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상호작용성 컴퓨터-사람 대화 기술을 이용한 웹기반 청소년 성교육 프로그램 개발 연구
김주한,이건,김희란,이명화,김현의,이근후 대한의료정보학회 2002 Healthcare Informatics Research Vol.8 No.3
제목: 온라인 대화형 청소년 성교육 프로그램교신저자: 김주한, 서울특별시 종로구 연건동 28, 서울대학교 의과대학 생명의료정보학, 이메일: juhan@snu..ac.kr, 전화: (02) 740-8320, 팩스: (02) 747-4830__________________________________________* 이 연구는 2001년도 정보통신부의 정보통신학술 연구과제 연구지원으로 수행되었음(자유종합 01-06).1. 서울대학교의과대학 생명의료정보학, 2. 서울시립대학교 도시사회학과, 3. 서울 YMCA, 4. 미네소타의대 의료정보학, 5. 가족아카데이마, 6. 이화여자대학교 교육대학원 Cyberspace becomes one of the most influential media for the formation of sexual identity, knowledge, and attitude of the adolescents. Online sex education program may help the adolescents the sexual development processes efficiently and confidentially. Most of the online sex education programs are not truly interactive nor adaptive. Didactic education materials may not be sufficient to modify adolescents online sexual activities. Computer-patient dialogue programs can help to develop truly interactive online contents that adaptively accommodate the personalized needs of the adolescents. This paper describes the development and implementation technology of a Web-based dialogue system for the interactive online sex education. A three-tiered database-backed Web system with browser-based dialogue editor, automatic script-code generator, automatic relational-database schema generator, and integrated program development environment was produced and tested on the online sex education program. The Web dialogue system can also be used for online surveys, clinical trials, and electronic medical records. This approach can enhance collaboration between the consumer-oriented and the provider-oriented information systems.
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金周漢 安東大學附設 安東文化硏究所 1980 安東文化 Vol.1 No.-
Various vocabularies were used in the criticism of classical literature. A Chinese character which is ideographic contains independent meaning by itself. However, in most of the cases, single letter was rarely appeared in the criticism of poetry, prose but the terminology in the comment was two-letter word. During ancient age the word was called Pumae(品語) or Pungkyeok(風格) and it was used when one discerned a person or commented the literary works, particulary the poetry. This is interesting point to me. Such critical word(評語) determine the beauty, ie, Pungkyeok(風格) of the literature and when one studies of that from historical aspect that also determine the beauty of the specific age, and show the school of the literature where that belonged in that age. Therefore the study of critical word is necessary. In Korea, the critical word flooded out during Korye dynasty, however, this terminology is seldom discovered. In the middle than the beginning of Lee dynasty when moral philosophy ie. Neo-Confucianism was highly flourishing period, the terminclogy was universally used in Chiense too. When Neo-Confucianism was flourishing age i.e. during Song dynasty especially the Neo-Confucianist favorably used that terminology. From this point of view, one may say that the critical word helps us to compare the literature and to partake to the composition of the history of criticism, particulary, criticism of classical literature, and it also aid us to bridge the classic to modern literature. This is also used as critical word, nowadays, I believe. If the main task of Neo-Confucianist is changing nature ie resurrection of the nature then their desire is exactly to establish one's self and view literature from that point. The ideal state and practical philosophy of moral hilosophy i.e. Neo-Confucianist is to unite with Chung Mak Mu Jim(沖漠無朕) Dam I Cheong Hye(淡而淸虛), wholeness of truth. To write and read such works, moreover, through such literary work they want to reach to unite with wholeness of truth, namely to write, appreciate, and comment the literature which is Chung Dam Sa San(沖蕭澹散) is the outstanding situation of mormal at philosaphers ie. Neo-Confucianist. With empty and transparent nature, enjoy unbiased and artlessful life is literature, art and human life, therefore, the most important thing is "start from emotions and end to propereity (發乎情止禮儀), "enjoy but not rude, sad but not hurting"(樂而不潘, 哀而不傷), namely one writes, reads and comments on poetry where the entripetal force to nature and the centrifugal force from nature is perfectly free and harmonious. If one is not careful there might be preponderance on centripetal force io nature.
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