朝鮮時代의 女流詩歌에 나타난 愛情觀

金善子 圓光大學校大學院 1979 學位論叢 Vol.3 No.-

The survey of poems and lyrics of women during the Lee dynasty indicates that the works are mostly based upon affection between man and women; however, a few works based upon loyalty. thought of parents, friendships and motherhood remain. In addition, women in women's living room thought that it was very difficult from a view-point of social circumstances for them to write the poems which were sung in kisaeng's salon.(kisang is construed as prostitute in contemporary society, but she was versed in song. calligraphy and writing)korean poems and lyrics which are left at the present were, in general often sung at the kisang's salon at that time. Furthermore, the crucial reasons that there were a lot of love poems sung in the kisang's world, are partly because they had no domestlc experience, and they remained as a grass by the roadside. As a result, it would be too difficult for us to expect loyalty, love of friends and motherhood from them. However, Although of low social class, kisang girls participated greatly in writing poems and lyrics. more so than the society who frequented their boudoirs. Therefore, we can observe a real aspect of naked affection in women's society of those days the poems from kisang girls. First of all, I will point out the difference between the bondoir's world and that of the kisangs. Women in their boudoir thought that their object of longing was only a loving husband. They remained faithful to their husband though sometimes their epression of affection was negative. However, the object of love with kisangs changed as often as their lover. Their expression of love was an immediate nature thus encompassing positive and open minded characteristcs. Turning to the conclusion, I win attempt to epitomize their view of affection. 1. Woman in the Lee dynasty had considerable timidity, qeniality and tolerance, As a result, they kept their solitude with perseverance, longing for their hasbands who had left them. 2. If their hasband took a second wife, they hoped that their hasband would come back to their bosom. Their virtue was demonstlated by following their husband's opinion and they willingly suffered the agony of loneliness. 3. Secret wife was the object of sexual desire and was roaming alone owing to their broken mind. In the meantime, Kisangs felt bitely sorrowful because they were compelled to leave their lover. 4. The loyalty of the people to the nation was revealed as they paid their respect to their king, Fvlial piety to the parents was considered the basis of most social behaviors. Fraternity and lovi of sons and daughter were also realized through sacrifice and service.

C. Debussy 피아노 음악의 연주법 연구 : Image I 을 중심으로 Based on Image I

김선자 한국음악학회 1996 한국음악학회논문집 음악연구 Vol.13 No.1

Debussy was one of the composers who played the role of a mediator between Romantic music and Modern one. He broke from the fixed expressionistic style those days, and established Impressionistic one which pursued abundant imagination and a close connection among paintings, poems and music. He also developed the piano as a greater solo musical instrument and enlarged the piano as the effect of orchestral sonority with various techniques. I discuss the performing method of his piano works based on Image I. As an instroduction, I comment the concept of Impressionism, the traits of his impressionistic music and the general performing techniques of his piano works. I mainly analize the characteristics and performing techniques centering aroung the composer's indications in his Image I. Image I presenting the beautiful pictorial scenery with vivid expression is consisted of three parts. In the first part, Reflets dans L'eau, he expresses the transparency of water image clearly and vigorously with steady tempo. In Hommage a Rameau, he presents the recollection of Rameau with the various and free flows. He describes the fast motion abstractly with the triplets in the last part, Mouvenment. In this piece, he considers the sound-image an essential element to be cultivated with great care. In Image I he employs the whole range, strong dynamics with fff and pppp, the experted pedal technique, the percussive effect of the piano, frequent arpeggio and sudden shifts of the mood. So the performers are requested to perform with elaborate techniques such as a high level of pedal using, exactitude of timing and tempo. They also should vivify fascinating tone and sonority of the piano with the soft touch since Debussy indicates a lot of sonorities with articulation. Therefore, the performers should notice the piano sound carefully through individual and combined key stroke. After I study his piano music, I conclude debussy proved his genius through the new style based on the auditory sense as the ultimate source. As his music itself is the complete world, nobody can succeed him. So the twenty century history of music without him can not be discussed.

중국 소수민족 신화 속 영웅의 형상― 이족의 즈거아루(支格阿魯)를 중심으로

김선자 중국어문학연구회 2017 중국어문학논집 Vol.0 No.107

Zhigealu(支格阿魯) is the main character of an epic that has been handed down among the Yi people(彝族) of the Sichuan, Yunnan, and Guizhou Provinces in China for ages. Zhigealu refused to nurse from his mother's breast as soon as he was born, completed many heroic deeds while growing up, shot down numerous suns and moons from the sky, and defeated devils, who had long tormented the people. This study introduces the Zhigealu myths, which changed over time as the Yi people, who belonged to the Di(氐)-Qiang(羌) ethnic group, emigrated and settled in the provinces of Sichuan, Yinnan and Guizhou. Moreover, external and internal factors that appear in the Zhigealu myth are analyzed by comparing important motifs from the myth with characteristics from heroic epics such as Jangar, Geser and Manas, which were handed down in the grassland regions. Through this process, the qualities of the hero Zhigealu, who had the blood of hawks and dragons, are also illuminated.

SDI 정책리포트 : 서울의 고령친화도시 추진 전략

김선자 서울시정개발연구원 2010 SDI 정책리포트 Vol.64 No.-

麴醇傳과 麴先生傳 比較硏究

金善子 圓光大學校 文理科大學 國語國文學科 1981 國語 國文學 硏究 Vol.7 No.-

父母의 養育態度와 子女의 性格과의 關係硏究

김선자 全北大學校 師範大學 敎育學科 1985 行動硏究 Vol.- No.7

상기한 연구의 결과에 따라 다음과 같은 결론을 내릴수 있다. 첫째, 자녀에 대한 부모의 양육태도는 방임형, 전제형, 민주형, 과보호형으로 분류할 수 있으며 오늘날 중학생을 자녀로 둔 부모는 대부분 바람직한 태도인 민주형 태도로 자녀를 교육하고 있다. 둘째, 성격의 하위요인중에서 우월성만이 부모의 양육태도에 따라 의의있는 차이를 보였으며 특히 민주적인 부모의 태도는 자녀의 우월성에 영향을 미쳐서 자신감과 적절한 자기과시적 행동에 영향을 준다. 셋째, 그외에도 양육태도간의 배교에 의하면 민주적 태도가 타 태도보다 사회성, 책임성, 행동성에 좋은 영향을 미치고 있음을 알 수 있다. 본 연구는 표집이 제한되고 연구과정과 측정도구에 따르는 여러 제한점으로 인해 의의 있는 연구로 일반화시키기에는 미비하다. 따라서 부모의 양육태도가 자녀의 성격에 영향을 준다는 학자들의 주장이 구체화되기 위해서는 좀더 정선된 측정도구와 연구방법에 의한 연구가 필요하다 하겠다.

河西의 詩世界(1)

金善子 圓光大學校 人文科學大學 國語國文學科 1997 國語 國文學 硏究 Vol.19 No.-

유한요소법을 이용한 3상 동기발전기의 계자 층간단락 특성 해석

김선자,전윤석,최규하 건국대학교 산업기술연구원 2003 건국기술연구논문지 Vol.28 No.-

Short-Circuited can have significant effects on a generator and its performance. Sensor for synchronous generator's field winding have been developed. One of effective method detecting inter-turn short circuits on round rotor winding is a method using sensor detecting. But the method needs duplicate design of sensor for characteristic change according to types and forms of generator. Thus sensing skill without sensor depend on change of electric property in generator. For the reason, this paper presents shorted-turns phenomenon and the characteristic analysis of shorted-turns in synchronous generator by using 2-D finite element method(FEM).

중학생이 지각한 사회적 지지, 자기존중감 및 행동문제와의 관계

김선자,조옥귀 경남대학교 교육문제연구소 2003 敎育理論과 實踐 Vol.13 No.1

圖像으로 본 중국신화 ― 岩刻畵에서 三星堆까지

김선자 중국어문학연구회 2006 중국어문학논집 Vol.0 No.40