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程宇昂,(Cheng Yu Aang) 대한중국학회 2016 중국학 Vol.55 No.-
清代中前期是中国历史上最深刻的伎乐转型期, 男旦演员完全取代女伎成为娱乐新宠, 活跃于演艺圈和娼妓业。这一时期因此成为男旦业影响中国文学最为深刻的时期。男旦成为小说形象, 主要影响同性恋文学。愿意写作此类题材的高水平作家的数量在增加, 他们对男性同性恋的好感度也在提高, 这导致同性恋文学品质的提高, 甚至促成了同性恋小说雅化进程的开始。男旦成为小说题材, 还为清代小说增添了阴柔品格。男性饰演女性, 本质上是男性的阳性品质受到损害, 阴柔品质在增加。认真研究男旦文化对文学的影响, 对中国的现实文化战略具有一定的参考意义。 It was a transition of music and dancing in the early and middle Qing dynasty, when female impersonators became popular in space of female kabuki. The industry of female impersonators gave the most profound impact on Chinese literature. It is mainly that female impersonators had an influence on homosexual literature. The first class writers who would be willing to create the literature images were on the increase. The writers felt well disposed towards the actors, which improved the standard of work and led to elegance of homosexual literature. Because of the decreasing of masculinity and the increasing of femininity, those works were getting feminine and tender. It has practical strategic significance for China to study the effect of culture about female impersonators.
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