디지털 정보 보안에 관한 연구

고훈,장의진,신용태 한국인터넷정보학회 2003 인터넷정보학회지 Vol.4 No.1

영상 미디어에 나타난 무협소설 원형(原型)의 적용 사례 연구: 영화 <존윅> 시리즈를 중심으로

고훈 글로컬 어문학 문화 연구소 2025 글로컬 어문학 문화 연구 Vol.- No.20

This study analyzes the archetypal structure of the Korean Moo hyup (martial chivalric) novel underlying the John Wick film series and examines how its narrative framework is adapted within visual media. The research argues that Moo hyup fiction embodies universal values and offers a globally resonant narrative strategy. Although John Wick, a Hollywood production, is set in a modern urban context, it reinterprets the Gangho—the autonomous, morally coded world central to Moo hyup novels. By constructing an independent universe detached from reality, the series allows audiences to accept hyper stylized violence as natural and to immerse themselves in its mythic logic. Moreover, through the protagonist’s enactment of private justice, the film reconfigures Hyup eui (the code of righteousness) as a legitimizing moral principle behind violent acts. The hero’s aura, sustained through reputation and rumor, transforms into a form of “modern mythology.” Ultimately, John Wick demonstrates how the Moo hyup narrative prototype can achieve both artistic immersion and global commercial success without explicit reference to its East Asian origins.

후배 목회자에게 바라는 글- 나의 목회 십자가 목회

고훈 장로회신대학교 2002 敎會와 神學 Vol.51 No.-

웹소설의 혼종 양상과 갈래 구분에 관한 제안

고훈 K-Culture 융합연구소 2022 International Journal of K-Culture/K-Culture융합연구 Vol.1 No.-

연구 목적: 1990년대 중반부터 무협소설과 판타지소설의 중간적 성격을 띤 퓨전소설이 등장했다. 그리고 2000년대에 들어와서는 이러한 소설을 ‘웹소설’이라고 부르고 있다. 웹소설은 단일한 특성으로 구분하기 어려울 정도로 혼종성이 특징이며, 이로 인해서 분류나 구분에 대한 새로운 방안이 필요하다. 웹소설 시장과 웹소설의 독자는 장르 구분에 큰 의미를 두지 않지만 학술적 연구를 위해서는 이에 대한 학술 영역으로서의 타당성, 웹소설의 특성 등을 살펴볼 필요가 있다. 연구 방법: 이 연구에서는 대중소설의 퓨전화에서부터 시작된 장르 간 교섭과 혼재 양상이 웹 소설에서 어떤 방식으로 드러나고 있는지 살펴보고자 한다. 그리고 이 과정을 통하여 웹소설에서의 새로운 ‘장르’ 구분 기준과 방법을 제시하기로 한다. 결 론: 웹소설의 개념이나 작품의 혼종 양상은 웹소설의 시장과 독자들에게는 익숙하지만 연구자들에게는 생소한 상황이다. 연구의 활성화를 위해서는 이에 대한 이해가 필요하다. 해시태그는 스마트폰을 사용하여 향유할 수 있는 웹소설 콘텐츠의 방법이다. 현재 웹소설 시장에서는 해시태그를 활용하여 웹소설의 세부적인 특성, 분류를 시도하고 있다. 따라서 웹소설은 해시태그를 통하여 새로운 분류 방식을 적용할 필요가 있다.

국내·외 포스트 인터넷의 동향 및 전망

고훈,조은정 한국인터넷정보학회 2003 인터넷정보학회지 Vol.4 No.4

최근 해킹기법에 대한 분석 및 대응 방법

고훈 한국인터넷정보학회 2004 인터넷정보학회지 Vol.5 No.1

고전문학과 만화의 결합 양상 연구 -만화 <신암행어사>에 차용된 고전요소를 중심으로-

고훈 대중서사학회 2011 대중서사연구 Vol.- No.25

Classic literature crisis. Awareness of audience should be able to adapt to changes. Comics in the culture industry has affected. The cartoons and a new genre by combining classical literature can be born. New Amhaeng Osa published in Japan, also it was created by animation. For this work we use classical literature to introduce a foreign literature and culture we are. And it is worth in terms of content creation. Through New Amhaeng Osa to suggest the way about Classic literature.

2000년대 이후 토마스(R. J. Thomas) 죽음 논쟁에 대한 이해 및 접점 모색: 역사학자 한규무와 교회사학자 박용규의 주장을 중심으로

고훈 연세대학교 신과대학 연합신학대학원 2020 신학논단 Vol.101 No.-

본 논문의 목적은 토마스 죽음과 관련하여 2010년 이후 벌어진 역사학자인 한규무와 교회사학자인 박용규의 주장을 이해하고, 그들의 사이의 접점을 모색하고자 한다. 이를 위하여 본 논문은 다음의 연구 절차를 따르고자 한다. 첫째, 2장은 그러한 논쟁과 관련된 각 진영의 대표격인 한규무와 박용규를 중심으로, 그들은‘누구’이며, 어떠한‘공동체’에 속한 인물들인지 연구하고자 한다. 그리고 그들의 연구가 어떠한 한국교회의 상황과 깊은 연관성이 있었는지 고찰함으로 그들이 왜 그러한 주장을 할 수 밖에 없었는지 살펴보고자 한다. 둘째, 3장은 첨예하게 대립하고 있는 두 주장의 접점을 모색하고자 한다. 이를 위하여 포스트모던 역사학, 미국 기독교사학계, 그리고 공공신학의 학제 간(interdisciplinary) 연구 성과의 도움을 얻고자 한다. 끝으로 지금까지의 논의를 요약하고, 필자의 최종 입장과 본 논문이 주는 공헌과 한계를 다루고자 한다. R. J. Thomas’s Death is one of the heated debates in Korean Christian history. Professional historians insist that Thomas was executed during his imperialistic missions. Conversely, Korean church historians argue that Thomas died a martyr during his mission work abroad. They do not yield an inch on the matter. Nevertheless, many researchers have not paid much attention to studies on the understanding/ reconciling of the two arguments. The purpose of this paper is to understand the martyrdom theory of church historian and the Execution theory of professional historian Since 2000 and to seek the Contact Points of the Two in the debate on R. J. Thomas’s death. To achieve this, I will follow these procedures: First, section two focuses on Kyu-Moo Han, a representative historian who argues that Thomas was not martyred and Thomas’ martyrdom is a beautiful story and Yong-Kyu Park, a representative church historian who claims thatThomas was martyred. Moreover, I will explore why they argued like that by answering three questions: 1) who are they? 2) what communities do they belong to? and 3) which situations did they argued like that? Second, section three seeks the Contact Points of the Two through studies on postmodern history, public theology, and faith/scholarship of the American Christian historiography. In section four, I will organize the contents thus far and suggests an opinion about the debate/this paper’s strengths and weaknesses. The Contribution of this paper relates to reflecting on the two competing arguments and providing a beginning of reconciliation and harmony in the debate on R. J. Thomas’ death.

「저승식당」의 장르 혼종 양상 연구

고훈 중앙어문학회 2023 어문논집 Vol.95 No.-

In this study, we analyze the strategy pursued by the web comic Jeoseungsikdang to gain popularity, as well as discussing patterns of hybridization of genres of popular literature. The subject of the study, Jeoseungsikdang, has been serialized on Kakao Page for about three years and has a total of 130 million views and a rating of 9.9 stars, and it deviates in certain important respects from the current genre hybrids in popular literature. Jeoseungsikdang is based on “food” and has a narrative structure in which the “han” (bitterness) of a “ghost” unravels after it tells its story. It has the element of a “game” in that the restaurant receives food orders, serves food, and solves ghosts’ problems, and it intrigues readers through the use of game systems such as quest performance, rewards, item use, and skill use. In addition, it has managed to be serialized for a long time through the traditional narrative development method of popular literature of the repetition of a fixed story frame, and it shows a process of overcoming loneliness by expanding the relationship of “we” by eating together in a restaurant space using Korean cultural elements such as “rice,” “han,” and “jeong.” Jeoseungsikdang secured commercial success by overlapping a variety of genres while applying various popularity strategies, and in the process, it naturally reveals the hybrid pattern of genres. This study aims to identify the salient characteristics of Jeoseungsikdang so as to reveal the similarities and differences of the genre hybrid pattern in Korean popular literature from mainstream trends, and to contribute to the study of the genre hybrid patterns of popular literature.

Top형 스핀밸브 구조의 Si 기판에서의 하지층 두께에 따른 자기저항 특성 연구

고훈,김상윤,김수인,이창우,김지원,조순철,Ko, Hoon,Kim, Sang-Yoon,Kim, Soo-In,Lee, Chang-Woo,Kim, Ji-Won,Jo, Soon-Chul 한국자기학회 2007 한국자기학회지 Vol.17 No.2

In this paper, the magnetic properties and the annealing behavior of spin valve structures with Mo(MoN) underlayers were studied for various underlayer thickness. The spin valve structure was Si substrate/Mo(MoN)$(t{\AA})/NiFe(21{\AA})/CoFe(28{\AA})/Cu(22{\AA})/CoFe(18{\AA})/IrMn(65{\AA})/Ta(25 {\AA})$. Mo and MoN films were deposited on Si substrates and their thermal annealing behavior was analyzed. The deposition rate of the MoN thin film was decreased and tile resistivity of the MoN thin films were increased as the $N_2$ gas flow was increased. The variations of MR ratio and magnetic exchange coupling field of spin valve structure were smaller with MoN underlayers than that with Mo underlayers up to thickness of $51{\AA}$. MR ratio of spin valves with Mo underlayers was 2.86% at room temperature and increased up to 2.91 % after annealing at $200^{\circ}C$. Upon annealing at $300^{\circ}C$, the MR ratio decreased about 2.16%. The MR ratio of spin valves structure with MoN underlayers for $N_2$ gas flow 1 sccm was 5.27% at room temperature and increased up to 5.56% after annealing at $200^{\circ}C$. Upon annealing at $300^{\circ}C$, the MR ratio decreased about 4.9%.