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RISS 인기검색어
- 검색키워드
- 저자 : 김정하(Kim Jeung-Ha) (검색결과 1 건)
- 무료
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구모룡(Gu Mo-Ryong),김정하(Kim Jeung-Ha) 한국문학회 2004 韓國文學論叢 Vol.37 No.-
The sea is an outcome of the modern times. It was discovered by modernity. Therefore, it is difficult to discuss sea culture or sea literature with the modern times and modernity excluded. For this reason, modern sea literature should be approached from cultural perspectives. In other words, it is necessary to explore lifestyle newly formed along with the sea and maritime cities, not that fromed from ancient times. Thus the purpose of this study is to research the sea literature of Busan, which opened itself earlier and developed into a maritime city, from cultural perspectives. As far as this researcher is concerned, sea literature is purely a modern style of literature. The sea we are now facing is an outcome of the modern times. It is what was discovered by the modern system of representation. Pre-modern and modern seas are different with each other in so-called imaginary geography. When the sea is accepted as a modern representation, sea literature becomes an outcome of modernity. The literature is based mainly on the formation and growth of the seamen class. It is critically defined as literature that reproduces lifestyles of seamen. The literature consists of sea poem and sea novel. The sea, ship and navigation are critical, essential motifs that comprise sea literature. Modern sea literature is advanced keeping pace with modernization. This becomes what should be studied from the view of regional culture. In Busan, modern sea literature began as the city was developed into a modern maritime city. Kim Sung Sik expressed maritime experiences as captain through sea poems. Chun Keum Sung wrote sea novels to describe his experiences in deep-ocean fishery. The sea literature of the city was a result from the city's development into a modern maritime city and emergence of the seamen class. Historically, the urban space of Busan was distorted two times through colonization and modernization. Busan corresponded to a colonial city. In Busan, sea literature began to be activated from late 1960s. Dependent urbanization formed new areas and styles and changed consciousness and practices. This led to the emergence of new classes. In Busan, sea literature began to be activated from late 1960s. Sea poems by Kim Sung Sik can be regarded a poetic adventure towards modern sea. He described lifestyles of seamen, separation between the modern world and hometown and the sea as an existential salvation from captain's view. Chun Keum Sung concentrated himself on describing lifestyles of seamen. He understood struggle with nature during deep-ocean fishery from views of seamen as group members. The sea literature of Busan was developed along with modernization in late 1960s and prospered in 1970s. But the literature has been staggered since 1980s. It is probably due to changes in people's needs brought by the development of capitalism in this nation. Sea culture and sea literature should be promoted through governmental politics because the new maritime age of the 21st century requires sea-friendly culture.
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