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      • 海岡 金圭鎭의 扁額書에 대한 考察

        진복규 경주대학교대학원 문화재학과 1999 국내석사

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        Kim Kyujin (金圭鎭 1868-1933), Hae-gang(海岡 his pen name), a calligrapher, led most productive period of his life and was the most productive calligrapher of his country in the early 20th century, when Japanese imperialists took national prestige away from Chosun Dynasty and depressed its people. His enthusiasm for calligraphy can be estimated by appreciating his Pyun-Aeks(扁額 Great Tableau Writings), Sa-Gun-Jas(四君子 The Four Gracious Plants) and Mun-In-Whas(文人畵 Literati Painting). Above all things, I have been interested in his Pyun-Aek works, because his Pyun-Aek works are so widely scattered about that they are found in palaces, Buddhist temples, pavilions, scenic spots and even places of historic interest all over the country. In the course of studying his Pyun-Aek works, I came across Seo-Wha-Dam(書畵談 The Theory of Calligraphy and Painting). Luckly, I had an golden opportunity to study his theory of calligraphy and Pyun -Aek. It was a remarkable scholarly achievement in studying his theories for me to discover Seo-Wha-Dam. Ⅰ His time and life Ⅱ I divided his life into 4 periods at my option, ie, 1.Family History and Birth 2.Studying Period 3.Studying-In-China Period 4.Working Period. Ⅲ I made a general classification of the history of Korean Pyn-Aek-Seo. It is apparent that Kim Kyu-jin's works reach big figure and that had unexampled various calligraphy styles. Ⅳ Kim Kyujin's theories of Pyn-Aek can be appreciated by reading his books such as Seo-Wha-Dam and Seo-Bup-Jin-Gyeol(書法眞訣). He claimed that calligraphy should harmonize with natural surroundings and that calligraphy should vigorous and natural. Ⅴ The characteristics of Kim Kyujin's Pyun-Aek. This chapter deals with his various calligraphy techniques. Generally, his stroke of touch is thick and soft but sometimes sharp and vigorous. In my opinion, his best works are Song-Kwang-Sa(松廣寺)Pyun-Aek. Ko-Un-Sa(孤雲寺)Pyun-Aek, Sang-wang-San-Gae-Sim-Sa(象王山開心寺)Pyun-Aek, Kyung-Kug-Sa-Yung-San-Jeon(慶國寺靈山殿) Pyun-Aek. To put it briefly, Appreciating Kim Kyujin's Pyun-Aek writing, we can see that he use splendid and various calligraphy styles freely.

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