고은미의 "Double Concerto"에 사용된 12음에 의한 캐논 기법

고은미 이화여자대학교 음악연구소 2005 이화음악논집 Vol.0 No.9

고은미의 “Double Concerto”에 사용된 12음에 의한 캐논 기법

고은미 이화여자대학교 음악연구소 2005 이화음악논집 Vol.9 No.-

This essay is abstracted from my dissertation, the Double Concerto with Analysis consists of two parts, While my doctoral dissertation has put emphasis on sectional analysis of Double Concerto, this essay was intended to develop a new theory on the canon based on twelve notes. The essay consist four part. The first part, the preliminary theory for the composition of the Canon. focuses on PTO, the basis for the canonic theory in the in preparation for the second part. The second part, analysis of the composition is divided into five sections with a formal analysis of the composition and its structure based on pitch progression with variations. The third part, explains the form and The fourth part, analysis of structural orchestration. The primary object of composing the Double Concerto is an improvement of the concept in regard to linear, horizontal, and harmonic relationships of traditional canon. Traditional Canon has had three basic drawbacks: (1) Dux and Comes is limited by concept of consonace and disonance in mode. And it is limited by complement relationship in tonal harmony; (2) Inspite of that the concept of Dux and Comes in canon is based on polyphony texture basically, the concept is composed of monophony imitation in melodic line; and (3) Rhythmic organization of Dux and Comes in traditional canon has not been dealt distinctively from pitch function. In order to remedy those defects in the traditional canon, this Double Concerto has taken the following new alternatives: (1) New complementary relationships are developed between the Dux and Comes in twelve-tone procedure; (2) Melodic line of Dux and Comes is constructed polyphonically. And Comes is constructed according variations of melodic interval of Dux ; and (3) Pitch function is applied to rhythmic organization. The theory which is used in this composition should not be limited to the present composition only, but also can be served as a generalized theory applicable to any canonic composition with twelve-tone. This Double Concerto attempts to remedy drawbacks exsisting in the traditional canon with the payment of special attention to maintaining the basic principle and theory found in the canon and develop canon for twentieth century based upon twelve-tone theory.

동전을 중심으로 본 전근대 동아시아의 화폐 — 송(宋)과 일본의 사례를 중심으로 —

고은미 수선사학회 2019 사림 Vol.0 No.68

For most currencies in use today, it is common for a discrepancy to exist between the face value and the intrinsic value. Since state-issued fiat money is circulated at the value of each denomination based on the credit of the issuing entity rather than the intrinsic value of its material, paper notes are accepted at face value despite their negligible intrinsic value. This concept is often also applied in analyzing coins issued by pre-modern states. In other words, it is the state that determines the value of coins. This perspective led to the assertion that the state sought to gain financial profit by producing and circulating coins whose intrinsic value is lower than the face value. However, historical records show that such attempts generally ended in vain. This became possible during the Han dynasty of China when coins were produced with equal face value and intrinsic value. As the two values of the coins became closer, the state mint had to bear the cost of casting coins. This indicates that the more the coins were minted, the greater the financial loss that the Chinese government suffered. Thus, Chinese dynasties throughout history tended to avoid minting coins if possible. In some cases, however, Chinese governments had to produce coins in large quantities despite the financial loss. This was during wartime when it was necessary to efficiently manage logistics throughout the country. When a large-scale war broke out, the tax money levied nationwide had to be rapidly allocated to peripheral territories in order to maintain a large army and fund military campaigns. Therefore, it can be said that the issuance and circulation of coins are closely related to military finance.

재결정된 고폭화약 입자의 표면특성 연구

고은미 한국공업화학회 2006 한국공업화학회 연구논문 초록집 Vol.2006 No.1

방사성동위원소정맥종영술로 진단한 심부정맥혈전증 2예

고은미,김경진,김시영,조경삼,김광원,최영길,윤엽 경희대학교 1989 慶熙醫學 Vol.5 No.3

Enhanced scale-up process of insensetive high energy material 1,1-Diamino-2,2-Dinitroethene

고은미,김진석,김현수 한국공업화학회 2008 한국공업화학회 연구논문 초록집 Vol.2008 No.1

아놀드 쇤베르크의 피아노작품

고은미 한국서양음악학회 2001 서양음악학 Vol.4 No.-

해상 무역과 상인의 성격 ― 10~13세기 동아시아・동남아시아의 사례를 중심으로 ―

고은미 동양사학회 2023 동양사학연구 Vol.162 No.-

Maritime merchants, by nature, travelled abroad frequently and often stayed overseas for a while. Especially since their voyage was carried out by sailboats, which relied critically on the conditions of seasonal wind, their stay at overseas posts might be extended waiting for favorable wind. In addition, such businesses as selling goods, receiving payment, and buying local products for return trade took a considerable time. Maritime merchants thus built a trading base at every stop across their voyage. Also, they, to be successful, needed to understand local culture and behave accordingly. Therefore, rather than moving around everywhere randomly, merchants tended to focus on certain regions by visiting there regularly and shaping a deeper relationship with the locals. In so doing, they established and maintained a solid network of people and goods with the regions. Furthermore, it was not unusual for merchants who interacted with various people to represent interests of people of other nationalities and ethnicities. Consequently, Maritime merchants had a dual identity, which was not neatly affiliated in a certain nation. Such complicated characteristics of merchants was a result of their efforts to understand and mediate different cultures.

중국어 ‘打击(HIT)’류 동사에 대한 어휘유형론적 고찰 - ‘모스크바 어휘유형론(MLexT)’의 관점에서

고은미 한국중어중문학회 2024 한국중어중문학회 학술대회 자료집 Vol.2024 No.11

본고는 모스크바 어휘유형론(Moscow Lexical Typology)의 분석법을 활용하여, ‘HIT’류 개념역을 대상으로 중국어를 포함한 14종 언어의 어휘화 패턴과 파생의미의 범언어적 보편성과 규칙성을 귀납하고, 이를 기반으로 중국어 ‘打击(hit)’류 동사의 어휘 의미적 보편성과 특수성을 밝히는 것을 목표로 한다.<BR/> ‘HIT’류 동사의 기초의미는 ‘주체가 손(도구)으로 대상(±유생)에 타격을 가하다’로 범언어적 관점에서 ‘HIT’류 개념역은 [타격 대상], [도구 유형], [타격 수단], [결과] 등을 변수로 어휘화하며, 중국어 ‘打击(hit)’류는 [타격 대상(+유생)], [도구 유형], [타격 수단(주먹/손바닥)], [결과], [소리]를 변수로 어휘화한다.<BR/> 본고에서 귀납한 중국어 ‘打击(hit)’류 동사의 기초 프레임은 ‘打’,‘砸’,‘敲’,‘捶’,‘掴’,‘揍’이다. 가격부위가 손바닥일 경우에 ‘掴’로, 가격부위가 주먹일 경우에 ‘揍’, ‘擂’, ‘夯’, ‘扇’로, 도구 유형에 따라서 ‘捶’, ‘抽’, ‘锤’로, 결과에 따라서 ‘砸’, ‘捣’, ‘舂’로, 소리 수반 여부에 따라서 ‘敲’, ‘扣’, ‘拍’로 어휘화된다.<BR/> 범언어적 관점에서 ‘HIT’류 동사의 파생근거는 〈접촉〉〈손〉〈타격 결과〉〈수반 현상〉이다. 대상과의 물리적 접촉, 충돌은 사회역으로 전이되어, ‘충돌, 공격, 비난, 전염, 강타’를 더 나아가 공격의 결과인 ‘승리’를 나타내며, 감정역으로 전이되어 ‘감동, 놀람, 충격’의 의미도 나타낸다. 손 관련 행위인 ‘놀이, 주사, 타자, 전화, 전보’ 등의 의미도 나타내며, 타격 결과와 관련되어 부정 행위인 ‘사고, 사기, 파업’, 타격 결과가 긍정적인 방향으로 전이되어 ‘어울림, 유행, 성공’의 의미도 나타낸다. 또한, 타격 행위는 소리를 수반하기에 ‘헤엄, 물장구, 시계, 기침’ 등의 소리 수반 행위도 나타낸다. 중국어 ‘打击(hit)’류 동사는 특수하게 〈타격결과〉에 있어 많은 언어에 존재하는 ‘유행, 성공’이라는 긍정적 의미(The band has hit big in the US(그 밴드는 미국에서 크게 성공을 거두었다))가 없다. 또한, 중국어 ‘打击(hit)’류 동사는 부정의미의 경향이 강한데, ‘敲’는 ‘바가지, 사기, 총살’, ‘拍’는 ‘유괴, 협박’, ‘扣’는 ‘살인, 구류’의 의미를 나타낸다.

이동형 모빌리티의 안전성에 관한 연구

고은미,최낙혁 국제차세대융합기술학회 2025 차세대융합기술학회논문지 Vol.9 No.4

본 연구는 전동킥보드의 급격한 보급으로 인한 안전 문제에 주목하여, 전동킥보드와 자전거 간 주행 안전 성을 비교·분석하고 이용자의 위험 인식을 살피는 것을 목적으로 한다. 이를 위해 주행 안전성 실험과 개인형 이 동장치(PM) 이용자 설문조사를 실시하였다. 연구대상 및 척도로서, 주행 안전성 실험은 동일 운전자가 전동킥보 드와 자전거를 각각 10회씩 운행하면서 도달시간, 가속거리, 제동거리 등을 측정하였으며, 설문조사는 PM 이용자 100명을 대상으로 자전거 대비 전동킥보드의 안전성 및 안전 의식을 평가하였다. 분석 방법으로는 주행 안전성 실 험에 대응표본 t-검정을, 위험 인식 분석에 ANOVA와 카이제곱 검정을 활용하였다. 그 결과 전동킥보드는 단거 리에서 빠르게 속도를 높이는 반면, 제동거리가 길어 사고 위험이 높아질 가능성이 확인되었으며, 설문조사에서는 헬멧 착용과 안전교육 이수율이 전반적으로 낮고 속도의 위험성은 인식하면서도 급가속·제동 성능에 대한 구체적 이해가 부족한 것으로 나타났다. 이러한 결과를 바탕으로, 제동장치 개선과 법·제도 강화, 나아가 사용자 안전교육 확대가 필수적이라는 시사점을 제안하였다. This study aims to address the safety concerns stemming from the rapid proliferation of electric scooters by comparing and analyzing their riding safety relative to bicycles and assessing users’ risk perceptions. Accordingly, both a riding safety experiment and a user survey of personal mobility (PM) device users were conducted. As the empirical basis and measurement framework, the riding safety experiment involved a single operator piloting an electric scooter and a bicycle ten times each to measure variables such as travel time, acceleration distance, and braking distance. In parallel, a survey of 100 PM users was undertaken to evaluate the perceived safety and safety awareness of electric scooters compared to bicycles. For the data analysis, a paired t-test was employed for the riding safety experiment, whereas ANOVA and chi-square tests were used to analyze risk perceptions. The results indicate that while electric scooters can rapidly increase speed over short distances, their relatively long braking distance may heighten the risk of accidents. Moreover, the survey revealed low rates of helmet use and safety training completion, along with only a partial recognition of speed-related risks and limited understanding of rapid acceleration and braking performance. Based on these findings, this study highlights the critical need for enhancing braking mechanisms, strengthening relevant laws and regulations, and expanding user safety education.