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      팬덤 현상의 문화 커뮤니케이션적 의미에 관한 연구 : 윤종신 팬클럽 수용에 대한 분석을 중심으로 = A study on the meaning of the fandom in the cultural communication : focusing on the consumption of the Yoon, Jong shin's fanclub

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      https://www.riss.kr/link?id=T9832685

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The fandom is the subject that is always presented in the debate about the mass culture. The purpose of this study is to investigate how the communication between a star and fans becomes the cultural phenomenon by the name of the fandom.
      The research questions are as follows: What is the place that the communication between a star and a fan exists, and what is the contents that they are talking about?, How the communication between a star and a fan affects the communication among fans?, How `the communication between a star and a fan' and `the communication among fans' is related to the fandom?, What is the meaning of the fandom in the cultural communication?
      In order to answer each of these research questions, I examined the Yoon, Jong Shin's fanclub. The research method is the participation observation, the examination of the writing contents in the fanclub site board, and the interview with fanclub members. The period of the participation observation is from Jul. 1 to Oct. 31, 2004.
      As results of this can be summarized as follows:
      First, Yoon, Jong Shin and fans intercommunicate in the online space as well as the offline space. Their communication contents consist of the message from a star to fans, the message from fans to a star and the reaction to each other.
      Second, fans like to communicate with fanclub members. But they are prior to communicate with a star.
      Third, the space that fans talk about a star and their life becomes the cultural space. And the subject that they share becomes the cultural contents.
      Fourth, the meeting in the offline and the online are interactive. Yoon, Jong Shin and fanclub members actively intercommunicate with each other by the interactive meeting in the space of the offline and the online.
      Fifth, the fandom includes the social sphere as well as the personal sphere. The fandom that is started from what a fan likes a star becomes the social phenomenon related to the social change.
      In conclusion, Yoon, Jong Shin and his fans make the cultural phenomenon by intercummunicating with each other in the space of the offline and the online. Yoon, Jong Shin leads the communication in the offline space and fans lead the communication in the online space. The fanclub members' activity in the fanclub site becomes active when the communication between Yoon, Jong Shin and fans happens. The communication between Yoon, Jong Shin and fans makes up the cultural space and the cultural phenomenon. That is, the communication is the source that makes the cultural phenomenon.
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      The fandom is the subject that is always presented in the debate about the mass culture. The purpose of this study is to investigate how the communication between a star and fans becomes the cultural phenomenon by the name of the fandom. The research ...

      The fandom is the subject that is always presented in the debate about the mass culture. The purpose of this study is to investigate how the communication between a star and fans becomes the cultural phenomenon by the name of the fandom.
      The research questions are as follows: What is the place that the communication between a star and a fan exists, and what is the contents that they are talking about?, How the communication between a star and a fan affects the communication among fans?, How `the communication between a star and a fan' and `the communication among fans' is related to the fandom?, What is the meaning of the fandom in the cultural communication?
      In order to answer each of these research questions, I examined the Yoon, Jong Shin's fanclub. The research method is the participation observation, the examination of the writing contents in the fanclub site board, and the interview with fanclub members. The period of the participation observation is from Jul. 1 to Oct. 31, 2004.
      As results of this can be summarized as follows:
      First, Yoon, Jong Shin and fans intercommunicate in the online space as well as the offline space. Their communication contents consist of the message from a star to fans, the message from fans to a star and the reaction to each other.
      Second, fans like to communicate with fanclub members. But they are prior to communicate with a star.
      Third, the space that fans talk about a star and their life becomes the cultural space. And the subject that they share becomes the cultural contents.
      Fourth, the meeting in the offline and the online are interactive. Yoon, Jong Shin and fanclub members actively intercommunicate with each other by the interactive meeting in the space of the offline and the online.
      Fifth, the fandom includes the social sphere as well as the personal sphere. The fandom that is started from what a fan likes a star becomes the social phenomenon related to the social change.
      In conclusion, Yoon, Jong Shin and his fans make the cultural phenomenon by intercummunicating with each other in the space of the offline and the online. Yoon, Jong Shin leads the communication in the offline space and fans lead the communication in the online space. The fanclub members' activity in the fanclub site becomes active when the communication between Yoon, Jong Shin and fans happens. The communication between Yoon, Jong Shin and fans makes up the cultural space and the cultural phenomenon. That is, the communication is the source that makes the cultural phenomenon.

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      목차 (Table of Contents)

      • 목차
      • Ⅰ. 서론 = 1
      • 1. 문제제기 = 1
      • 2. 연구목적 = 5
      • Ⅱ. 이론적 배경 = 6
      • 목차
      • Ⅰ. 서론 = 1
      • 1. 문제제기 = 1
      • 2. 연구목적 = 5
      • Ⅱ. 이론적 배경 = 6
      • 1. 팬덤에 대한 이론적 고찰 = 6
      • 1) 팬덤의 개념 = 6
      • 2) 팬덤의 심리적, 문화적, 사회적 차원 및 특성 = 10
      • (1) 팬덤의 심리적 차원 및 특성 = 10
      • (2) 팬덤의 문화적 차원 및 특성 = 14
      • (3) 팬덤의 사회적 차원 및 특성 = 17
      • 3) 새로운 형태의 팬덤 = 19
      • (1) 온라인 팬덤의 개념 = 19
      • (2) 온라인 팬덤의 특성 = 21
      • 2. 문화 커뮤니케이션에 대한 이론적 고찰 = 25
      • Ⅲ. 연구문제 = 28
      • Ⅳ. 연구방법 = 30
      • 1. 분석대상 = 30
      • 2. 분석방법 = 32
      • 1) 민속지학적 방법의 특성 = 33
      • 2) 문화연구에서의 민속지학적 방법의 적용 = 34
      • Ⅴ. 분석결과 = 38
      • 1. 스타와 팬의 커뮤니케이션 현상과 내용 = 38
      • 1) 커뮤니케이션 현상 = 38
      • (1) 오프라인 공간에서의 커뮤니케이션 현상 = 38
      • (2) 온라인 공간에서의 커뮤니케이션 현상 = 47
      • 2)커뮤니케이션 내용 = 51
      • (1) 팬에 대한 스타의 커뮤니케이션 애용 = 51
      • (2) 스타에 대한 팬의 커뮤니케이션 내용 = 58
      • (3) 팬의 커뮤니케이션에 대한 스타의 반응 = 66
      • (4) 스타의 커뮤니케이션에 대한 팬의 반응 = 71
      • 2. 팬 구성원들의 커뮤니케이션 유형과 스타와의 접촉에 따른 영향 = 77
      • 1) 팬 구성원들간의 커뮤니케이션 현상 = 77
      • (1) 오프라인 공간에서의 커뮤니케이션 현상 = 77
      • (2) 온라인 공간에서의 커뮤니케이션 현상 = 83
      • 2) 팬 그성원들간의 커뮤니케이션 유형 = 89
      • (1) 스타 중심형 = 89
      • (2) 스타-팬 중심형 = 93
      • (3) 팬 집단 중심형 = 96
      • (4) 팬 개인 중심형 = 101
      • 3) 팬클럽 유형별 커뮤니케이션 = 104
      • (1) 공식 팬클럽 유형의 커뮤니케이션 = 104
      • (2) 비공식 팬클럽 유형의 커뮤니케이션 = 109
      • 4) 스타-팬의 접촉 유형과 구성원의 커뮤니케이션 유형의 관계 = 115
      • (1) 미디어 접촉이 발생한 경우 = 115
      • (2) 오프라인 접촉이 발생한 경우 = 119
      • (3) 온라인 접촉이 발생한 경우 = 122
      • 3. 커뮤니케이션 유형에 따른 팬덤의 문화적 현상 = 126
      • 1) 스타 중심형 문화적 현상 = 126
      • (1) 공간에 따른 문화적 현상 = 126
      • (2) 내용에 따른 문화적 현상 = 128
      • 2) 스타-팬 중심형 문화적 현상 = 131
      • (1) 공간에 따른 문화적 현상 = 131
      • (2) 내용에 따른 문화적 현상 = 134
      • 3) 팬 중심형 문화적 현상 = 138
      • (1) 공간에 따른 문화적 현상 = 138
      • (2) 내용에 따른 문화적 현상 = 140
      • Ⅵ. 논의 = 143
      • 1. 스타와 팬의 상호 커뮤니케이션 = 143
      • 2. 스타와의 커뮤니케이션을 원하는 팬 구성원들 = 144
      • 3. 팬 개인이 모여 구성하는 팬 집단적 현상 = 146
      • 4. 인터넷 이용의 일상화로 인한 팬덤의 활성화 = 147
      • 5. 개인적 차원의 팬덤으로부터 사회적 차원의 팬덤으로의 확장 = 149
      • Ⅶ. 결론 = 151
      • 1. 결론 = 151
      • 2. 연구의 한계 및 제언 = 159
      • 참고문헌 = 161
      • ABSTRACT = 164
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