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金正子 동아대학교 공과대학 부설 한국자원개발연구소 1984 硏究報告 Vol.8 No.2
In general, risk due to varying demands from users causes some of the difficult problems in inventory management. The inventory models analyzed in this paper is based on the assumption that (1) a single stock point with a constant lead time, (2) a demand in any one period will not be affected by the demands in earlier periods and will not affect demands in later periods, (3) the frequency pattern of demands will follow a normal distribution with mean value μ and standard deviation δ. Under the above assumption, the application of Monte Carlo simulation in the evaluation of alternative ordering rules under the condition of risk is described with the use of examples such as a fixed-order quantity system and a fixed-order interval, system. A detailed numerical investigation by computer simulation demonstrates the differences between the two ordering rules.
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金正子 慶北大學校 體育科學硏究所 1989 체육과학연구지 Vol.5 No.-
This thesis is the fourth research devoted to the aesthetic form of a dance. The Principle of Unity in Variety can be further divided into two sub-principles : the Principle of Multiplicity of Uniformity and the Principle of Monarchistic Subordination (Prinzip der Monarchischen Unterordnung). The latter of these is characterized by minimal uniformity and maximal difference, and the former by maximal unity and minimal difference. These characteristics require the Principle of Equilibrium, which, when interpreted in reference to the Principle of Monarchistic Subordination, refers to the balance between the completeness of subordination of the parts to the main force and the independence required of its parts. Subordination of the parts to the whole in turn can be subdivided into two types : the monarchistic one in which parts are absolutely subjected to the overall unity, and the democratic one in which the relation of the parts to the whole is supplementary. There are a variety of elements that enter into the organization of a work of dance : those which unite the various expressions with maximal emphasis on unity (i. e., unity of space and movenents, concentration of the content, powerfulness of expressions, and completeness of the main force), those which give variety to expressions with minimal application of independence of parts (i. e., variety of space and movements, division of the content, freedom of expression, assistance to the main Force), and the expressive forms such as lines, planes, movements, and rhythm. By organizing these elements in such a way that each of them is represented in accordance with the nature of the work, the above-mentioned principles can be effectively applied to the work to highlight its theme.
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舞踊作品의 美的 形式에 관한 硏究(Ⅲ) : 共通性 分化의 原理를 중심으로 Centering on the Multiplicity of Uniformity
金正子 慶北大學校 體育科學硏究所 1988 체육과학연구지 Vol.4 No.-
This is the 3rd study on the aesthetic form of dance. This study has investigated the application of the principle of multiplicity in uniformity, a subdivision of the principle of unity in variety, to dance composition. The principle of multiplicity in uniformity implies that the whole work should have a unifying element, that is, a common feature, and that each part should have a figure which is an elaborate multiplicity of the unifying element. Therefore, uniformity and multiplicity have a close relationship and, at the same time, a feature of the smallest Gleichheit and the greatest Geschiedenheit. And the whole work has to be harmonized because the principle of equilibrium is always required between the uniformity and multiplicity. If we compose expressive movements, time, and space in a dance work, considering the smallest Gleichheit and the greatest Geschiedenheit, the whole work is represented through a unifying element, called uniformity, and we can feel the work uniformed as a whole, and since the parts consist of abundant multiplicity, the contents of the work are represented elaborately. For the uniformity of a work there are such elements as repetition, concentration, symmetry, and unification of expression, and for the multiplicity, there are elements such as variation, decentralization, contrast, and diversity. If we choose first the elements of uniformity and multiplicity and then combine them with such elements of several expression types as line, face, movement, rhythm, etc., we can represent various forms. Accordingly, it may be concluded that the principle of the multiplicity in uniformity is very appropriate when we compose a work which demands a close investigation of the theme and several supplementary understandings and representations, in other words, when we compose a work the theme of which can be interpreted and represented from different points of view.
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김정자,김성희 동아대학교 공과대학부설 생산기술연구소 1998 生産技術硏究所硏究論文集 Vol.3 No.2
The purpose of Research Development(R&D) is defined in terms of contributing to the competitiveness fo the Company or Business Unit being served. The areas of competition or threats from the external environment are then explored using a model taken from "Competitive Strategy". In this paper it is intended to consider each of the areas of competition so that the appropriate type of R&D can be identified to counteract the competition or threat, and maintain the company's competitiveness or edge.
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