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Marian Borkowski의 관현악곡, Limits의 분석 연구
김연술,이은나 全南大學校 藝術硏究所 1999 藝術論集 Vol.3 No.-
The aim of this study is to introduce Marian Borkowski, modern Polish composer into Korea and make the audience approach to modern music easily. Through research of this piece. I found various technique of modern music. Limits is consist of arch form with 7 parts: A-B-Tr.1-C-D-Tr.2-AR including connecting parts. Each part has the harmony with the equal-step sonorities : diminished second and augmented second, and the non equal-step sonorities : diminished second+forth, diminished second+fifth, and diminished second+sixth. Its sonority becomes cluster, but its form can be divided accurately, and its tone color is delicate. The rhythms are related with the above closely, and the of form and the harmony of combination. I also found the unique expression of climax through diverse combnination of harmony, arrangement of musical instruments and modern performing methods. I concluded his creation of new technique and well harmonized structure of the form. and the rhythms through various experiments make the audience overcome the obscurity of modern music. And I hope this analysis devotes the audience to understand the modern music easily.
김연술,승진아 全南大學校 藝術硏究所 2001 藝術論集 Vol.4 No.-
We have a long history of Korean traditional music, but it is very hard to find well-organized study but fragmental and superficial ones. As Sujecheon is one of the outstanding pieces of the traditional music, I hope this study to a little contribute to the rediscovery of our profound music. Sujecheon is the oldest court piece for wind instruments, having been performed 1300 years ago 'to now on. I have analyzed the Korean classical elements of this piece with the western analytical method. The elements I have dealt here are the length of the rhythm, the main and ornamental notes in the melody, the intervals and the relationship among the intervals, the scales and structures. I have studied the transitional process of this piece which has been descended without the written score for a long period. And I have also studied the idea and the theory as the background of this music. I reach a conclusion that this music is one of the outstanding pieces among our traditional music ones because it consists of solemn and splendorous melody and the distinctive feature of slow grade rhythm in our court music. I can rate this music highly at the artistic value.
김연술 全南大學校 藝術硏究所 2003 藝術論集 Vol.5 No.-
In Korea. the Christian missionaries introduced the western music with hymn to preach the gospel in 1885. They also founded the high schools and colleges, the schools started to teach western music and organized the school choirs, and the churches also had choirs. In 1920. the choirs in Yunhee college, Ehwa college, Sungsil College. YWCA and YMCA organized and started to perform the qualified western music. In this thesis. I classified the choir activities into every ten years from 1960 until 2000, and also into professional choirs, woman's choirs and others . I research their organizations, performances and their duration. As the result of this research, I found the following reasons why the choir activities have developed into the high level. First, The Korean people have the artistic disposition. Second. the music education in schools have contributed toward expanding the lovers of music. Third, the National choir and the city choirs supported by the big city authorities have lead the choir growth, Fourth. the Organization of the Korean Fidelity of choir Music resulted in joining to the International Fidelity of choir Music. so the choir conductors have had good opportunities to join in international workshops to contact with the tendency of the world choir music. Fifth, as the Korean economy has grown up. many good performing halls have been built, and government and city authorities have supported the music activities.
Thomas Morley의 Descant 기법 분석연구
김연술,박윤경 全南大學校 藝術硏究所 2005 藝術論集 Vol.6 No.-
This study is the analysis of Thomas Morley's Descant Techniqe. Selected work is the 2nd part of A Plan and Easy Introduction to Practical Music by him. First, I found that the intervals are consisted of consonant interval and dissonant interval. The consonant intervals are unison, fifth, twelfth(8+5), fifteenth(2 octave), nineteenth(2 octave+5), third, sixth, tenth(3+octave) and thirteenth(6+octave). The dissonant intervals are second, fourth, seventh and ninth(2+octave). Second, the rhythms are classified into five types. ① ♩? ♩ ② ? ♩? ③ ?? ♩♩♩|♩♩♩?? ④ ? ?????? ? ⑤ ♩♩?????? ? ♪ ?♩? ♪ In ④, hemiola rhythm appears. third, imitations are unison, fourth, fifth, sixth and octave as a beginning imitation. fourth, as canon, they are made up of processing method, imitation inversion, breaking plainsong of canon. Fifth, double counterpoint is formed of two parts with voice variation when principal melodies are used on reply.