http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
芝薰詩의 意味와 理解 : 초기시에 나타난 律調와 象徵의 효과를 중심으로
吳鐸藩 세종대학교 1974 세종대학 논문집 Vol.6 No.-
Cho Ji-hoon (趙芝薰, 1920-1968) takes up a consgicuous position in the history of Iorean Modern Poetry with his literary activities. Generally the study on his poems is apt to lean upon a biographical view. But the most important study is the interpreataiion and analysis of poems themselves. In the discussion of Ji-hoon's early poems, therefore, we began by analyses and investigations of the poems themselves. In order to find out the characteristics of them, this study attempted to approach the rhyme, imagery and symbol. He uses so much the fixed and conventional rhyme that it is difficult for us to understand the meaning of his poems. What is still more, some of them are merely pleasant nonsense. It is the common fallacy that poetry is rhyming and that rhyming is poetry Poem should mean something. But, in spite of this weak point, the fixed add simple rhyme contributes to construct the common from of rhyme of Modern Korean Poetry. Also he abused conventional similes, and most of his poems have not visual imagery. Stale and ready made similes don't carry in itself any sign of resh perceptiveness or imagination. They can also deract from the effectiveness of the language around it. It is said that what happens with impressive frquency is the turning of what in property into the symbol. In Ii-hoon's poems, all the nameless flowers have become symbolic The flowers are symbolic of the poet's dearest wish. By the symbol of flowers, in other words, the meaning of his poems become understood to us.