surface antigens and in vitro osteogenic and adipogenic differentiation potentials. Moreover, SHEDs were positive for NG2, -smooth muscle actin (SMA), platelet-derived growth factor receptor beta (PDGFR), and CD146 as pericyte markers. To prove feasibility of SHEDs as perivascular source, SHEDs were transplanted into immunodeficient mouse using Matrigel with or without human umbilical vein endothelial cells (HUVECs). Transplantation of SHEDs alone or HUVECs alone resulted in no formation of vessel-like structures with enough red blood cells. However, when SHEDs and HUVECs were transplanted together, extensive vessel-like structures were formed. The presence of murine erythrocytes within lumens sug-gested the formation of anastomoses between newly formed vessel-like structures in Matrigel plug and the host circulatory system. To understand underlying mechanisms of in vivo angiogenesis, the expression of angiogenic cytokine and chemokine, their receptors, and MMPs was compared between SHEDs and HUVECs. SHEDs showed higher expression of VEGF, SDF-1, and PDGFRthan HUVECs. On the contrary, HUVECs showed higher ex-pression of VEGF receptors, CXCR4, and PDGF-BB than SHEDs. This differential expression pattern suggested reciprocal interactions between SHEDs and HUVECs and their involvement during in vivo angiogenesis. In conclusion, SHEDs could be a feasible source of perivascular cells for in vivo angiogenesis.

K-WAIS-I IVV의 해석적 쟁점

김지혜,박광배,최진영,홍상황,황순택 한국심리학회 2012 한국심리학회 학술대회 자료집 Vol.2012 No.1

제3부 분과별 발표 : 제2분과: 학습자 특성에 따른 교실 운영 ; <토론> : 수업 환경에 따른 교실 운영 : <중급 아랍어권 학습자와 중국어권 학습자의 조사 사용 양상 비교 연구>의 토론문

김지혜 국제한국어교육학회 2014 국제한국어교육학회 추계학술발표논문집 Vol.2014 No.-

美人萬能, 한국 근대기 화장품 신문 광고로 읽는 미인 이미지

김지혜 한국미술연구소 2013 美術史論壇 Vol.- No.37

The diverse discourses on the changing concept of female beauty that arose in the modern period culminated in advertisements of cosmetic products featuring women considered beautiful. Cosmetic advertisements are central vessels that embody one era's perception of beauty. Models featured in these advertisements are considered to possess the most popular features of beauty. The modern perception of beauty arrived in Korea(then known as “Joseon”) via Japanese colonizers, and was popularized by a series of dailies, such as The Gyeongseong Ilbo, The Maeil Shinbo, The Chosun Ilbo, and The Donga Ilbo. The advertisements published on these pages played a pivotal role in incorporating new features and perception of beauty into the modern Korean psyche. Traditions inherited from a strictly hierarchical society, which assigned different garments and other outward marks of status to different classes, stressed the concept of inner beauty. The transition to a consumer society, however, elevated beauty that met capitalist values, and also entailed the commercialization of beauty. Beauty now became a key private asset, a central marker of social status, and an indispensable tool for self-satisfaction. The interest in outward beauty led to the explosive growth of the demand for products of the new civilization that embellished and enhanced one's physical and apparent attractiveness. At the forefront of these new products were cosmetic products. Beauties in cosmetic advertisements became symbols of success and happiness that modernity promised people would achieve by making themselves look more beautiful. These cosmetic advertisements, moreover, captured the changing perception of female beauty against the complex backdrop of the interaction among patriarchy, colonialism, and capitalism, and served to consolidate and standardize female identity and beauty. Beauty now became a power that women could yield. Images of beautiful models in cosmetic advertisements symbolized civilization, culture, and modernization. With the host of women in various age groups they featured—from elegant ladies to the New Women and university students, and to Western models—cosmetic products idealized and beautified the objects of desire. Female beauty came to divide tradition and modernity, represented the desire to raise one's social ranks, and also signified the aesthetic colonization of Japan that came to equate beauty with things Western, including Western actresses. External beauty came to be regarded as a key condition for women's happiness. The lookism that began with the commercialization of beauty at the onset of the modern period in Korea continues rampant to this day, along with the evolution of cosmetic products.