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- 저자 : Anna Christie Villarba-Torres (검색결과 2 건)
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Literature as History: Igorots and the Culture of Resistance in the Fiction of Sinai C. Hamada
Anna Christie Villarba-Torres 한국영미문학교육학회 2005 영미문학교육 Vol.9 No.1
The true history of revolution in the Philippines is not tied to the center where forces converged to resist western colonization. I assert that the contributions of those in the margins, like the Igorots of the Cordillera, north Luzon, Philippines had significant contributions in the complex history of the Philippine revolution.Two short stories by Ibaloi-Japanese writer Sinai C. Hamada reflect the historical and cultural aspects of Igorot resistance in the Cordillera against Spanish and American colonial rule. Using the biographical approach and James C. Scott's notion of “hidden transcripts" or “infrapolitics,"structures of domination can be gleaned from these stories. More importantly, the creation and defense of a social space in which offstage dissent to the official transcript of power relations (J. C. Scott xi) are manifested in Hamada's short fiction. In the end, turning to the literatures of people from the peripheries may serve as testimonies of colonial domination and “guerilla-style campaigns of attrition" waged by the marginalized.
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Villarba-Torres, Anna Christie K. Ewha Institute of English and American Studies 2005 Journal of English and American studies Vol.4 No.-
For students of literature and criticism, Edward Said asserts that Orientalism provides a unique opportunity to determine and understand the relationship of society, history and the text. Moreover, the cultural role played by the Orient in the context of the West connects Orientalism to ideology, politics and power(Said 24). In the Philippines, the Igorot, or the collective term used to refer to the inhabitants of north Luzon is a highly politicized term. Colonial standards formulated by the Spaniards and inherited by the Americans excluded the Igorot from the cultural, intellectual and spiritual civilizing mission of the West. According to the discourse of domination employed by Western colonizers on their subjects, male power is uncontested. In Said's words, ""the Orient is an exclusively masculine territory""(Said 207). How then is the Igorota represented in colonial discourse? My study explores the dialectics of the text, the author and the complex collective formation against which selected texts of Filipino writer Sinai C. Hamada are set. By way of the intertextual method of analysis, I will lay bare and challenge the representation of the Igorota as exotic, masculine-looking and uncivilized Other by setting Hamada's short fiction against colonial postcards, a travelogue written by an anonymous Western tourist and other forms of popular culture. A post colonial reading of these texts will allow for the involvement of the Igorota in the formation of identity, an opportunity that has long been denied her in the critical arenas of history and culture.
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