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- 주제어 : Lady Percy (검색결과 2 건)
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The Women Historians : History Deconstructed and Retold in Henry IV, Part 1
Uno Lee Ewha Institute of English and American Studies 2021 Journal of English and American studies Vol.19 No.2
It is generally agreed among critics that the women in Shakespeare’s later history plays are limited to the domestic sphere, thus forming a stark contrast to the women in his first tetralogy who actively engage in the male domain of politics and warfare. However, this paper proposes that the women’s limited roles should never be read as limited characterization, or less significance. By close analysis of the three female characters who briefly appear in Henry IV, Part1, one of the most popular Shakespearean history plays, this paper examines how the personal-political Lady Percy, the warrior-bard Lady Mortimer and the master-mistress Hostess not only deconstruct the traditionally male-dominant historiography by playfully questioning masculine values, but also retell history from an alternative perspective which does not discriminate gender, ethnicity and class. On the other hand, this paper claims that the biggest threat to masculinity in Henry IV, Part 1 is not the three women who display a sense of independence, but in fact the effeminate males such as Falstaff and Prince Hal. Hotspur’s double murder by Prince Hal and later Falstaff signifies that masculinity goes through an endless process of deconstruction and redefinition by none other than men themselves. In conclusion, this paper aims to show how both the male and female characters in Henry IV, Part 1 play an equally significant role in deconstructing written history and the masculine values it embodies, as well as how Shakespeare uses these characters to retell history as an emotionally appealing narrative about humanity which encompasses both the personal and the political, the individual and the universal.
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애가 전통에서 『세련된 젊은 부인 앤 킬리그루의 경건한 기억에 부처』의 중요성
최희섭 ( Choi¸ Hie Sup ) 동국대학교 영어권문화연구소 2012 영어권문화연구 Vol.5 No.1
It is said that John Milton's Lycidas, Percy Bisshe Shelley's Adonais: An Elegy on the Death of John Keats and Alfred Tennyson's In Memoriam are the three greatest elegies in English. Some adds Matthew Arnold's Thyrsis as the fourth greatest elegy. No one says that John Dryden's To the Pious Memory of the Accomplished Young Lady Mrs. Anne Killigrew (hereafter Killigrew) is one of the greatest elegies. But it should be thought an important elegy. As Lycidas was written in 1637 and Adonais in 1821, the year when Killigrew was written is placed in between the two, for the elegy Killigrew was written in 1686. Nobody know the reason but Killigrew has some of the characteristics of both Lycidas and Adonais. A pastoral elegy usually has one of the two constructions: one is focused on the reincarnation of the dead person and the other is focused on the dead person's acquiring an eternal life. Milton's Lycidas took the former construction and the speaker's dead friend, Lycidas was born again in reply to the shepherd's calling. Shelley's Adonais took the latter construction and the speaker's dead friend, John Keats became one of the bright star, Lucifer and acquired an eternal life. Dryden's Killigrew begins with the atmosphere of the former but ends with the circumstance of the latter. In the beginning the elegy presents pastures and such evergreen trees as palms, which is the same as Lycidas which begins with presenting pastures and such evergreen trees as laurels, myrtles and ivy. At the end, the elegy shows that the dead person Killigrew becomes a star and has an eternal life. This is very similar to Adonais's progression. This means that the elegy Killigrew has the role of a bridge between Lycidas and Adonais. That is why we should think of the elegy Killigrew as one of the most important elegies in English.
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