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( Lester Tome ) 대한무용학회 2013 대한무용학회논문집 Vol.71 No.5
With La rebambaramba (1928), librettist Alejo Carpentier and composer Amadeo Roldan explored ballet as a medium for creating nationalist art. The work`s depiction of a nineteenth-century carnival in Havana was typical of afrocubanismo, an artistic movement that borrowed themes and materials from Afro-Cuban culture. La rebambaramba denounced Cuba`s history of colonialism, slavery, racism and patriarchy, while also subverting a government ban of black music and dance in the 1920s. Plans for presenting the ballet ranged from a socially radical staging with black dancers in Havana to a foreign production, possibly exotic, by Denishawn or Les Ballet Russes.With La rebambaramba (1928), librettist Alejo Carpentier and composer Amadeo Roldan explored ballet as a medium for creating nationalist art. The work`s depiction of a nineteenth-century carnival in Havana was typical of afrocubanismo, an artistic movement that borrowed themes and materials from Afro-Cuban culture. La rebambaramba denounced Cuba`s history of colonialism, slavery, racism and patriarchy, while also subverting a government ban of black music and dance in the 1920s. Plans for presenting the ballet ranged from a socially radical staging with black dancers in Havana to a foreign production, possibly exotic, by Denishawn or Les Ballet Russes.
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