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권영필 미술사학연구회 2006 美術史學報 Vol.- No.27
About My ‘Art History and Aesthetics’ - an empirical approach - Kwon Youngpil (Former Professor, the Korean National University of Arts) This essay is about the development of Korean art history and aesthetic studies from the 1960s until now based on my personal experiences. Here, especially, I focus on the interrelationship between art history and aesthetics. In the early 60s, the two fields of studies were still under the influences of Kyung-sung(jap. Kei-jo) University which was founded during the colonial ages of Japan, and the lectures on art history were just focusing on the historical backgrounds even without showing slides-that is, there were no image materials used. However, in the 70s, we can see that the tendencies in the study of Korean art history had been somewhat “globalized” to the point of introducing the theory of style of the German school. Since the 1980s, there had been serious studies on the methodology of art history. The Korean Society of Art History had played a primary role in the center of the studies. In contemporary era, the field of art history has been developed a lot to the point of making different schools. However, the need of aesthetic interpretation on the specific phenomena of the art history still remains. In the mean time, the study on German aesthetics of the ‘Getty Center for the History of Art and the Humanities’ in USA could be a good lesson to us.
“The Aesthetic” in Traditional Korean Art and Its Influence on Modern Life
권영필 한국학중앙연구원 한국학중앙연구원 2007 Korea Journal Vol.47 No.3
It was during the 1920s that the study of the Korean aesthetic found intraditional art began. This research has continued to the present day,and the discovery of Korean aesthetic characteristics identified from thisstudy contributes to understanding the identity of Korean culture. Classic beauty in architecture and sculpture is defined by Eckardtas having symmetrical structure, balance, and impartiality, and asense of serenity, while revealing a distinct artless naivet accompaniedby moderation without excessive decoration. Yanagi Muneyoshis con-cept of the aesthetics of sorrow and folk art has been positivelyevaluated, and Ko Yu-seops planless planning illustrated by the useof natural timber can be called a pursuit of naturalness. Choe Sun-uargues that the Korean aesthetic is marked by plain colors and clothingand restrained expression. Cho Yo-han emphasizes the shamanic fea-tures represented by nonghyeonseong (freely vibrating without adher-ence to formality). Humor in Korean art as an aesthetic category hasalso gained wide recognition from many scholars.It would be unfair to say that one alone among these defines theKorean aesthetic. The Korean aesthetic is characterized by the classicalconcept of unification in diversity, as found in the works of Lee Ufan,Kim Hwan-gi, and Kim Chang-ryeol. In contemporary craft and industri-al production, traditional Korean colors can easily be applied to modernclothing, works of art, daily necessities, and household electronics.
탄화규소 불투명화재와 세라믹섬유가 Fumed 실리카 단열재의 열전도도에 미치는 영향
권영필,권혁천,박성,이재춘,Kwon, Young-Pil,Kwon, Hyuk-Chon,Park, Sung,Lee, Jae-Chun 한국세라믹학회 2007 한국세라믹학회지 Vol.44 No.12
The thermal conductivities of nano-sized fumed silica-based insulation media were investigated by varying a mean particle size of the silicon carbide opacifiers and ceramic fiber content. Opacifying effect of ceramic fiber and silicon carbide powders was discussed in terms of their content and the mean particle size of them. As the fiber contents increased from 10 wt% to 30 wt% in a material, its thermal conductivity at temperatures of about $620^{\circ}C$ decreased from 0.171 $Wm^{-1}K^{-1}$ to 0.121 $Wm^{-1}K^{-1}$. Meanwhile, the thermal conductivity at temperatures of about $625^{\circ}C$ decreased from 0.128 $Wm^{-1}K^{-1}$ to 0.092 $Wm^{-l}K^{-1}$ as the mean SiC particle size decreased from $31{\mu}m$ to $10{\mu}m$.