도래할 ‘기계사회’와 사회변혁의 매개 : 기계․괴물․여성 : 산업합리화운동과 근대극장의 상상력을 중심으로

김우진 한국여성문학학회 2018 여성문학연구 Vol.44 No.-

근대 인텔리들에게 있어 산업합리화운동은 곧 도래할 '기계사회'의 전조(前兆)이자, 거스를 수 없는 사회변혁으로의 진입을 맞이해야한다는 선고(宣告)와 다르지 않았다. 그렇기 때문에 동시대 과학 소재의 극들은 변화될 사회에 대한 계몽과 계급적 투쟁이라는 편협한 해석을 넘어 기계사회에 강제 편승하게 된 근대 조선인의 측면에서 다시 고찰되어야 한다. 이 시기 이광수와 김기진, 김우진 등은 평론과 감상문 등의 기고를 통해 기계문명에 대한 합리적인 내러티브를 매체에 제시하지만, 낯설기만 한 기계사회의 소식들로 야기된 불안과 공포는 수사학적 글쓰기라는 방식을 통해 부정적으로 드러낸다. 또한 극으로 발표된 일련의 서사들은 당대 기계문명의 도래가 남근 중심적 권력의 형태로 형상화되고, 여성젠더를 남성의 요구에 맞게 코드화 하여 다시금 재타자화 하는 방식으로 재현된다. 이는 전근대적 남성권력이라는 위치를 기계사회와 과학이라는 변화의 시기에 맞춰 재 점유 하려던 남성젠더 무의식의 반영이자 당대 보편표상의 교체를 향한 시도로 볼 수 있다. 이 시기의 과학담론은 식민지 남성젠더에게 요구되는 형태로 순응하는 여성젠더를 만들어내는 왜곡과 속류화의 이데올로기로도 기능했던 것이다. 근대 과학소재 희곡의 풍부한 젠더적 함축은 새로이 고구(考究)될 필요가 있다. For the modern intellectuals, the industrial rationalization movement was no different from the ruling that it should be a precursor to the impending machine society and a transition to an irreversible social revolution. Consequently, the scientific plays of this period must be reexamined in the light of the modern Korean people who have been forced to ride on machine society beyond the narrow interpretation of enlightenment and class struggle against the changed society. While Lee Kwang-su, Kim Gi-jin, and Kim Woo-jin present a rational view of the machine civilization through their criticisms and appreciation, they reveal the anxiety and horror created by the machine society's news stories. Additionally, the dramatic series of epichs are represented by the coming machine civilizations that are in the form of phallic and phallic power, and the female gender is coded to be re-enacted according to the male's demands. It can be seen as a reflection of the male unconscious and an attempt to change the status of the pre-modern male in line with the times of change in machine society and science. The science discourse at this time served as a distorted ideology that created women who would fit in with colonial men.

수산 김우진의 희곡에 나타난 젠더정치학

김우진(Kim, U-Jin) 고려대학교 한국학연구소 2015 한국학연구 Vol.52 No.-

본고는 젠더정치학의 관점에서 수산 김우진의 희곡을 분석한다. 젠더는 가부장제라는 오랜 지배 이념과 연관관계에 있다. 또한 젠더는 사회적으로 구성되는 것이므로 젠더에 대한 연구는 사회구조와 무의식 그리고 이를 만들어내는 권력에 대한 탐구이다. 수산의 희곡 「두데기 시인의 환멸」은 봉건적 부조리에 대한 저항의 일환으로 주체적 인식에 이르는 서사를 구성한다. 남성(적)주체에 의한 여성 혐오의 메커니즘은 성적, 계급적으로 이중의 억압을 겪어야 했던 여성들의 폐해와 각성이 주를 이룬다. 수산이 형상화 한 여성인물은 피해자의 위치에 머물지 않고 적극적으로 비판하고 저항한다. 이는 개인의 문제를 넘어 윤리와 도덕으로 덧칠된 기존의 관행에까지 저항하기에 진보적이며, 나아가 배타적 섹슈얼리티에 대한 저항 및 주체적 감정과 섹슈얼리티에 대한 솔직함은 시대적 상황을 감안할 때 상당히 급진적이다. 당대 조선에서의 가부장제 이념은 완고한 것이었지만, 수산은 페니스 파시즘의 전복 가능성을 헤게모니적 희극화로 표현함을 통해 기존의 가부장제도 내의 페니스 파시즘 속에서는 사랑과 결혼도 식민지 점령이 될 수 있으며 타자를 식민화 하지 않는 관계를 위해서는 새로운 패러다임이 필요함을 피력한다. 이는 실패한 남성(적)주체 인물상을 통해 가부장적인 가정으로 유폐되지 않기 위해서는 여성의 자각과 더불어 남성(적)주체의 인식변화가 요구된다는 담론을 내포한다고 할 수 있다. This paper analyzes the drama of Susan Kim Woo-jin from the perspective of gender politics. Gender is an old association with the dominant ideology of patriarchy. In addition, because gender is socially constituted the study of gender is also a quest for the power structure of society and the unconscious, and it produces. Gender politics that involves the “Dudegisiineuihwanmyul (disenchantment of the dudegi poet)” drama of Susan constitute a narrative leading to subjective awareness as part of the resistance against the feudal absurdities. Misogyny by the mechanism of male subjects is the main content that women who undergo abuses and oppression in sexual and class. Susan’s female characters who are actively shaping don’t stay in the position of the victim but to resist and critical. Beyond the individual problems, this is far advanced for resistance existing practices with morality and ethics. Considering the contemporary situation, such candor about his feelings and sexuality that are resistant to the exclusive shaping of adultery sexuality is fairly radical. Although patriarchal ideology was obstinate in Joseon era, susan made assertion that even love and marriage in the existing patriarchal of penis fascism can be a colonial occupation by the expression through hegemony enemy comic story of possible overthrow of penis fascism, so new paradigm is needed for relationships that do not colonize others. in order not to confine patriarchal-home through the fail of patriarchal male subjects figure, women’s awareness with changing perception of masculine subjective may be required.

晚靜堂 徐宗泰의 대외인식

김우진 한국고전번역학회 2020 고전번역연구 Vol.11 No.-

Seo Jongtae, a high-ranking official in the late Joseon Dynasty, passed the civil service examination at his early age and served in several major government posts. Although his political views were inclined toward the Soron faction, he could retire from the government service without severe adversity as he avoided conflicts and was not obsessed with government positions. On the other hand, his assessment of the Ming and Qing Dynasties was very straightforward and critical. Eager for the restoration of the Han Chinese regime, he lamented the situation in which Joseon was under Qing's control. Nevertheless, he took a flexible and pragmatic stance on the diplomatic relations with the Qing and Japan. In the midst of instability at home and abroad since 1700, when diplomatic disputes with the Qing and Japan occurred, he settled the problem with his agile and realistic analysis of the situation. 徐宗泰는 일찍부터 조정에 진출하여 주요 관직을 두루 거치며 숙종대 내내 관료로서 활동했던 인물이다. 그는 정치 성향상 少論에 속하였으나, 黨爭을 혐오하고, 분쟁 사안에 대해 공격적이고 직접적인 언급은 삼가며, 구차하게 관직에 집착하지 않아 老論 측의 인물들과도 친분을 유지하면서 비교적 무탈히 관직 생활을 마감하였다. 반면, 서종태는 명과 청에 대한 평가에 있어서만큼은 매우 직설적이었다. 그는 燕行錄과 大報壇 건설, 그리고 명의 御寶帖을 통해 명에 대한 그리움과 복권을 간절히 표출하였고, 中華의 문물이 청에 대해 더러워지고 있는 현실을 개탄했다. 동시에 서종태는 청과 일본과의 외교 문제에 있어서 매우 유연한 태도를 취했다. 1700년 이래 荒唐船 및 청 해적 소식의 증가와 함께 掛書 사건과 같이 국내외적으로 불안한 상황 속에서, 渭源 사건의 발발로 청과의 국경 문제가 다시 제기되고, 동시기 通信使 파견에 있어 일본과의 의례 문제를 둘러싸고 갈등을 빚고 있었다. 자칫 事大交隣 체제가 흔들릴 수도 있다는 위기 상황 속에 서종태는 누구보다도 민첩하면서도 현실적으로 상황을 분석하며 사태가 더이상 확산되지 않도록 유연하게 수습해나갔다. 이것이 ‘皇明 遺民’이면서 동시에 ‘조선 정치인’인 서종태의 일면이라고 할 수 있겠다.

Who’s Leaving Money on the Table? Evidence fromIPOs within Business Groups

김우진,Chan Lim,윤태준 한국증권학회 2017 Asia-Pacific Journal of Financial Studies Vol.46 No.3

This paper examines how controlling shareholders of business groups may pass on the cost of IPO underpricing to minority shareholders. Based on a sample of IPOs made in Korea, we find that sale of secondary shares in Korea in general does not reduce underpricing as it does in the US. However, we do find less underpricing or even overpricing when the offered shares are directly sold by the controlling shareholders. On the other hand, sale of secondary shares held by affiliated firms leads to a negative market reaction for the selling firms, implying a direct wealth transfer from shareholders of affiliated firms to IPO subscribers. These findings suggest that minority shareholders in certain affiliated firms, or scapegoats, may bear the cost of underpricing while controlling shareholders of the business group remain effectively protected instead.

Tetrathiafulvalene based Shape Memory Materials with High Thermal Conductivity

김우진,정광운 한국고분자학회 2023 한국고분자학회 학술대회 연구논문 초록집 Vol.48 No.2

아리스토텔레스의 『정치학』에서 나타나는 가정과 폴리스의 관계

김우진 계명대학교 인문과학연구소 2011 동서인문학 Vol.0 No.45

The purpose of this paper is to analyze the relationship of the family (oikos) and the state (polis) of Aristotle, based on Aristotle’s critique of Plato’s community of wives and children and community of property. Generally, some scholars who aim at an ideal state make reference to a community of wives and children as well as seeking a community of property like Plato. It might derive from simple thought that a person is fundamentally selfish existence and private greed is not conductive to the state. On the contrary, Aristotle points out that even if human beings are selfish, family is based on the soundness of the state (polis). Even if man is by nature a political animal, in the family, if not allowing private property, head of households may not do political activities. The ultimate purpose of this paper is not to inquire into the relationship of the family and the state Aristotle declares, but to identity why the family should not miss out on the discourse of communalism, and the positive meaning which family has.

국내은행의 인적자원 관리체계 선진화 방안에 관한 연구

김우진,구본성,이대기 한국금융연구원 2023 KIF 연구보고서 Vol.2023 No.5

In this paper, we studied ways to advance the human resource management system necessary for domestic banks to leap into a global financial group, focusing on the wage system. Over the past decade, the average annual labor cost growth rate (3.3%) of domestic banks has significantly exceeded the profit growth rate (-0.03%). This is mainly due to the fact that while the profitability of domestic banks is weakening, the wage system maintains a salary system in which salaries automatically rise when the number of years of service increases. In addition, the HR system of domestic banks has a lot of room for improvement, such as excessively concentrated authority in personnel departments that should focus on support functions, making it difficult to secure professionals, and having an evaluation system that is difficult to receive support from the MZ generation. However, a strategy that simply reduces manpower and lowers average labor costs cannot be advantageous for sustainable growth. Rather, the advancement of the human resource management system needs to promote an expanded balance that generates more profits by hiring more manpower. In addition, it is necessary to establish a new HR system in consideration of digital innovation, characteristics of each country and industry. This study proposes the enactment of a special financial law to implement it, along with measures such as the introduction of a wage system by job group, expansion of occasional recruitment methods by job group and business headquarters, consideration of open union management methods, and differentiation of evaluation and compensation systems by job group. In particular, in the case of the Teller job group, the retirement age should be guaranteed, but the competitive advantage of domestic banks should be secured by limiting promotion or wage increase of the group.

미확인 핵물질의 예비특성평가를 위한 단계적 의사결정 기준 활용

김우진,장재영 대한방사선방어학회 2020 대한방사선방어학회 학술발표회 논문요약집 Vol.2020 No.11

국내은행의 WM 서비스 성장전략과 선결과제

김우진 한국금융연구원 2023 주간 금융 브리프 Vol.32 No.16

소남 가곡의 전승과 의의

김우진 한국국악학회 2013 한국음악연구 Vol.54 No.-

소남(韶南) 이주환(李珠煥)은 중요무형문화재 제30호 가곡과 제41호 가사의 예능보유자였으며, 국립국악원장 그리고 국악사양성소장을 역임하였다. 즉 그의 삶은 예술가․행정가․교육자로 요약될 수 있다. 본래 이왕직아악부원양성소에서 전공은 피리였으나 후에 가곡으로 전공을 바꾸었고, 종신토록 가곡을 전공으로 삼았다. 그는 하규일에게 가곡을 학습하여 후진을 양성한 유일한 선가(善歌)였다. 이 글은 가곡 전승을 위해 노력한 이주환의 업적을 조명한 글이다. 내용은 이주환이 가곡을 전승한 경로와 가곡을 가르친 순서, 가곡을 가르치기 위해 만든 가곡보의 파급 효과, 가곡의 노랫말을 바꾸게 된 배경, 가곡보의 특징 등에 대하여 논증하였다. Lee Ju-Hwan(李珠煥), Sonam(韶南), was born on May 24 1909 in Gwansudong Jongno Seoul and passed away on November 30, 1972 in Donggyodong (now Changcheondong). Lee was a performance holder of Intangible Cultural Property No. 30 Gagok (Unesco Intangible Cultural Heritage) and No. 41 Gasa, and served as the first director general of National Gugak Center (formerly, National Center for Korean Traditional Performing Arts) as well as the first principal of Gugaksa yanseongso, the training center for gugak musician (now Gugak National High School). In other words, Lee was an artist, music administrator, and educator at the same time. Lee actually was trained as a piri performer but later he dedicated his whole life for gagok singing. Moreover, he was the only singer who raised next generation musicians succeeding his mentor Ha Gyu-il. This paper highlighted works done by Lee Ju-Hwan by exploring Lee’s teaching methodology and system, including his own notation, scores, and rewritten verses. First, this research revealed that Lee had transmitted gagok in various institutions, such as Yiwangjik aakbuwon yangseongso, Gwonbeon, Gugaksa yangseongso and more. Among the institutions above, Gugaksa yangseongso was the most influential in transmitting gagok singing. Bearing the level of difficulty of songs in his mind, Lee began with <Chosudaeyeop> when teaching students in order to train breathing, ornamentation, and rhythmic patterns. Secondly, Lee’s gagok score not only was used to pass down the music, but also enabled him to teach many people at one time. Also, publishing gagok score provided the basis of studying the music. Thirdly, Lee often sung poetries written by famous literati for his beginning repertoire, and chose didactic poetries to teach ideas of devotement, belief, and service to his students. These three words were the lesson of Gugaksa yangseongso, and now are set for the school motto of Gukak National High School. Finally, Lee emphasized the basic line of the music with limited ornament in melodies because he considered the basic learning important.