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- 저자 : 김용직 ( Kim Yong-jik ) (검색결과 31 건)
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김용직(Kim Yong-jik) 한국시학회 2004 한국시학연구 Vol.- No.10
This paper is to study two major ´Si-mun-hak' school poets, Kim Young-rang and Park Yong-chul, who take important positions in the history of Korean Poetry. It is noticeable that they both are from Honam and study together in Seoul and Yomiuri Institute, Japan. Thus we can say that they compose pure poems under the base of mutual emotional bondage. They publish monumental poems in the history of Korean poems just after and before the first publication of Si-mun-hak, and this process we can notice friendship and close literary bondage between them. Both of them are composers of pure poems, however, a close examination indicates that they have their own independent characteristics. Though Kim Young-rang starts from a composer of pure poems, small notices could be found that he accepts historical consciousness, awareness of the contemporary situation, and ethnic emotion. On the contrary Park Yong-chul is romantic and mostly publishes melpoems, which shows that he is under the influence of Kierkegaard, a Danish philosopher. This melancholy sense demonstrates his poetic colour, to stick with pure poems due to the lack of present situation. Park ,Yong-chul a scholar of German Literature, is different from Kim Young-rang who wants to concretize the world of folklore and ethnic emotion Park Yong-chul is interested in the current of the poems worldwide, is deeply embedded in romantic world, and attempts to revitalize the poems in his own way.
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한국문학(韓國文學)과 형이상시(形而上詩)의 전통(傳統)
김용직 ( Kim Yong-jik ) 한국어문교육연구회 2006 어문연구(語文硏究) Vol.34 No.4
現代詩論에서 形而上詩는 觀念詩를 지양, 극복한 것을 가리킨다. 西歐의 경우, 17세기 영국의 形而上派 詩人들로 대표되는 形而上詩에서는 사상·관념의 내용에 남녀간의 애정이 흔하게 나온다. 그러나 韓國의 形而上詩에서 그것은 철저하게 第一原理에 관계되는 것을 뜻한다. 가령, 韓國 古典文學期의 形而上詩는 漢詩를 쓰던 性理學者 李退溪, 李栗谷 등의 文人들에 의해 매우 빈번하게 발표되었다. 李退溪의 時調·漢詩에는 儒學의 敎養을 바탕으로 한 道學的 世界가 노래된 것이 매우 많다. 그리고 現代文學期의 形而上詩를 대표하는 것이 萬海의 作品이다. 그의 시집 『님의 沈默』에 수록된 대부분의 作品은 불교의 근본 원리를 다룬 것이다. 그 가운데 하나인 「알 수 없어요」는 불교의 세계관 가운데 핵심이 되는 緣起說에 그 생각의 바탕을 두었다. 韓龍雲은 그런 사상, 관념을 객관적 상관물을 통하여 ‘장미의 향기’처럼 느끼게 만들었다. Korean literature has developed and formed its peculiarity as a part of East-Asian literature for a long period of time. Metaphysical poetry in Korean literature differs from the one in Western literature. Metaphysical poetry of Western literature which is represented by 17th century's poets has focused mainly on the love between man and woman. However, it is exclusively related to the first principle in Korean metaphysical poetry. That is, metaphysics in this context was strictly under the principle of ontology. Metaphysical poetry during the classical period of Korean literature was written by poets who was writing Chinese poetry. They are represented by the rationalists such as Yi, Toy-gye(李退溪) and Yi, Yool-gok(李栗谷). Many of Toy-gye's poem and Chinese poetry dealt with moral philosophy based upon the culture of Confucianism tradition. Metaphysical poetry during the modern period of Korean literature is represented by Man-hae, Han, Yong-woon(韓龍雲). He was a presti- gious and famous Buddhist monk. Most of works included in The Silence of My Lovers dealt with the meditation knowledge he acquired during his Buddhism training period. One of them, Not Knowing was based on the one of the Buddhism's main world views. Han, Yong-woon made his thought and philosophy like a “Odor of Rose” as referred by T. S. Eliot through The Metaphysical poets, Yong-woon expressed his deep thought and philosophy successfully in his own particular way. His poems are the most valuable treasure in Modern Poetry history of Korea.
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김용직(Kim Yong-Jik) 한국시학회 2002 한국시학연구 Vol.- No.7
As it is well-known, Ji-Yong Jeong is a poet who opened a new horizon in our modern poetry. Since he started a literary career in late 1920's, he became famous in and out of the literary circles. When he first published his poems, there were two kinds of the prevalent trends of literature in those days; one was following western Romanticism and the other was so-called KAPF (Korea Artista Proletaria Federatio) literature. The poems of the former were just a mimic or a merely superficial reception of western Romanticism, which reflected a fin de siecle mood. Therefore a large number of them at that time included abrupt, unreasonable exclamation and uncontrolled sentimentality. On the other hand, the followers of the latter, i.e. poets belonging to KAPF, thought of the purpose of the literature as explaining their ideological concepts and attitudes and expressing their code of conduct. Confronting these confusions, the poems of Ji-Yong Jeong showed a brand-new style of poetry and achieved a marvellous artistic level, which supplied a kind of refreshing air with the literary circles in that time. This research explains the literary trends of Ji-Yong Jeong by dividing his works into three periods. The first period is characterized by his intellectual attitude, emphasized by the British-American Imagism. During this period, his poems express “physical poetry” through a remarkable use of sensitive poetic dictation and rhetoric metaphor. The works from the mid period portrays the poet's religious concerns, based on Catholicism. Ji-Yong Jeong focuses on the spiritual search, which did not appear in the early period. In the last period, his works express the concept of ‘sa-mu-sa,’ lack of wickedness in thought, which has been the pivotal concept in the Eastern classical poetry. With the emphasis on symbolic conciseness and beauty of purity, the poems express a desire to reach the higher standard of spiritual purity in midst of the corrupt reality. As a last note, this research indicates there need to be efforts to correct the unjust misunderstanding of Ji-Yong Jeong's poem as pro-Japanese works.
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문학(文學)을 통해 본 재외동포(在外同胞)들의 의식성향(意識性向) 고찰(考察)
김용직 ( Yong Jik Kim ) 서울대학교 인문학연구원 1993 人文論叢 Vol.29 No.-
1. Korean residents are found all over the world. Especially, Many of them live in the southern part of Manchuria, in Japan, in the United States and in Central Asia. Korean residents of these regions read their Korean literary work and speak Korean. This study has an object to analyse and examine their consciousness. 2. Korean residents m China and in Russia have a tendency to maintain the current ideology. Especially, Korean writer`s poems in Russia express socialistic ideology. But Korean writers in the free world select the themes freely For instance, Kim Eun Kuk living the United States wrote "The Martyr". In this work, he describes a pastor who defended the Church under a the oppression of the Communist Party. But the pastor did not believe in Christ. 3. To study the reader`s interests of "Simple Reader", I investigated in Yun Byun, Fukuoka and Hiroshima. There are a number of readers that read North Korean literary works in China. But Korean residents in Japan mostly. do not read literary works Yoon Dong Ju was born in Yun Byun. He died at the prison of Fukuoka while studying in Japan. Korean residents m China answered that they had read Yoon`s works. But only a few Korean residents in Fukuoka had read them. But all Korean residents abroad wished for the unification of North and South Koreas. Moreover, They look forward to reading a literary work that describes unification.
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초등 수학 영재의 창의성 향상을 위한 수 연산 게임 개발 및 적용에 관한 연구
김용직 ( Kim Yong Jik ),조민식 ( Cho Minshik ),이광호 ( Lee Kwangho ) 한국수학교육학회 2016 初等 數學敎育 Vol.19 No.4
<div style="display:none">fiogf49gjkf0d</div><div style="display:none">fiogf49gjkf0d</div><div style="display:none">fiogf49gjkf0d</div><div style="display:none">fiogf49gjkf0d</div><div style="display:none">fiogf49gjkf0d</div><div style="display:none">fiogf49gjkf0d</div><div style="display:none">fiogf49gjkf0d</div> The purpose of this study is to develop the number-operation games and to analyze the effects of the games on mathematical creativity of gifted elementary students. We set up the basic direction and standard of mathematical gifted creativity program and developed the 10 periods games based on the mathematically gifted creative problem solving (MG-CPS) model. And, to find out the change of students` creativity, the test based on the developed program and one group pretest-posttest design was conducted on 20 gifted students. Analysis of data using Leikin`s evaluation model of mathematical creativity with Leikin`s scoring and categorization frame revealed that gifted students`s creativity is improved via the number-operation games.
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