이매방 승무의 춤사위에 관한 연구 = Study on the Technique and Style of LEE MAE-BANG's SUNGMU

다국어 초록 (Multilingual Abstract)

Until now I have examine the origin and school of a SUNGMU No.27 of an important intangible asset, and the characteristics per rhythm and structure of the dance. The results of this article are as follows.
A SUNGMU is one of the best fork dance, has the excitements of taste and dance melody, and diverse theories of its origin such as 1) the theory of dance for Buddhist rites, 2) theory of Ku Un Mong of Kim, Man Joong's novel, 3) Hwang, Jin-Hee's dance apostatizing Ji Jok Seon Sa, 4) No Jang's dance of mask dance, 5) an apostate monk's agony, 6) origination from Dong Ja Moo Seol, and has experienced many changes.
The dancers of SUNGMU have been varies ranging from a priest and so-called contemporary artiste, and developed a variety of rythms.
It shows the ecstasy of folk dance with a Buddhist invocation→Dodeuri→Taryung→Jajontaryung→Gutgeori mixed with the music of court music style. The most remarkable feature of Lee, Mae-Bang's
SUNGMU is drum play, where the contrast of Daesam and Sosam from the nose of Beosun to the end of Jangsam. Above all, as mentioned early, the taste of Honam SUNGMU is the delicacy felt at the stream of curves of Beosun's nose and Jangsam and the drum play with all might, which deduces us to an intense and devotion state.
A SUNGMU is the representative of our well-organized dances as a solo dance with movements integrated to one. A SUNGMU can be said to reflect the characteristics of Korean dance in that it is based on mental and physical respect expressing deep internal world with magnificent and sublime movements.
Thus, the dancer requires the trainings of physical skill and mental activities, A SUNGMU is generally slow and heavy, its static, middle and dynamic movements are refinedly adjusted, so it is harmonized with the rising rhythm appeasing, connecting and releasing feelings.
Currently Lee Mae-Bangs' SUNGMU has a characteristic as an art of Kiesang's house learned Kwonbern (dance training center) after the Chosunn Dynasty, and shows grace in technique and system as indicated in Moobo (A book illustrating all process of a dance),
Similarly, a SUNGMU becomes an essential part in the work of connecting traditional links from possessor of the techniques and dancers of it. This study is expected to be of some help in finding the root of our dance.

목차 (Table of Contents)

• 목차
• 도표목차
• 그림목차
• Ⅰ. 序論 = 1
• 1. 硏究 目的 및 方法 = 1
• Ⅱ. 僧舞의 유래와 유파 = 3
• 1. 僧舞의 由來 = 3
• 2. 승무의 유파 = 7
• Ⅲ. 이매방의 승무(僧舞) = 11
• 1. 이매방(李梅旁)의 생애 = 11
• 2. 이매방 僧舞의 전승 계보 〈1대 ~ 현재 1999년 5월까지의 전승계보〉 = 13
• 3. 이매방 僧舞의 구성 = 16
• 4. 이매방 僧舞의 美的 表現 = 24
• Ⅳ. 이매방 僧舞 춤사위의 特徵 = 26
• 1. 예비적 춤사위 = 26
• 2. 연결동작 = 29
• 3. 주된동작 = 34
• 4. 후속동작 = 39
• 5. 발딛음 사위 = 41
• 6. 이매방 승무의 특징 = 45
• Ⅴ. 맺는말 = 47
• 참고문헌 = 49
• SUMMARY = 51
• 참고자료 - 舞譜 = 53