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조항제 한국방송공사 2007 방송 문화 연구 Vol.19 No.1
This article explores for a cultural and aesthetic perspective on the popularity of pubic service broadcasting, regarded as an unresolved dilemma to these days. Contrary to the view of most involved-those in the industry, policy, academics and critics-this article argues the necessity and the inevitability of the popularity of the pubic service broadcasting(including BBC) beyond only considering politico-social impact as a hallmark of public quality programming, so long as it is a broadcasting in digital and highly competitive age. This argument is developed through an reassessment of recent debates about aesthetic judgement and television quality, coping with the dichotomy of ‘absolute aestheticism’ and ‘vulgar sociologism’. That works focus in particular on the more or less oppositional view of Pierre Bourdieu’s class-taste culture and Simon Frith’s popular aesthetic. It suggests ‘popular quality’ based on socio-aesthetic perspective negotiated in the middle range. It also could be the justification in media policy for public service broadcasting to compete with commercial television. However those concepts need to incorporate more detailed empirical investigation and careful adaptation how quality is achieved in popular culture.
조항제 한국방송공사 2003 방송 문화 연구 Vol.15 No.1
The purpose of this study is to review the media’s influence on the war by focusing on Daniel Hallin’s study on the Vietnam War and Jonathan Mermin’s on the Somalia War. Viewing the media as being guided by the sphere of power elite’s consensus, these studies maintained that they play the role of transmitter or even amplifier of official government policy ideas. This can be seen as an evidence that the media’s influence on the war is not so great as what is called the “CNN effect.” These studies, however, underestimated the impact of the media on public perception of the wars while they were on the way. The recently emerged policy-media interaction model and political contest model offer a way to overcome this problem by providing a new framework for analyzing the complexities of the mediapublic opinion interactions.