염색집성목을 이용한 곡목의자의 개발에 관한 연구

김동귀(Dong Kooi Kim) 한국가구학회 2013 한국가구학회지 Vol.24 No.3

The bent wood technique has been used for making the bow, the musical instruments and the wagon wheel, The Winsor chair of England in 1730’s was the first Lfurniture product by using this method. This method was spread out by Michael Thonet in Austria after the Industrial Evolution. Early making technique of Winsor chair was relatively easy, but Michael Thonet’s bent chair was mass produced by the machine and launched the revolution in the industrial furniture. 20th- Century European furniture designers applied the method of layering and forming plywood to bent chairs, enhanced the function and conformability. The bent chair had a big impact on modern chair design. The bent chair has the formative beauty and convenience from the character of softness and colors of wooden materials and has been developed variously by furniture designers. This study is a new approach to use Dyed-Gathered Wood with various colors and patterns as a material of the bend wood. First, bent wood with the Dyed-Gathered Wood enhances a close texture of wooden material textures instead of coating the surface. Second, flexibility of the bent wood with the Dyed-Gathered Wood enables wood bending techniques. Lastly, the Dyed-Gathered Wood is made with relatively cheap woods, replaces expensive imported woods which cause product price rise. This method enables a material cost saving and a stable supply of material.

염색집성목을 이용한 목 가구 개발에 관한 연구

김동귀(Dong-Kooi Kim) 한국가구학회 2009 한국가구학회지 Vol.20 No.1

In this study, I suggest dyed-Glued laminated woods by using birch woods which are relatively cheaper than others. Since the dyed-Glued laminated woods which have the various colors to satisfy people's tastes and the dignified grains in the old woods enable us to product freely, these can provide us with stability of supply through replacing rare materials. The making wooden furniture designed with dyed-Glued laminated woods has these following characteristics. (1) This method which uses various colored woods can fulfill consumers' tastes through dyeing wooden plates, instead of using domestic woods which have limited colors-white, yellow and black. (2) Gathering wooden plates made by setting them into various frames enables us to get in large quantities of the materials with good grains, which we can only take from old woods. (3) Producing culture products using various colors and grains has enabled us to satisfy consumers and to create pro-environmental pieces. In conclusion, this study can be an alternative idea to forest resources which have been decreasing, and be an application method of using cheaper birch woods as well. Gathering and dyeing wooden plates might bring about the economic effect and be of much help to the expansion as furniture materials as well as interior ones.

남태 칠 기법을 이용한 목 가구 개발에 관한 연구

김동귀(Dong Kooi Kim) 한국가구학회 2017 한국가구학회지 Vol.28 No.1

Wooden artifacts are generally manufactured by lacal materials with cultural characteristics. Bamboo crafts province In recent years, production decreased due to products using resin and new materials, and in particularm the traditional bamboo craftsmanship is in a situation of extinction. Among the techniques of bamboo craftsmanship, Lamtae lacquer technique which lacquers on bamboo crafts made of piece bamboo and weaving pattern is applied to wooden craft, and the purpose of this study was to develop the products that can be utilzed in the modern residential space, and to make the skill of wood crafts using bamboo be developed and spread the prototype was made of traditional bamboo acts and crafts, furniture made of piece bamboo and weaving pattern, and wooden artifacts such as stationary goods and lighting.

목가구의 상감기법에 관한 연구

김동귀(Kim Dong kooi) 한국조형디자인학회 2016 조형디자인연구 Vol.19 No.1

목가구의 상감기법은 고대 이집트의 파라오의 출토 유물에서 부터 현대에 이르기 까지 계승 발전하여 오고 있다. 특히 18세기 유럽의 장식미술의 기법으로 시대와 국가를 초월하여 재료와 기법이 다양하게 시문되었고, 중국과 일본 한국에서는 칠기와 함께 병행하여 발전하였으며 근래에 이르러 시문기법도 목분상감과 공판기법 그리고 다양한 시문재료로 목가구 제작과 실내 장식미술의 기법으로 널리 이용되고 있다. 상감기법은 시문하고자하는 표면을 파내고 상감재를 박아 넣는 기법이지만 유럽을 중심으로 한 마케트리기법, 은선과 목분을 이용한 목분상감, 그리고 서로 다른 색상의 목재로 부착하여 문양을 만든 후 문판의 중앙과 가장자리에 시문하던 목상감기법등을 포함하여 조사하였다. 본 연구에서는 국내외에서 제작한 상감가구를 통하여 재료와 기법을 분석하여 보다 다양한 재료와 기법으로 현대 주거 공간에 어울릴 수 있는 목상감가구를 제작할 수 있는 기초자료로 활용할 수 있도록 자료를 정리하였다. Wood Inlay technique of wood furniture has inherited from ancient Egypt to modern development as it can be seen from excavated remains of the pharaoh. Especially, techniques of decorative arts in 18th century Europe fostered inlay techniques with various materials and techniques transcending time and place. Also, Wood Inlay technique of wood furniture has been developed alongside with lacquer and inscribed pattern techniques have been widely used with wood flour inlay and screening techniques with various inscribed materials in wood furniture and interior decorative arts area. Wood Inlay technique is craving the surface and inlaying materials into it, but Marquetry technique, wood flour technique using silver wire and wood flour Sanggam and wood Sanggam technique inscribing pattern with attached timber of a different color into the center and edge of the door plate are also researched. In this study, various materials and techniques through wood furniture using Wood Inlay technique in home and foreign are analyzed and summarized in order to use a database for the producing wood inlaid furniture in a modern living space.

염색집성목을 이용한 목상감 재료의 개발에 관한 연구

김동귀(Dong Kooi Kim) 한국가구학회 2015 한국가구학회지 Vol.26 No.3

Inlay is a high technique of inlaying patterns on the surface of crafts and widely used transcending time and place at various hand crafting area. Inscribed pattern technique using rare materials in the area have been used by the artisans of artistic flair and functionality and its value is also highly regarded from ancient to modern and inherits and is being developed today. Existing inlay technique, however, has not been spread out because it needs craftsman’s skill based on the handcraft and inscribed materials are very rare to use. This paper aims to replace natural wood Sanggam materials for traditional furniture patterns such as Samho Jang, Ohho Jang, Seongtoenoe Moon, Gyeopgwinoe Moon and wood inlay text like Soo (Long life), Bok (Luck), Kang (Peace), Ryoung (Relaxed) and gammadion cross pattern. Gathered black, yellow and white color dyed wood using power tools can replace rare natural inlay materials through reliable and standardized supply. Dyed-gathered inlay materials can easily replace wood inlay materials, therefore, attempt to create an improved direction regarding materials and fabrication techniques in order to make traditional or contemporary artistic furniture to be produced.

경남 지역의 반닫이에 관한 연구

김동귀(dong-kooi Kim) 한국가구학회 2017 한국가구학회지 Vol.28 No.3

The purpose of this study is to understand the characteristics of the common people and the furniture they used and to investigate the general characteristics of traditional Korean culture in the late Chosun Dynasty in order to study the Characteristics of Bandagein Gyeongnam province. Local characteristics of the Bandaji were examined through comparing local style of Folk Houses Interior space composition and the utilization Bandaji of that space through the case study and literature review. Bandagein Gyeongnam province are classified as Tongyeong, Jinju, Miryang, Namhae, Yangsan, Gimhae. The height of Bandaji is relatively lower than in other provinces, the metal ornaments are simple, and the wood pattern is used to show simple and natural beauty. As a characteristic of metal decoration, Bandaji of Miryang have a lot of openwork decoration, Bandaji in Jinju have a cicada hinge and a decorative iron hook, Bandaji in Namhae have a peak of a lotus flowers shaped hinge and Ying-yang/ number pattern on openwork facet and Bandajji in Yangsan have a Violin hinge and Bandajji in Gimhae have emphasized ornamental features by using a rivet and lock made of tin and the cast iron.

염색집성목을 이용한 목가구 개발에 관한 연구 2

김동귀(Dong kooi Kim) 한국가구학회 2012 한국가구학회지 Vol.23 No.1

Recently, shows the possibility of providing such dyed-gathered woods after forming single boar This studyds with using cheap timbers generated by the thinning. It is helpful for master artisans are suffering from finding qualified materials. Traditionally, the master artisan has been used the beautiful grained wood from around roots of old zelkova trees and black persimmon trees. Instead, this study shows that dyed-gathered woods replace the natural grained wood and also produces a furniture made of an aggregate and a plate from walnut trees and ash trees which are a contrast to dyed-gathered woods. Dyed-gathered woods can reproduce the various colors to satisfy people’s tastes, and the dignified grains that we can see in the old woods. Besides, dyed-gathered woods can replace rare materials and provide higher reliability of supplies.

용도별 세계목공예품의 수종조사

김사익,조종수,윤승락,노정관,나종범,김동귀,Kim, Sa-Ick,Jo, Jong-Su,Yoon, Seung-Lak,Roh, Jeong-Kwan,Ra, Jong-Bum,Kim, Dong-Kooi 한국가구학회 2006 한국가구학회지 Vol.17 No.1

This study attempted to visually inspect eight hundred wood crafts collected from various countries. These include sculputures, toys, jewl cases, kitchen wares, candle holder and wooden vases, stationery, sport outfits and etc. The most impressive wood is Myrtlewood, a broadleaf evergreen which grows along the coastline of southern Oregon and northern Califonia. Myrtlewood possesses a wide variety of grove patterns. This unique wood varies in color from a deep, rich brown to silver grey, red and every yellow. Myrtlewood is being recognized as being one of the most beautiful hardwoods in the world.

지리산을 중심으로 한 관광민예품 개발에 관한 연구

김동귀 한국공예학회 1998 조형디자인연구 Vol.1 No.-

This study focused on developing folk art tourism souveniors around Chirisan, which is the first National Park in our country. The courses of study are as follows. First, we grasp the present situation of factories in producing souveniors around Chirisan. Then existing souveniors are collted, and the problems and the improvements are found so that a new product, which is related with the natural surroundings of Chirisan, can be designed by having an eye to developing a product which is unique and which has local features. As the trial manufacturing case, the insect species which live around Chirisan are chosen as subject materials, and the pebbles of a surrounding stream are utilized. As well, the nodes and the roots of trees are used, and the bamboo product, and, partially, making it possible to produce them in large quantities and which can be made by hand if they need special handing, are developing as high quality and high class souveniors. It is expected through this research that tourism souveniors, which have originality and local character, can be developed by making design of souveniors interesting through the use of plentiful resources around the local area. dining tables.

케나프 TMP, CTMP의 섬유 특성

윤승락,김사익,조종수,노정관,나종범,김동귀,최길동 진주산업대학교 산업과학기술연구소 2007 산업과학기술연구소보 Vol.- No.14

Thermomechanical pulp (TMP) and chemical thermomechanical pulp (CTMP) of kenaf cultivated in Korea were manufactured and their fiber properties were investigated. TMP made of the core part of kenaf showed various geometric types of fibers such as rectangular, spindle, and cylindrical forms. The most TMP made of the outer part of kenaf were composed of bast fibers, where no damages on the surface and cutting section of bast fibers was found. CTMP made of the core showed that some fibers were damaged. However, the fibers in CTMP made of the bast were observed not to be damaged. The TMP made of the core showed sound fibers, but the CTMP made of the core showed some damaged fibers. The TMP made of the bast showed curl indexes higher than the CTMP made of the bast, and most of fibers were not damaged in both TMP and CTMP pulps.