서울 새남굿 춤 연구 : 김유감을 중심으로

김성옥 이화여자대학교 대학원 1998 국내석사

이 논문은 한국춤의 토속적인 근원을 찾는 하나의 방법으로써 최근 중요 무형 문화제 104호 지정되어 가치를 인정받고 있는 서울 새남굿 춤에 있어서 우리무용의 토속적인 형태와 근원을 찾아 정립함으로써 오늘날 무용 예술을 발전시키는데 목적이 있다. 오늘날 무용의 토대가 되는 무의식은 B.C 3∼4세기 경부터 자연적으로 발생되어진 종합예술의 형태를 지닌 종교의식에서부터 출발하여 시대가 흐름에 따라 미술, 문학, 음악, 춤 등으로 분화되어왔는데 현재까지 전승되어져 오는 무속에서 그러한 흔적을 엿 볼 수 있다. 이러한 무속은 지역적 여건에 따라 독특한 특성을 가지고 발전되어 왔으며, 무속의 한 구성요소인 무무는 굿의식에 있어서 주술적 단계에서 벗어난 사회적 특성을 반영하면서 독자적인 춤의 특징과 기능적인 요소를 가지고 있다. 서울 지방의 '망자천도굿'인 진오기는 그 규모와 제가집의 사회 계층에 따라 새남굿, 얼새남, 그리고 평진오기 등의 세종류로 나뉜다. 이중 새남굿은 상류 및 부유층을 위한 굿으로 궁중의 화려한 복식과 각종 화사한 의례용구가 들어 있으며 다른 굿에 비해 거리가 많고 정교한 짜임새를 보인다. 이처럼 상류 및 부유층을 위해 행해졌던 서울 새남굿은 일반 서민이 아닌 소수의 상류계층만을 대상으로 한 굿임에도 '恨'과 '신명풀이'라는 우리춤의 기본구조를 포함하고 있으며 보통의 다른 굿과 비슷한 정서지닌 보편적 특성을 가지고 있다. 하지만 서울 새남굿은 다른 굿에 비해 궁중 문화의 장중하고 화려한 점과 토속적인 굿춤의 융합에 의해 고차원적인 한국춤의 발전을 이루었다고 평가될 수 있다. 이처럼 서울 새남굿의 사회적 경향속에 내재되어 있는 특징에 대해 제의 절차, 무악, 무구, 무복 및 춤사위를 예능 보유자 김유감씨를 통하여 직접적으로 전수 받는 방법과 interview를 중심으로해서 분석을 실시한 결과 다음과 같은 특징으로 요약할 수 있다. 첫째, 각 거리마다 발동작은 비슷하지만, 장단에 따라서 느낌이 달라지며 주로 무릎과 발목을 이용하여 부드럽게 움직인다. 둘째, 前, 後, 左, 右의 발동작이 많이 사용되는데 이는 4방4귀를 밟아 주는 주술적인 기능을 지닌다. 셋째, 모듬발이나 깨끔발 같은 도무가 사용되나 도약의 정도는 약하며 절제된다. 넷째, 발동작은 주로 4박에 3걸음을 가며, 전진에는 오른발을 먼저 후진에는 왼발을 먼저 딛이며 발디딤은 곱고 섬세하다. 다섯째, 팔동작은 주로 가슴앞 사선에 위치하며 팔꿈치를 자연스럽게 구부린 자세에서 움직 인다. 여섯째, 팔동작은 발동작과 마찬가지로 거리마다 사위가 비슷하며 반복이 많으며 부드럽게 움직인다. 일곱째, 발동작은 장구가 있는 쪽으로 먼저 향한다. 즉 장구는 오른쪽에 놓이는 것이 기본이기 때문에 오른편 방향으로 먼저 향하며, 팔동작 또한 넘겼던 팔을 풀때에도 오른쪽으로 가면서 푼다. 이상 서울 새남굿춤의 움직임은 그리 크지 않고 고도의 테크닉을 요하지 않지만 나름대로의 법칙이 있고 단순한 형태로 거리마다 비슷하며 반복이 많고 장단에 따라 그 느낌이 달라진다. 또한 춤동작은 매우 곱고 섬세하며 절제되는듯하나 매우 우아한 사위를 보여 상류층이나 부유층을 위한 굿으로 궁중무용의 요소를 받아 들였음을 알 수 있다. 서울 새남굿 춤의 연구는 일반 굿춤의 연구에 비해 궁중 문화의 장중하고 화려한 점들이 토속적인 굿춤에 융합되어 보다 고차원적인 한국춤의 발전을 이루어 냈다는 것에 가치를 부여할수 있다. 이와 같은 연구는 전통의 올바른 재인식과 근원을 정립하는데 필요하며 더 나아가 한국 창작무용의 창조적 계승방법에 대한 하나의 방법론으로 자리매김할 수 있을 것이다. 다만, 이 논문의 연구 범위상 서울 새남굿의 보편적인 특징에 집중되어 다른 진오기 굿인 얼새남, 평진오기등과의 비교분석을 통한 조선시대 신분계층별의 춤사위 각각의 특징과 각 신분계층을 초월하여 일관되게 존재하는 보편적인 한국 전통춤의 춤사위 분석은 차후의 과제로 남기게 되었다. 이 논문의 전개방식은 다음과 같다. 제1장 서론에서는 본 논문을 쓰게된 목적과 그 방법을 제시하며, 제2장에서는 새남굿의 개요에 대해 언급하고 제의 절차, 무악, 무구, 무복의 특징을 고찰하여 새남굿에서의 춤의 특징을 이해하는데 기초자료를 마련하였다. 그리고 제3장에서는 새남굿 춤의 발동작과 팔동작의 분석을 통하여 그 특징을 살펴보았다. 제4장 결론에서는 앞 내용을 요약하고 새남굿 춤의 특징을 열거하면서 한국춤 전통 정립에 있어서 새남굿춤 연구의 의의와 필요성을 강조하였다. This study has a purpose to examine the characteristics of Saenamgut dance recently appointed as one of major intangible cultural assets(No. 104) as a way of finding the traditional basis of Korean dance. The fundamental spirit of dance - unconsciousness was originated with religious rituals naturally from B.C 3-4C., and it has been divided into art, literature, music and dance, which is found in our folk beliefs. These beliefs have developed their unique characteristics according to local conditions, and their dance as a factor has original characteristics and functional components. Though Seoul Saenamgut was played for the rich and upper classes, it includes the basic structure of our dance, which is 'Han(恨)' and 'Shinmyoung puri', and has universal characteristics similiar with other normal Gut. However, Seoul Saenmgut can be evaluated to make a high-level development of Korean dance by the fusion of solemn and luxurious court dance and folk Gut dance. As a result of analyzing the internal characteristics of Seoul Saenmgut including its porcess, dance instrument, music and costume, through direct instruction from Kim, Yoo-Gam, artistic dance holder, and interview with her, it can be summarized as follows. First, foot movement is similiar with one other in each distance, but feelings can be different according to rhythm, and mainly knees and ankles softly move. Seound, foot movement in the direction of front and back, left and right is often used, and it functions as incantation to expel four demons in four directions. Third, leapings are used but intensity is low and controlled. Fourth, foot movement is made of three steps per four beats, and right foot goes to progress, and left foot to regress, and foot stepping is soft and delicate. Fifth, arm movement is mainly located in front chest, and it moves in the state of bent elbows. Sixth, arm movement is similiar with one another in each distance, just like foot movement, and it softly moves with several repetitions. Seventh, foot movement is first toward Janggu. That is, Janggu is originally located on the right, so it is toward right direction, and arm movement is also loosened toward right. Hereabove, the movement of Seoul Saenamgut is not very big and doesn't require high-level technique, but it has its own rules, and many repetitions and feelings can be different according to each rhythm. Also, its dance movement seems soft, delicate, and controlled, but it shows that it accepted the elements of court dance for the rich and upper classes. It is valuable to study Seoul Saenamgut in that it made a high-level development of Korean dance harmonizing the solemn and luxurious factors of court culture with folk Gut dance A study like this is needed in establishing the desirable recognition of our tradition, and, furthermore, it will become a method of succeeding to Korean creative dance. However, the study method of this study focuses on the universial characteristics of Seoul Saenamgut without comparing it with other Jinogigut such as Earlsaenam, Pyoungjinogi, So it should be the next task to analyze other Korean dance consistently existing beyond colasses. The following are the process of this thesis. In the first chapter, the purpose and the method of this study are presented, in the second chapter summary on Saenamgut is stated and the basic materials in understanding the characteristics of Saenamgut are suggested by examining its process, music, tools and costumes. In the third chapter, the characteristics of arms and feet chapter, the characteristics of arms and feet movements in Saenamgut are examined. Lastly in the fourth chapter, I emphasized the meaning and the necessity of Saenamgut dance in establishing the tradition of Korean dance, arranging the summary of the contents above.

슬러지 탈리액 응집능 평가를 통한 재활용연구

김성옥 충북대학교 2010 국내석사

A study was done on the possibility of the treated sludge permeate as an adjuvant of flocculation for the purpose of saving flocculation agent consumption. The results are as follows. When a solution of 0.6% polyelectrolyte was used as a coagulant it is found that the flocculation is best at the dose of 230 mg/L. The concentration of remaining polyelectrolyte in permeate is estimated as 0.067%. In a case where only permeate is used the best result is obtained at the ratio of sludge to permeate is 66:34. In other case where only the polyelectrolyte solution is used the best result is obtained at the ratio of sludge to permeate is 96:4. This signifies that permeate is a possible candidate as flocculation agents. However the use of permeate leads into an inevitable decrease in the volume of sludge treated on the base of single operation. So the best way seems to be a continuous monitoring of optimum dose of flocculation and its application on the process. A thesis for the degree of Master in February 2010

인체조각에 있어서 미술해부학적 표현에 관한 연구

김성옥 조선대학교 2010 국내석사

A Study on Art Anatomical Expression in Human Body Sculpture Kim Sung-ok Advisor : Professor Sang-ho Park Ph.D. Majored in Fine Arts Education Graduate School of Education, Chosun University Human bodies have been represented internally and externally in various ways from prehistoric through Greek, Renaissance and modern to contemporary period. In realistic expressions, artists's efforts have played a great role in developing artistic anatomy. That they have sought to understand human bodies more specifically from external layer of skin was derived from their intention to pursue for accurate understanding on them as a foundation for artistic achievements rather than simple curiosity. Sculpture of human bodies needs more accuracy in realistic expression and sculptors come to be more aggressive in acquiring anatomical knowledge as human bodies are expressed in three-dimensional aspects unlike painting. It is thought that discussing anatomy in contemporary art of the 21st century may not be meaningful, but it is artists who should find identify of art and maintain academic spirit before unlucky things that art is expelled by a flood of trend like a fashion and wanders without place to go in may occur. This study analyses works by a great number of sculptors based on knowledge from secrets of human bodies that were compelled to be revealed in sculpture of human bodies to art anatomy and reinterprets human bodies in an aspect of art anatomy that have been interpreted in various ways to help recognize necessity of art anatomy as a base of expression of human bodies. Chapter Ⅱ examines the concept and various expressions of human bodies sculpture that have been dealt with in history of western art from prehistoric to contemporary period, and analyses what relations there is between history of medical anatomy and art anatomy. Chapter Ⅲ deals only with skeletal system and muscular system to identify anatomical postures and terms of anatomy, focusing planes, positions and direction of human bodies and movements of joints, and examines the meanings and expressions through sculptures relating to each structure. Chapter Ⅳ examines transitional processes of sculpture on human bodies through realistic and local expressions of human bodies, and their transformation and dismantlement. And it interprets sculpture of human bodies with an anatomical approach. It is necessary to identify anatomy in modelling human bodies in realistic ways , which needs exact knowledge on it. Just as we can see as much as we know, we should understand human bodies to reproduce them. Even when we transform or dismantle human bodies, we should consider anatomic aspects of human bodies. They will continue to be good materials that can be represented in various ways and be explored.

조류 성장 억제를 위한 화학적 인자의 해석

김성옥 충북대학교 2014 국내박사

This thesis is composed of two studies. The first study is done to prove the premise that both alkalinity and hardness affect on the dissolved phosphorus concentration so that the growth of algae is also affected in water bodies like rivers and lakes. Statistical analysis of the water quality data of 13 reservoirs collected for the last decade shows the relations between alkalinity and chlorophyll-? and between hardness and chlorophyll-? are not linear but follow second order equation. This relation seems to be due to two antagonistic effects accompanying a simultaneous increase in alkalinity and hardness. The increase stimulates the growth of algae by supplying carbonates and to algae and at same time it causes a decrease in soluble phosphorus which retards algae to grow. These opposing tendencies are confirmed by theoretical calculations with the MINTEQ model. There seems to be ranges of alkalinity and hardness that are in favor of algae growth; the ranges are less than 44 mg/L as in alkalinity and also less than 63 mg/L as in hardness. This finding will provide a solid base to develop an effective water quality management of water bodies. The second study is done to find chemicals adequate to control alkalinity and hardness in order to reduce dissolved phosphorus in water bodies like rivers and lakes. Five chemicals are selected for the study: calcite, lime, dolomite, magnesite, and gypsum. Data are obtained from the calculations with MINTEQ model as a function of dosage variations of each chemical. Findings are as follows: Three out of the five chemicals are found to be effective in reducing the dissolved phosphorus, i.e., calcite, lime, and dolomite. Calcite and dolomite are able to lower the phosphorus concentration up to one thousandth fold whereas lime does one hundred thousandths fold. In viewpoint of pH variation, both calcite and dolomite seem to be safe since the pH does not increase over 8.3 even in case of overdose. In the same circumstance, with lime the pH increases beyond 9 which is considered to be the highest pH level for the protection of water ecosystem. Nevertheless it is recommendable to use lime in case where there are some difficulties in water quality control due to algae blooms.

비유적 해석 모형의 시 교육적 적용

김성옥 경성대학교 교육대학원 2005 국내석사

교원평가의 교육적 행정적 기능에 관한 연구

김성옥 경성대학교 교육대학원 2006 국내석사

유음 관련 음운현상의 통시적 연구

김성옥 忠南大學校 大學院 2016 국내박사

The aim of this study is to investigate liquid consonant related phonological phenomena in a diachronic aspect in order to reveal their changing process and cause, and also to investigate the organic relationship between these phonological phenomena. This study assumes that liquid consonant related phonological phenomena are related to changes in syllable-final liquid consonants ([r]>[l]). Therefore, it firstly discusses how liquid consonants were an explosive consonant [r] in Middle Age Korean and became a lateral consonant [l] during the interval between Middle Age Korean and Modern Korean, and also the changes in syllable-final liquid consonants ([r]>[l]) are related to the proliferation of unreleased sounds. Then continuing in Chapter 2, the study first restored the liquid consonant of Middle Age Korean into ‘r. This comes from the fact that unreleased sounds were not generalized in Ancient Korean, syllable-final liquid consonants were an explosive consonant, and the borrowed notation for liquid consonants (‘尸, 乙’) were notations for classifying morphology rather than phonology. Second, the study reveals how the syllable-final liquid consonants in Middle Age Korean are also an unreleased sound [r] and how the phonetic values of ㄹㅇ in Middle Age Korean are [r$Ø] due to traces of the syllable-final liquid consonant [r] and dropping sound. Third, we assumed that the /ㄹ/-dropping phenomenon started to appear in Ancient Korean and assumed that the sound was dropped because the distance between the tip of the tongue and the gums were too short to be perceived even though the /ㄹ/-dropping phenomenon in Middle Age Korean became articulated by explosive sounds from the stem-syllable ‘ㄹ[r]’ and chain reaction of ‘ㄹ[r]+lingual sound·dental sound’ In Chapter 3, first we discussed how the /ㄹ/-dropping phenomenon was weakened and exterminated in compound words due to the generation and proliferation of liquid consonants in Modern Korean. Also, ‘ㄷ, ㅈ’ are excluded in /ㄹ/-dropping phenomenon environments, and we assumed that the exclusion of /ㄹ/-dropping phenomenon is related to changes in final-syllable liquid consonants ([r]>[l]) and the articulation location of ‘ㅈ’ being changed from dental sound to palatal sound. Second, the study discusses how liquidization is related to the realization of final-syllable liquid consonants [l] and how the generation and proliferation of liquidization, confusion of ㄹㄴ~ㄹㄹ, etc. are related to changes in final-syllable liquid consonants ([r]>[l]). In Chapter 4, the study firstly discusses how in Modern Korean the /ㄹ/­dropping phenomenon starts from the phonological environment ㄴ, ㅅ’ and morphological environment ‘ㅂ, ㅗ’, and the /ㄹ/­dropping form in compound words, /ㄹ/­dropping form in front of ‘ㄷ, ㅈ’, the /ㄹ/­dropping form in front of formal Korean word-final stem syllable ‘­오/옵­’ and the /ㄹ/­dropping form in front of end stem syllable ­오’ in Modern Korean are fossilized forms of language that are related to the /ㄹ/­dropping form in times before the Middle Age. Second, the study discusses how progressive liquidization and retrogressive liquidization cannot be described by the ‘mirror image principle), how the /ㄹ/­nasalization cannot be interpreted with ’syllable constraints’ and ‘/ㄹ/ distribution constraints’, and how the /ㄹ/­nasalization and retrogressive liquidization in /ㄴㄹ/-linkage is related to whether the morpheme boundary is perceived. In Chapter 5, the study organizes the historical trend of liquid consonant related phenomena and discusses the correlation between liquid consonant related phonological phenomena, which are /ㄹ/­dropping and progressive liquidization, /ㄹ/­dropping and /으/­inserting, retrogressive liquidization and /ㄹ/­nasalization by using the components of dominant phonology and theory of analytical/non- analytical combination. As a result of the discussions above, first, this study revealed the fact that the changing process and cause of liquid consonant related phonological phenomena are related to changes in the phonetic value of liquid consonants ([r]>[l]). Second, we were able to discover a lead for interpretation about liquid consonant related phonological phenomena that could not be explained with phonological phenomena or the phonological rules of Modern Korean. Third, by discussing the correlation between liquid consonant related phonological phenomena, establishing a system between the phenomena.

종합병원 간호사의 노인섬망간호수행에 미치는 영향요인

김성옥 가천대학교 메디컬캠퍼스 일반대학원 2025 국내석사

종합병원 간호사의 노인섬망간호수행에 미치는 영향요인 본 연구는 종합병원 간호사를 대상으로 섬망지식, 섬망 간호에 대한 태도, 연령주의가 노인섬망 간호수행에 미치는 영향을 조사하여 노인섬 망 간호수행을 향상시키기 위한 기초 자료를 제공하는데 목적이 있다. 연구의 대상자는 I시와 B시에 위치한 5개의 종합병원 일반병동 또는 간호·간병통합서비스병동에 근무하며 총 근무경력 1년이 초과된 간호 사 229명을 대상으로 하였다. 연구윤리심리위원회 승인을 받은 후 2024 년 9월 25일부터 11월 9일까지 구조화된 자가 보고형 설문지를 온라인 설문지 조사로 진행하였으며, 대상자의 일반적 특성, 섬망지식, 섬망 간 호에 대한 태도, 연령주의, 노인섬망 간호수행에 대한 설문도구를 사용 하였다. 수집된 자료의 분석은 IBM SPSS Statistics 30.0 프로그램을 이 용하여 기술통계, 독립표본 t-검정, 분산분석, 피어슨상관관계 계수와 다중회귀분석을 이용하여 분석하였다. 연구의 결과는 다음과 같다. 1) 대상자의 섬망 지식의 평균은 28점 만점에 20.48±3.45점, 섬망 간호 에 대한 태도 평균은 5점 만점에 2.77±0.36점, 연령주의 평균은 4점 만 점에 2.17±0.45점, 노인섬망 간호수행의 평균은 5점 만점에 3.69±0.43 점이었다. 2) 대상자의 일반적 특성에 따른 섬망지식은 연령(F=5.31, p=.006), 총 임상경력(F=3.26, p=.040), 노인 섬망환자 간호 시 갈등 경험 유무(t=3.35, p=<.001), 노인 섬망 간호의 어려움 유무(t=2.59, p=.010)에서 유의한 차 이가 있었으며, 섬망 간호에 대한 태도는 노인 섬망환자 간호 시 갈등 경험 유무(t=-2.55, p=.011)에 따른 유의한 차이를 보였다. 연령주의는 직위(F=-2.07, p=.040)에 따라, 노인섬망 간호수행은 노인섬망 관련 교육 경험(t=2.60, p=.010)에 따라 통계적으로 유의한 차이를 보였다. 3) 대상자의 섬망지식, 섬망 간호에 대한 태도, 연령주의와 노인섬망 간호수행간의 상관관계를 살펴보면 섬망지식은 노인섬망 간호수행과 관련이 없었으나, 섬망 간호에 대한 태도(r=.399, p=<.001)와 유의한 양 의 상관관계를 보였고, 연령주의(r=-.411, p=<.001)는 노인섬망 간호수행 과 유의한 음의 상관관계가 있었다. 4) 대상자의 노인섬망 간호수행에 영향을 미치는 요인을 분석한 결과 연령주의(β=-.332, p=<.001), 섬망 간호에 대한 태도(β=.299, p=<.001), 노인 섬망 관련 교육경험(β=.115, p=.046)으로 나타났으며, 설명력은 26.5%였다. 본 연구의 결과로 간호사의 연령주의와 섬망 간호에 대한 태도, 노인 섬망 관련 교육경험이 노인섬망 간호수행에 영향을 미치는 요인으로 확 인되었다. 따라서 본 연구 결과를 바탕으로 노인섬망 간호수행을 향상 시키기 위한 간호사의 노인섬망 간호에 대한 긍정적인 태도와 노인에 대한 긍정적 인식을 높이기 위한 교육프로그램 개발이 필요하다. 주요어 : 섬망지식, 섬망 간호에 대한 태도, 연령주의, 노인섬망 간호수행

臨床檢査物에서의 嫌氣性細菌 分離에 關한 硏究

김성옥 梨花女子大學校 敎育大學院 1975 국내석사

양모를 재료로 한 휄트에 관한 연구 : 작품제작을 중심으로

김성옥 이화여자대학교 산업미술대학원 1988 국내석사