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( Wolfgang Rathert ) 이상근기념사업회 2015 이상근 연구 Vol.1 No.-
The Western art song has found its aesthetic identity and artistic battlefield during the rise of the Classical and Romantic eras in the tension and dialectic of “self” and “world”. Beginning with Beethoven and Schubert, 19th century composers like Schumann, Wolf, and Strauss dealt with this dialectic in a refined psychological manner. The rise of the 20th century art song started with artistic “outsiders” like Mussorgsky, Schoenberg, the early Debussy and the American Ives. They transcended the existing semantic and musical limits of the art song, finally resolving the dialectic of “self” and “world” into an individual musical language, which is at the same time fragile and abundant. The essay traces this development and ends up with a short discussion on the place the songs of Sang-geun Lee may occupy in the aesthetics and history of the modern art song.