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RISS 인기검색어
- 검색키워드
- 저자 : ( Myengsoo Seo ) (검색결과 21 건)
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( Hui Zou ),( Myengsoo Seo ) 서울대학교 규장각한국학연구원 2021 Seoul journal of Korean studies Vol.34 No.1
This paper presents an annotated translation and hermeneutic interpretation of a garden record in Seo Yugu’s nineteenth-century Korean encyclopedia Treatises on Rural Living (Imwon gyeongje ji 林園經濟志). This particular garden record is about a fantasy garden called To-Become Garden (Jangchwiwon 將就園). The translation, historical annotations, and hermeneutic interpretation presented in this paper help define the concept of a fantasy garden in East Asian architecture and uncover the Taoist hermitage in the humanistic, social, and environmental context of premodern Korea, at a time when Korea was experiencing a philosophical shift from traditional Neo-Confucianism to the emerging social movement of “practical learning” (Sirhak). This paper demonstrates that Seo’s encyclopedic composition of garden theories mixes his cultural perception of Korean mountain landscapes, his life experience of a practical hermitage, and his fantasy of a Taoist paradise. A comparison is drawn between Seo’s philosophy of life and Western critical philosophy at the dawn of modernity.
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Historic Preservation towards a Critical Regionalism of Gil-ryong Park"s Buildings
Myengsoo Seo 대한건축학회 2017 Architectural research Vol.19 No.1
This research examines the historic preservation of Korean modern architecture by applying Kenneth Frampton(1930-)"s concept of critical regionalism. It explores the representative Korean modern architect Gil-ryong Park (1898-1943) and two of his buildings: the Hwashin Department Store (1935) and the No-soo Park house (1937-1938). The former was in the hot spot on the preservation. There were plans to preserve this building but that it ended up being demolished in 1987. The latter building, however, has been preserved and is currently being used as a museum. These two Korean modern buildings are explored through the frame of Kenneth Frampton"s critical regionalism, in particular focusing on three important concepts: "dialectical expression," "place-form," and "sustainability." In this sense, this research will provide pioneering research in understanding the preservation of Korean modern architecture through a representative Western modern theory. In the early 20<SUP>th</SUP> century, Korean modern architecture, which was built during the Japanese colonial period (1910-1945), could be interpreted as critical regionalism because it represented a dialog between the West and the East, in particular between Western modernism, Japanese modernity, and Korean tradition in the East Asian context. Understanding Korean modernism in this context of a cross-cultural perspective enables scholars to define both the origins and uniqueness of Korean modern architecture.
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The Japanese Government-General of Korea
Myengsoo Seo 대한건축학회 2016 Architectural research Vol.18 No.3
This paper investigates the characteristics of preservation of Korean modern architecture through Western historic preservation theories and philosophies. This research focuses on the Japanese Government-General of Korea (1926–1995) which was built in 1926 and used as the chief administrative building in Seoul (Keijo in Japanese) during the Japanese colonial period (1910-1945). After Korea was liberated from Japanese rule in 1945, this building was used until 1995 for the South Korean National Assembly, the United States Army Military Government in Korea, and the National Museum of South Korea. Although it served a variety of roles, this building was the most controversial case of historic preservation in Korean modern architecture. To analyze the peculiarities and characteristics of Korean modern architecture and its preservation, this research applied Western historic preservation theories, not exclusively from classical historic preservation theories developed by Viollet-le-Duc and John Ruskin, but also from modern historic preservation theories by Theodore H. M. Prudon, Daniel Blunstone, and Frances A. Yates. This cross-cultural and comparative study of historic preservation helps identify Korean modern architecture’s characteristics. It can also be a useful reference in finding the origins of Korean modern architectural identity.
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서명수(Seo, Myengsoo) 대한건축학회 2018 대한건축학회논문집 Vol.34 No.8
This research examines pioneering works of two representative Western modern architects which played a significant role in constructing modernity in the early 20th century: Frank Lloyd Wright’s Florida Southern College and Ludwig Mies van der Rohe’s Illinois Institute of Technology. These two campuses were constructed and developed at the similar period by two named architects, and these were considered the collections of iconic modern buildings in the States. However, design approaches and principles of these buildings were totally opposite ways: Frank Lloyd Wright’s Florida Southern College was in the roof of organic architecture drawn from a great Chinese sage, Laotze, which have more five hundred years history. On the other hand, Ludwig Mies van der Rohe’s Illinois Institute of Technology was well embodied the International Style which originated from European tradition in the early 20th century, and Mies was one of the leaders of the International Style. These different approaches could be understood in the discussion of the meaning of the Greek concept of paradoxa which was mentioned by a German philosopher Martin Heidegger. Comparing the paradoxical gestures of these two campuses can reveal the truth of each campus master plans and expand the discourse of modern architectures.
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20세기 초, 중반 미국에서 조립식 대량생산 주택의 기원과 확장
서명수(Seo, Myengsoo) 대한건축학회 2016 대한건축학회논문집 Vol.32 No.11
This research explores the origins of prefabricated housing (prefab) in the United States from the early to mid-20th century and its expansion not only throughout the United States, but also into the mass production of housing in other countries. Prefab appeared not only as a way to address the need for more houses after the World Wars, but also as a result of the desire for a new life in modern times. Moreover, prefab housing is strongly related to the development of greater mechanization and industrialization which enables mass production in housing. However, the beginnings of such mechanization and industrialization in architecture did not emerge abruptly in modern times, but had its origins in other movements, such as CIAM (Congrès internationaux d’architecture moderne), the International Style, and others in Europe before the 20th century. Through these processes, mechanization and industrialization were adapted to the architecture of the United States in the early 20th century, and this process played an important role in changing modern life in America, especially with respect to mass production in housing. In addition, adopting mechanization in architecture helped to overcome the shortage of housing in the mid-20th century. In order to identify the origins of this process, this research scrutinizes the beginning of mechanization and industrialization in Europe and traces how these ideas were adopted in the United States. Moreover, this research explores a pioneering engineer, Robert Gilmore (R.G.) LeTourneau, who introduced the idea of the machine in America’s housing improvement through his inventions, such as the “steel panel system” and the so-called “Tournalayer” machine. In this sense, this research helps to identify the essence and origins of prefabricated housing through the example of America’s prefabricated buildings. This research also suggests that the example of the United States influenced the mass production of housing in other countries.
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