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- 저자 : 리우창 ( Liu Chang ) (검색결과 5 건)
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`당풍을 크게 갖춘(唐風大備)` 정지상 - 고려 한시사 상의 첫 고봉-
리우창 ( Liu Chang ) 연민학회 2016 연민학지 Vol.25 No.-
The cultural undertaking of Koryo Dynasty almost achieved a crest at 200 years of accumulation. The poems written at that time had nearly already ceased to exist, and most of the remainders were look like the poems of Song Dynasty. Compared to the scenery-description, these poems were mostly written for communication. The impact of Tang Dynasty on the Korean Peninsula was continuous, but there was no one famous for writing poems with the style of Tang. Until 12 century, Jeong Ji-sang emerged and things had changed. He became the first famous poet of Koryo Dynasty and one of the best poets in Korea history because of meticulous observation, bright scene and artistic conception
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리우창 ( Chang Liu ) 연민학회 2014 연민학지 Vol.22 No.-
Siho (諡號, 시호), or posthumous names, were evaluations of the lives of the deceased. During the Choson Dynasty, the system was generally defined by three aspects: sipop (諡法, 시법), or posthumous naming laws, the process of deliberating and deciding names, and the eligibility of posthumous naming. The development of sipop in the Choson Dynasty was based on the comprehensive Chinese posthumous naming laws and related literature in combination with Korean sources, and therefore had unique Korean characteristics as well as deep ties with China. There were two major stages of revision for the procedure of deciding names, reflecting a trend from the simple to the complex, and were linked to reforms in organizing the government. The Choson Dynasty was highly concerned with the dates of debating names, and required that related government personnel participate. As such, the process of granting posthumous names made it difficult to guarantee fairness, i.e. whether or not the posthumous name matched with the actions of the deceased. This was because the contemporary political situation and subjectivity of those debating influenced the posthumous naming process. In addition, although eligibility in receiving a posthumous name was limited, naming had some flexibility as government official were granted names based on their civil service grade and conduct, and also reflected the politics of that time. In sum, the posthumous naming system for Choson Dynasty subjects was based on that of ancient China’s, and was made with in consideration to Choson’s specific circumstances, creating a system with new characteristics. This study will discuss these three aspects of the posthumous naming system and attempt to clarify its Korean characteristics and its deep links to China’s posthumous naming system.
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리우창 ( Liu Chang ) 연민학회 2018 연민학지 Vol.30 No.-
Hur Gyun had discussed on the topic about a Ci-poem (詞) named Yu jia ao (漁家傲), and said that ‘all the melody of characters used in this Ci-poems are right except one (一篇總合音律而一字不合)’. Then he provided a problem about the initial's voice-voiceless (淸濁) of the character ‘Zhu (朱)’. I think there is a relationship between the initial's voice-voiceless, the level and oblique tones, and the rhyme. So in this paper, I will analyze the rhyme and the level and oblique tones of Hur Gyun’s poems. On this basis, I will compare the initial consonant of example provided by Hur Gyun and the example on the collection of ci-poems. Through that I will discuss the initial's voice-voiceless of the character ‘Zhu (朱)’.
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연민 선생의 <화도음주시(和陶飮酒詩)>에 담긴 사상 고찰
리우창 ( Liu Chang ) 연민학회 2017 연민학지 Vol.28 No.-
Yi Kawon and Tao Yuanming’s “drinking” were linked to the nation and the state of society, as their drinking and becoming inebriated derived from an unyielding integrity refusing to cater or accommodate the filth of the secular world. Tao’s drinking contained his intense agonies over the universe, nature, and life while his life as a recluse originated from his utmost disappointment with human society. Yi, a descendant of Yi Toegye and initiated into Neo-Confucianism since youth, never ceased worrying the current state of things and was always concerned about his fatherland and society. Toegye admired Tao Yuanming for his steadfast integrity and emphasis in enjoying a free and easy life. Su Shi, on the other hand, admired Tao Yuanming mostly for the latter quality as he solely emphasized “suitability,” while Yi especially lauded Tao’s integrity as a Confucian and recluse that “practiced self-cultivation by himself.” This was an important difference between Su and Yi’s understanding of Tao. Aside from the influence of Neo-Confucianism and being a descendant of Yi Toegye, Yi Kawon’s experience of seeing his fatherland fall in his youth was a probable factor in the emphasis on his patriotism and concerns about the state of things in his response to Tao’s drinking poems and on Tao’s resolute integrity.
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