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        《三国演義》의 兵法硏究

        閔寬東(Min, Kwan-Dong) 한국중국소설학회 2022 中國小說論叢 Vol.66 No.-

        《三國演義》에 출현하는 병법을 조사하니 대략 50여 종이 넘는 것으로 확인된다. 이 병법들은 《三國演義》의 제1회부터 120회까지 고르게 분포되어 있지만 그중 관도대전⋅적벽대전⋅이릉대전⋅육출기산 등 대전투 중심으로 집중되며 특히 적벽대전에서는 약 16종 이상이 나온다. 병법의 기원과 原典에 대한 出處를 조사하다 보니 물론 《孫子兵法》과 같은 병법류에서 인용된 것도 많지만 역사나 문학 및 철학 등에서 유래된 故事成語型 병법이 주류를 이루고 있다. 역사에서는 《史記》와 《漢書》에서 많이 유래되었고, 문학에서는 小說과 戱曲 및 詩에서도 유래가 되었다. 또 병법명은 대부분 3-4글자의 고사성어나 명언명구 스타일로 다듬어지는 특징을 보이고 있다. 그리고 《三國演義》에 나오는 병법의 이름과 유형을 분석해보니 특이하게도 兵法書 《三十六計》와의 연관성이 매우 높았다. 즉 50여 개의 병법 가운데 36개 병법 모두가 《三國演義》에 나오는 것으로 보아 필경 《三國演義》의 편찬과정에서 서로 많이 참고가 되었을 것으로 사료된다. 《三十六計》 역시 일부분은 《三國演義》의 영향을 받아 첨삭이 이루어진 것으로 추정된다. When examining the military tactics appearing in the novel 《Romance of Three Kingdom》, it is confirmed that there are more than 50 type. These military tactics were evenly distributed from the first to 120 episodes of the novel 《Romance of Three Kingdom》. But among them, they are concentrated around a great battle, such as Battle of Guandu, Red Cliffs, and Liu Chu Qi Shan. In particular, there are more than 16 kind of military tactics in Red Cliffs. As we investigate the root and origin of the military tactics, there are many cited in the military tactics style such as the 《The Art of War》. But, the story involved idioms style military tactics derived from history, literature, and philosophy is the mainstream. In addition, when analyzing the name and type of the military tactics in the novel 《Romance of Three Kingdom》, it was unusually highly related to the military tactics manual 《Thirty-Six Stratagems》. In other words, considering that all 36 of the 54 military tactics from 《Thirty-Six Stratagems》 appear in the novel 《Romance of Three Kingdom》. It is believed that 《Thirty-Six Stratagems》 was influenced each other a lot in the compilation process of the novel 《Romance of Three Kingdom》.

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      • KCI등재

        『三國演義』에 나타난 虛構와 眞實의 矛盾性 硏究

        閔寬東 ( Min¸ Kwan-dong ) 중국어문학회 2021 中國語文學誌 Vol.- No.76

        “Romance of Three Kingdoms” analysis of fiction and truth is accessible from two perspectives. One is fiction and truth from a historical point of view, the other is the composition and description techniques. From a historical point of view, the key point of fiction and truth is that reconstructing content from the perspective of ‘蜀漢正統論’ and ‘擁劉貶曹’. However, ‘擁劉貶曹’ in “Romance of Three Kingdoms” was not represented in a way that only advocates liu-bei and derogates Cao-Cao. Zhuge-Liang and Guan-Yu, the follower groups of liu-bei, as well as zhang-fei and zhao-zi-long all got incidental benefits. Apart from ‘擁劉貶曹’, the literary value of “Romance of Three Kingdoms” has been sublimated into an artistic level by adding the fiction of the novel. Furthermore, the reconstruction of the fiction that takes commerciality into account, it has become one of the best sellers in East Asia as well as in China today. Other compositional and descriptive fiction and truth problems have caused problems such as content composition and descriptive technical errors, and contradictions. The type is roughly classified into five types. In other words, various contradictions emerged, including literary anachronisms, contradictions in logic and composition, errors in expression and description techniques, human and character relations, public posts and names. Most of these technical errors have been appeared in the limitations of the author’s knowledge or in temporary mistakes in the work process.

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        조선전기(朝鮮前期)에 간행(刊行)된 중국고전문헌(中國古典文獻) 고찰 ― 『고사촬요(攷事撮要)』를 중심으로

        閔寬東 ( Min¸ Kwan-dong ) 중국어문학회 2021 中國語文學誌 Vol.- No.74

        According to 『攷事撮要 kǎo-shì-cuō-yào』, the total number of Chinese Classical Books confirmed at early days of the Joseon Dynasty are about 640 copies. Among them, there are 211 copies of domestic books, 319 copies of Chinese books, and 110 copies unidentified. In addition, Chinese books are divided into 『經史子集 jīng shǐ zǐ jí』. It turned out to have 78 copies of 經部 (jīng bu), 34 copies of 史部 (shǐ bu), 137 copies of 子部 (zǐ bu), and 70 copies of 集部 (jí bu). Furthermore, some of the Chinese books were re-selected to Chinese classical literature, classifiedinto poetry, prose, fiction, and etc by genre for consideration. Although, some of the woodblocks catalog at 『攷事撮要 kǎo-shì-cuō-yào』 are lost or omitted during the early days in Joseon Dynasty. Nevertheless, it made a huge influences and literary value of the Joseon Dynasty are believed to have been significant. It is noteworthy that Chinese books were published as editions by Joseon woodblocks. There are considerable significance of Korea and China publication cultural exchange, because some of the materials in Korea are rare and precede current Chinese materials.

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        中國古典小說의 書名과 異名小說연구

        민관동(Min, Kwan-dong) 한국중어중문학회 2018 中語中文學 Vol.- No.73

        This research is one of the studies about how Chinese classic novels are named and how sobriquet novels have emerged in many ways and causes. In Chinese classical novels, naming novels appeared mainly in connection with the contents of the novel. In the case of bai-wha tong-su(白話通俗) novels, names are closely connected with commercial purposes. Naming principle is based on the case of a novels symbolic image, name of the main character and whether it’s published in series. Sometimes particular place or background of a novel becomes its title. The reason why sobriquet novels have emerged is to easily shorten novels title, or to differentiate one’s new publishing book with the old ones, or to get commercial profit, or to make people notice that the incomplete novel has completed, or to differentiate novel of the same title. In rare case, some novels were published in foreign countries and became sobriquet novels.

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