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김춘섭(Kim Chun Seob) 한국현대소설학회 2003 현대소설연구 Vol.- No.19
Deep in the conception of `area literature` the negative sense of local literature permeates, and this very fact shows that true area literature may stand up only by overcoming and dissolving it. In this sense, it can be rightly claimed that our local literature be substituted by a renewed area literature. It is postcolonial discourse, I believe, that can answer this claim and offer a working alternative. Postcolonial theories share a denial of the center-oriented attitudes, and have recently brought a radical shift of perspectives in various areas such as philosophy. fine arts, politics, society, and economics, etc. And they also cast strong doubts on the absoluteness and the utility of the very notion of `the center`, and turns our attention onto the significance of the tiny voices that had been scattered around the periphery. To ease the tension between central and local literatures requires a paradigm shift which may do justice to locating their right places. To do this, it is above all necessary to dig out ethnocentric discourses of our own which may better fit our concrete reality and to canonize them rather than those grown out of Western traditions. In addition, more active studies on area literature should be put on their own right track. That is, elaborate analyses are required for the works that put indigenous modes of life into their own language. Kisook Song`s literature is an excellent example. It pursues after anti-imperialism and anti-feudalism that had served as core ideologies for a hundred years or so ever since Donghak people`s uprising in 1894, and his works were rooted through and through in the livings of Chollado peasants. Area literature provides us with the basis of literary variety which is one of the major goals for the inquirers of the contemporary Korean literature today. The overcoming the center-oriented attitudes in literature and the construction of multi-layered literary network, as I argue in this paper, may find their ways only through the appropriate understanding of the very nature of area literature. The construction of the foundation for the twenty-first century Korean literature as well as the renewal of our literature will be made possible thereof.
양식산 터봇, Scophthalmus maximus에서의 Irido-like virus 감염
김위식 ( Kim Wi Sig ),김기홍 ( Kim Gi Hong ),김춘섭 ( Kim Chun Seob ),김영진 ( Kim Yeong Jin ),정성주 ( Jeong Seong Ju ),정태성 ( Jeong Tae Seong ),키타무라신이치 ( Shin Ichi Kitamura ),요시미즈마모루 ( Mamoru Yoshimizu ),오명주 ( O My 한국어병학회 2003 한국어병학회지 Vol.16 No.3
The high mortality of cultured juvenile turbot, Scophthalmus maximus occurred in Gochang on June, 2003. The diseased fish was lethargic with reduced feed intake. Grossly, these fish showed pale body, abdominal extension and exophthalmia. The dominant internal gross features of diseased fish were severely enlarged spleen, pale gills and or liver. Diseased fish histologically showed basophilic enlarged cells in the kidney, spleen, gill, heart, stomach, intestine, liver, pancreas and adipose tissue. Transmission electron microscopy (TEM) reveled hexagonal virions in the cytoplasm of necrotic cells. The viral particles lead a central electron-dense core and an electron translucent zone, and were 136-159 nm in diameter. These results suggest that the virus belonging to the iridoviridae was responsible for the mortality of cultured juvenile turbot.
국내의 양식산 무지개송어 성어로부터 분리된 IHNV의 G protein gene에 대한 연구
김기홍 ( Kim Gi Hong ),김위식 ( Kim Wi Sig ),김춘섭 ( Kim Chun Seob ),김영진 ( Kim Yeong Jin ),정태성 ( Jeong Tae Seong ),키타무라신이치 ( Shin Ichi Kitamura ),정성주 ( Jeong Seong Ju ),오명주 ( O Myeong Ju ) 한국어병학회 2003 한국어병학회지 Vol.16 No.3
An Infectious hematopoietic necrosis virus strain (IHNV-RTK) was isolated from cultured rainbow trout at Kumi in Korea during 2000 and 2001. In the RT-PCR amplification with the specific primer set designed from IHNV G protein region, a 540 bp PCR product was amplified from the RTK strain. The RTK strain showed higher sequence homology with the published IHNV G protein genes (RB-76, LR-73, Col-85, and Carson-89).
김춘섭 현대문학이론학회 2003 現代文學理論硏究 Vol.0 No.19
The thoughts of modernism and intellectualism in the history of Korean criticism looks different each other in its creation attitude; however, it is true that the two thoughts are put on same track when we consider their reciprocal relationship and their inclination toward the aesthetic value of literature. This study tries to define the characteristic of modernist poetry not by following the existed study tendencies which had focused on the differences between modernism and intellectualism but by combining the two thoughts, and considering the process of accepting contemporary western ideas. The movement of modernism has developed in two main branches: first, the tendency of intellectualism and imagism prevailed in Anglo-american culture; second, the tendency of Dadaism and Sur-realism spread throughout all Europe continent, especially in France. Korean modernists in 1930s make no exception. However, we need to have more interest in the phase of conversion than the divided forms of themselves. The necessity result from the fact that the thoughts and poetry of modernist are not only a literary discourse but a historical discourse. The intellectual characteristics of Korean modernism are accepted and transfigured by Kim Gi-rim, Choi Jae-seo and Kim Gwang-gyun, who had made experiment on the craftsmanship of creating poetry. The characteristics of Dadaist, or sur-realist are accepted Ko Han-yong and Kim In-son, whose Sur-realistic inclination are not considered just as negation and contradiction but as creative nihilism, revolution of consciousness, which pursue human's liberty and happiness in the absolute world existed above desperation. Yi Sang and the poets in the school of Sam-sa Literature who are absorbed in aesthetic skepticism are the representatives of this trend.