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이상문학 생성의 기원 : 삶과 죽음의 역설, <12월 12일>론
강용운 고려대학교 한국학연구소 2003 한국학연구 Vol.18 No.-
'December 12' that is foremost work of Lee-sang is work that the meaning is detected as the event that is death is repeated. Life and death that is formed through death that occur on person's surrounding of master X and, writer's attitude about fate interacts to kingpin that accomplish stratum of work more than after this. Have much research to see 'December 12' as starting point and last point of Lee-sang's literature on this account. This work more than various kinds element that accomplish spiritual origin being starting point of that write on whole book of novel imply. It appears to zip through attitude that receive deep sense of futility about life, confrontation will about life to overcome this sense of futility, and fate that is started from problem of death and suicide. Nothing but this element differs arrangement of the event as stratum that accomplish whole book of Lee-sang's novel, become complicated by single trunk. A writer of the write mind to dimension of 'Origin' retroact because work that have reconstructed production methodology formation previous spiritual experience that show being repeated as diagnostic in the writer's all work that is work that distinguish be. In such meaning 'December 12" Lee-sang's literary to write work that is looking like announce state of origin for whole body comparatively be. 'December 12' shows that nihilistic awareness about life brings tragic close. It is work that extremely weird death struggle of master to escape repeated death and this does not charge any payment. Also, 'December 12' is work that earth of confrontation about life to overcome deep sense of futility and this-sense of futility about life that is started from problem of death and suicide does not find way out and show state of captured subject that wander.
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강용운 현대문학이론학회 2007 現代文學理論硏究 Vol.0 No.30
This thesis is a study on the experience of the Korean War in Ha, Geun-chan's novels. In the 1950th, the postwar society was in a time of transition that a value system was collapsed and fluctuated because of the war. And a new value system was not established. The then postwar novel tends to novelize the experience of life of the day, as the social phenomena were under the direct influence of the Korean War. Especially, there were more serious problems to the women who had to endure the agonies of the war. Especially, there are more serious problems to the women who had to endure the agonies of the war. Eventually, social and cultural vacuum and anarchic disorder operate upon the women's represses desire for the mean time. He shows three kinds of experience of the war in his novels. One is serious violence of disable man. Another is physical suffer of women in the war. The other is collapse of Confucianism Society. He focuses the meaning of Korean War, the violence of war, and the character of society after the war.
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강용운,김민지,최준석,김창성,배은희,마성권,안영근,정명호,김영조,조명찬,김종진,김수완,Other Korea Acute Myocardial Infarction Registry Investigators 연세대학교의과대학 2014 Yonsei medical journal Vol.55 No.1
Purpose: The present study aimed to investigate the impact of high-sensitivity C-reactive protein (hs-CRP) and renal dysfunction on clinical outcomes in acute myocardial infarction (AMI) patients. Materials and Methods: The study involved a retrospective cohort of 8332 patients admitted with AMI. The participants were divided into 4 groups according to the levels of estimated glomerular filtration rate (eGFR) and hs-CRP: group I, no renal dysfunction (eGFR ≥60 mL·min-1·1.73 m-2) with low hs-CRP (≤2.0 mg/dL); group II, no renal dysfunction with high hs-CRP; group III, renal dysfunction with low hs-CRP; and group IV, renal dysfunction with high hs-CRP. We compared major adverse cardiac events (MACE) over a 1-year follow-up period. Results: The 4 groups demonstrated a graded association with increased MACE rates (group I, 8.8%; group II, 13.8%; group III, 18.6%; group IV, 30.1%; p<0.001). In a Cox proportional hazards model, mortality at 12 months increased in groups II, III, and IV compared with group I [hazard ratio (HR) 2.038, 95% confidence interval (CI) 1.450-2.863, p<0.001; HR 3.003, 95% CI 2.269-3.974, p<0.001; HR 5.087, 95% CI 3.755-6.891, p<0.001]. Conclusion: High hs-CRP, especially in association with renal dysfunction, is related to the occurrence of composite MACE, and indicates poor prognosis in AMI patients.
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이호철 문학의 시원(始原) : 「탈향」과「탈각」을 중심으로 Specially on 「Thalwyang」,「Talgak」
강용운 고려대학교 한국학연구소 2001 한국학연구 Vol.15 No.-
This study shows "the consciousness of the old home" that we think it the most important distinction of Lee Ho-Cheol's Literature. Because his subject is so much important in prescribing the original form of creating way and view of the world of Lee Ho-Cheol's Literature. The Korean War in 1950 had made a lot of change to the society and every indivisual of Korea. Refugees from North Korea had experienced the shock of war more seriously than any other person. We're sure that all the people came down to South Korea with lost everything felt so much troubles of life than any other at that time and they were absolutely frustrated since they could not be back to their old home although the Korean War was over. The very point of Lee Ho - Cheol's Literature is showing the way they were. 「Talhwyang」is telling the story all about the uneasy psychology of the four young guys in a strange refuge place. It also shows an aspect of new start to an unfamiliar place. 「New start」here in the story means rebuilding the foundation of life after adapting to the way of South Korea. Each of four young guys in 「Talhwang」 made different choice of an aspect of start, but we can guess the course of "Get settling" of a crowd of people lost their whole old home. 「Talgak」shows the process of "Get settling" itself is. We looked into that "the consciousness of the old home" of Lee Ho-Cheol's refers to the origin floating through the whole his literature by the analysis of work like this. And one thing to be designed we've pointed out is that all the impressions accepting the hurts and pain of division from his works with the theme of division of Korea. We've pointed out that fat-enough customs and too weak ideology overflowing in his works oversimplify so many matters given rise to by the historical affair "Korea War"
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강용운 ( Kang Yong-woon ) 순천대학교 인문학술원 2018 인문학술 Vol.1 No.1
이 논문은 박완서가 경험했던 한국전쟁이 그녀의 삶과 작품에서 어떤 의미를 가지고 있었는지를 살펴본 글이다. 박완서의 삶과 문학은 한국전쟁과 긴밀한 관련을 맺고 있다. 그녀가 경험하고 반추했던 한국전쟁의 개인적 기억은 한 인간으로서의 자기 존재의 의미를 세계에 표상하는 통로이며, 문학의 출발점이었다. 그녀는 냉혹한 전쟁의 폭력 앞에서 생존을 위협받았으며, 살기 위해 온갖 치욕을 감내해야만 했다. 그녀는 후에 이 시기의 경험했던 수치심과 참혹함을 ‘벌레의 시간’이라 스스로 의미화 했다. 그녀는 실제 한국전쟁의 와중에서 사랑하는 가족을 잃었으며, 그로 인한 경제적 궁핍으로 어린 여자의 몸으로 살아남은 가족을 부양해야만 했다. 20살 성인의 입구에서, 꿈으로 부푼 대학신입생으로서 목도한 한국전쟁은 그녀가 청소년기에 꿈꾸었던 청춘의 열정을 파괴했으며, 인간과 세계에 대한 환멸을 가져다주었다. 그녀는 억울했고, 이 억울함을 해소하는 방법이 글쓰기였다. 박완서는 글쓰기를 통해 자신의 청년기를 통과했던 기억들을 소환하고 거기에 의미를 부여했다. 따라서 박완서의 작품 세계는 전쟁과 분단, 이데올로기적 억압으로 인한 폭력성과 여성의 비인간화에 대한 욕망의 부재와 결핍을 보여준다고 평가할 수 있다. 일제 시기와 해방, 전쟁과 분단, 근대화 과정을 온몸으로 겪어낸 박완서의 작품 세계는 말 그대로 우리 역사를 체현하고 있는 것이기도 하다. 결국 박완서의 소설세계는 한 개인의 ‘기억’의 기록이자 한국 여성의 고난의 역사적 기록이라는 성격을 지닌다고 할 수 있다. 박완서 작품은 한 개인의 자기의식 형성(주체)의 기록이며, 근대적 여성의 주체 형성의 기록이다. 하지만 박완서가 끄집어낸 상처의 기억이나 치유의 과정은 개별자인 한 개인이 감내하기는 너무나 큰 역사적 무게를 가지고 있다. 한국전쟁이 남긴 고통과 후유증은 여전히 지금도 작동하고 있고, 그 해결이 필요한 현재진행형의 문제이기 때문이다. 박완서가 그의 소설에서 끊임없이 불러내는 한국전쟁의 기억과 상처는 한 개인의 상처가 아니라 우리 민족의 상처이기 때문이다. This paper was intended to examine the meaning of the Korean War that Park Wan-suh experienced in her life and her works. The life and literature of Park, Wan-suh are closely associated with the Korean War. Her personal memory of the Korean War that she experienced and ruminated was a passageway for representing her being as a human being to the world and the starting point of her literature. Her life was threatened in the violence of brutal war and she had to endure all kinds of shame for survival. Later, she signified the shame and cruelty that she experienced at that time as “the time or worms”. She had lost her beloved family during the Korean War. And because of consequential economic deprivation, she, as a young woman, had to support her family that survived the war. In her 20s, the beginning of her adulthood, the Korean War that she witnessed as a college fresh woman has destroyed her passion that she had in her adolescence, which made her disillusioned about humans and the world. She felt resentment, so she wrote to alleviate the resentment. Through writing, she summoned the memories of her youth and gave meanings to them. Therefore, the world of her works can be evaluated as showing the absence and lack of the desire against the violence and the dehumanization of women due to war, division and ideological oppression. In other words, the works of Park, Wan-suh, who has undergone the process of the modernization - the times of Japanese Imperialism, liberation, war and division - literally embodies our history. Eventually, the world of her works is a record of a personal memory and a historical record of the sufferings of a Korean woman. Her works is a record of the self-conscious formation (identity) of a person and a record of the identity formation in a modern woman. However, the memory of the wound and the process of healing that Park, Wan-suh put forwards has a very large historical weight that a person can bear. The pain and aftereffects left by the Korean War are still operating and they are the ongoing problem that must be solved. It is because the memories and wound of the Korean War that Park Won-suh constantly recalls in her novels are not the personal wound but the wound of Korean nation.
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