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      • KCI등재

        관상동맥질환자의 교육 요구 : 일개 종합병원 내원환자를 중심으로

        고경희,이성은 韓國保健敎育學會 1998 보건교육건강증진학회지 Vol.15 No.2

        The purpose of this study is to find out the educational needs for the coronary heart disease patients of a general hospital in a municipal general hospital. The study subjects were 90 outpatients who had been diagnosed as myocardial infection or angina at the hospital from January 3, 1998 to January 31, 1998. The questionaire was consisted of risk factors and educational needs for coronary heart disease patients. The qusetions on the education needs of the coronary heart disease were consist of 34 questions in 6 fields. In analyzing the data, the number and the percentage were calculated in patients goneral characteristics, the average and the standard-deviation were calculated to understand the educational needs, t-test and ANOVA were used to find out inter group difference on educational needs. In ANOVA, the advanced analysis was done by Scheffe-test. The results of this study were as follows : 1.52(57.8%) of the patients (90%) live in Kangnung-city and 95% of the patients live in the middle-east part of Korea. At the age distribution 39 to 80, 41.1% of the patients were in their sixties and average age was 62.4 years old. 40% of the patients left school in mid-course or graduated from middle school or high school 2.As a result of the study on the risk factors of the coronary heart disease, the patients who have hypertension and diabetes were 41.1% and 20% respectively. In smoking and drinking, smokers were 30% and drinkers were 40% and average of smoking and drinking duration over 30 years old. 47.8% were over 140mgHg systolic - BP and 45.8% were over 90mmHg diastolic - BP 3.The patients' educational needs average 94.88 (maximum 134), and item average 2.79(maximum 4.0), the highest needs field was the characteristic of disease 33.22(maximum 44). Item average 3.2(maximum 4.0) and the lowest education needs field was the physical activity and exercise 10.21(maximum 16). Item average 2.55(maximum 4.0) 4.Goneral characteristics which were different from the general characteristic educational needs were statistically different by group of educational level, occupation, age and sex. 5.The risk factors which were different from the coronary heart disease patients' risk factors educational needs were statistically different by groups of the heart disease patients in family and the patients who take regular exercise. with a result the nurses need to improve the educational programs while considering the high educational needs field and the characteristics which showed significant concerns statistically.

      • KCI등재후보

        21세기 한국춤의 재해석, 일상성

        고경희,노현식 한국무용연구학회 2011 한국무용연구 Vol.29 No.1

        본 연구는, 먼저 춤의 근원적 탐색을 통해 한국춤의 일상성에 대한 고찰에 이어서 현대에 와서 일상적인 생활무용으로 재탄생한 한국춤의 의미에 대해서 논의하여 보고자 한다. 생활무용은 누구나 참여하고 즐길 수 있는 신체활동이며 여가문화로서 무용을 접할 수 있는 기회를 제공하고 무용을 예술뿐만 아니라 여가나 건강의 범위로까지 확대시켜주었다. 그리고 비일상적인 예술인 한국춤이 다시 일반인들에게 일상적인 춤으로 다가설 수 있는 장을 마련해주었다. 또한 한국춤이 일상의 단편으로 현대사회를 반영하고, 그 속에 자리하고 있는 자신의 삶을 인지하고 변화시켜줌으로 하여 사회화 과정에 도움을 준 것이다. 한국춤의 생활무용화는 한국춤이 대중과 함께 호흡할 수 있고 개인의 일상적인 신체활동으로 사회를 아우르는 소통의 장이 되었고, 모든 대중이 주체가 되는 생활무용으로 발전하였다. 이것은 곧 생활무용이 주장하는 ‘모두가 즐긴다(Universal Dance for All).’라는 목적을 실천하게 된 것이다. 예술에 대한 고정관념을 버리고 열린 개념으로 일상성을 포용한 한국춤은 다양하고 복잡한 현대사회 속에서 자신을 상실해가는 우리에게 삶에 대한 새로운 시각을 제공하며 예술을 좀 더 대중과 친밀하게 만들어 주는 계기가 되었다는데 의의가 있다. The ordinariness of Korea traditional dance is to be studied through the investigating the meaning of dance and the meaning of Korea traditional dance for allin the present dayis also to b ediscussed. “Dance for All” provides opportunity for all people to enjoy and participate in dancing as one of a physical activity or leisure, and also expands boundary of dance. This means that the korea traditional dance as an art becomes a dance in ourdaily life for ordinary people. Korea traditional dance for all becomes a communication channel of our society for people to enjoy together, and grows for all people to participate. This is to achieve the Goal of “Dance for all”, that is: “Universal Dance for All.” The concept change of korea traditional dance from an art to dance for all provides a new view point of our daily life to us who has lost ourselves in this complicated modern times, and also opportunity to become familiar with an art than any before.

      • KCI등재

        국외공연활동의 한국무용 레파토리 변천과 미적 운용

        고경희 한국체육철학회 2016 움직임의철학 : 한국체육철학회지 Vol.24 No.3

        This study tried to cleary define the concept of the Chinese Classic Dance, and examined aesthetical characteristics and consciousnesd of Tage, the one of the representative dance. As a result, the Chinese classic dance could be defined as a recreated one with the help of the modern dance technique based on the aesthetical consciousness of the Chinese traditional dance. The Tage, one of the famous Chinese classic dance, names a dance originated from Handang era. In Tage, people stamp on the ground, dance on the rythm and sing together. This dance reminds the simple and natural beauty of Handang era. In the first part, the dance shows beauties of woman's elegance and circle and curve, and also JeongJungDong controls the rythm of the dance. And the rythm of footsteps reveal the endless beauty of flow. And the aesthetical consciousness of Tage would be a naturalistic revealation of recurrence to nature with aesthetical emotion of physical strength and pointing a circle and curve. Through the reproduce of the chinese classic dance, the emotion of movement and ethos could be successed. 본 연구는 한국무용을 중심으로 국외공연활동의 변천과정과 해외에서 공연되고 있는 레파토리를 분석하였다. 그래서 향후에 성공적인 국제춤 교류를 위한 한국무용 레파토리를 선정하는데 실천적 토대를 마련하고자 한다. 먼저, 1960~1970년대 초창기는 국외 한국무용공연활동은 세계인들에게 부채춤과 장고춤, 농악무과 소고춤과 같은 신무용류가 추어졌다. 1980~1990년대 중반기에는 전통과 창작이 함께 공연되어지는 융화기였다. 또한 서구의 것을 ‘우리화’한 레파토리 공연을 통해 세계인들과 소통하고자 노력하였다. 2000년대 이후 개인이나 단체의 국외공연활동에서‘전통의 재창조’와 ‘현대화된 전통’을 통한 한국창작무용이 주된 레파토리임을 확인할 수 있었다. 국외공연활동에서 한국무용의 독자성과 세계적 보편성을 확보하기 위해서는 한국무용의 고유한 움직임의 원리인, 곡선의 미와 정중동의 미의 운용을 고수하고, 새로운 기법으로 변화함에 있어서 ‘우리 것’과 ‘우리화’에 대한 미학적 전략이 필요하다는 점을 제시하였다.

      • KCI등재

        태안 마도3호선 해양유물 중심으로 본 고려시대 음식문화

        고경희 한국식생활문화학회 2015 韓國食生活文化學會誌 Vol.30 No.2

        Tean Mado Shipwreck No. 3 is presumed to have been shipwrecked between 1260 and 1268. It departed from a Southern costal area of Yeosu in Jeonnam Province to Ganghwa Island, its final destination at which the temporal regime of Koryo Dynasty was located. In the shipwreck, a total of 35 wooden tablets were found, and forwarding places, senders, receivers, descriptions, and quantities of freight were written on the wooden tablets. The names of receivers included Kim Jun, who was influential in the late Musin Era of the Koryo Dynasty, and key institutions such as Junmin and Sambyulcho of the Musin force. Twenty wooden tables had lists of food items such as barley, abalone, salted-fermented abalone, mussel, dried mussel, salted fermented mussel, dried shark meat, fish oil, pheasant, and dried dog meat. The food items in the late 13th century were systematically examined using scientifically determined food organic remains and records of wooden tablets among the marine relics of Mado Shipwreck No. 3.

      • KCI등재

        朝鮮後期 耆老宴 繪畵에 나타난 食文化에 관한 硏究

        고경희 한국식생활문화학회 2005 韓國食生活文化學會誌 Vol.20 No.2

        This study examined food culture appearing in Giroyeon paintings in the late Chosun Dynasty (early 17th--19th century), a period under political and economical difficulties in overcoming frustrations and looking for self-restoration methods after Imjinweran(1592-1598) and Byungjahoran(1636-1637). Paintings related to Giroyeon include Lee Gi-ryong's (1600-?) <Namjiginohoedo> painted in 1629 under the reign of King lnjo (16231649). <Gisasayeondo> painted jointly by Kim Jin-yeo et at. in 1720, the first year of King Gyeongjong (1720-4724) and Kim Hong-do's <Giroseryeongyedo> painted in 1804 under the reign of King Sunjo (18001834) in the early 19th century. These paintings over three centuries of the late Chosun show changes in the character of Giroyeon, food culture and tableware culture, etc. According to these paintings, the character of Giroyeon was expanded from a feast held for high civil officials to a banquet comprehending general civil servants. These paintings show Hyangeumjueui, which means the decorum of respecting and serving the aged men of virtue with alcohol beverage, table manner, seated culture represented by cushions and mats and individual-table culture. In addition, the expansion of demand for sunbaikja and chungwhabaikja and the diversification of vessels and dishes are demonstrated in Giroyeon paintings after Imjinweran in 1592. In this way, Giroyeon paintings show the historical characteristics of the late Chosun Dynasty, such as the collapse of Yangban-centered political system, the disintegration of the medieval system due to the emergence of the Silhak and the diversification of food culture.

      • KCI등재

        취업모의 개인 특성에 기초한 군집유형과 일-가족 다중역할에서의 차이

        고경희,정상희,김양재,이정윤 한국상담학회 2015 상담학연구 Vol.16 No.4

        This study examined cluster types among Korean working mothers based on extraversion, conscientiousness, agreeableness, neuroticism, autonomy and cognitive flexibility(alternative, control). In addition, this study examined the difference between cluster types on the quality of multiple roles, work-family balance and the satisfaction with life. 310 working mothers who are members of on-line research firm were participated. Cluster analysis revealed five subgroups of working mothers; sound profile, conscientiousness-extraversion profile, lack of conscientiousness and alternative profile, neuroticism-lack of control profile, introversion-control profile. ‘Sound profile group’ showed the highest the quality of multiple roles, work-family balance and the satisfaction with life, which was followed by ‘conscientiousness-extraversion profile group’. Whereas ‘lack of conscientiousness and alternative profile group’ showed the least on them, which was followed by ‘neuroticism-lack of control profile group’. These results indicated that it was useful to understand working mothers personality variables and to support counseling program tailored to the characteristics of each cluster. 본 연구는 취업모의 일-가족 다중역할의 질과 관련 있는 개인특성 변인으로 외향성, 성실성, 신경증, 친화성과 자율성 그리고 인지적 유연성을 선정하여, 이에 따라 취업모들이 어떻게 군집화 되는지 살펴보고, 각 군집들 간에 일-가족 다중역할의 질과 일-가정 균형, 그리고 삶의 만족도에서 차이가 나는지 확인하고자 하였다. 인터넷 설문조사기관을 통해 배우자와 자녀와 같이 거주하는 전일제 취업모 310명을 대상으로 군집분석을 실시한 결과, ‘건강형’, ‘성실-외향형’, ‘불성실-대안부족형’, ‘신경증-통제부족형’, ‘내향-통제형’과 같은 5개 군집이 도출되었다. 다중역할의 질과 일-가정 균형, 삶의 만족도에서 ‘건강형’이 가장 높은 수준을 나타냈고, ‘성실-외향형’도 비교적 높은 수준을 보였다. 이에 비해 ‘신경증-통제부족형’은 비교적 낮은 수준을 그리고 ‘불성실-대안부족형’은 가장 낮은 수준을 보였다. 이러한 결과는 취업모를 대상으로 한 상담에서 취업모의 개인특성 변인을 고려하여 차별화된 개입을 하는 것이 유용함을 시사한다.

      • 계산 에너지 함수 분석을 통한 궤환성을 갖는 단층신경회로망의 성능개선

        고경희,강민제 濟州大學校 産業技術硏究所 1997 산업기술연구소논문집 Vol.8 No.1

        In this paper, a new method to neglect the third term of t h e computational energy expression in the single-layer neural network with feedback is introduced. The system often converges to local minima instead of to global minima, because the computational energy is not matched exactly with the cost function being optimized. This system always converges to the way decreasing the computational energy function. Therefore, this system often converges to local minima because of discrepancy between the cost function and the computational function. There are two factors causing these two functions different. One of these two factors is an additionary term to help the system being expressed in binary form, another one is this third term of computational energy expression. Regarding this third term energy very small, it is always ignored in designing the system^((1.2)). However. as the system growing, this third term energy is also growing and this grown term makes the computational energy function much different from the cost function. In results of differency between two functions, system converges to local minima more than before. In this paper. a new method to neglect the third term energy is introduced. Therefore. it is shown that the system with this new method has been improved converging to local minima less than without this method eventhough in the big system.

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