한국 반공영화 연구 : 반공이데올로기의 의미체계와 사회 문화적 기능을 중심으로

다국어 초록 (Multilingual Abstract)

This Thesis attempts to study a korean anti-communism film, at the view of Focusing on the social-cultural function and context organization of korean Anti-communism ideology. for this thesis, we must consider to korea's different Situation for the first time. thus one of those situation is the historical and political Situation as divided korea. so korea's political and historical situation birth to a Korean anti-communism film at 1947years. also these situation have been an effect On korea films, especially anti-communism have been effected on propaganda media Of policy and ideological inspection, oppressed freedom and right of korea's film as Korea film industries. therefore, studying a korean anti-communism film is to Understand a context and history of korea film.
So we must understand korean anti-communism at first hand, it's a principle that Signify confronting with common republic of north korea, suppressing against Communists in south korea. As a result of korea political situation, korea film have been under control of Anti-communism ideology. so we must examine into a function of culture and Context organization of korean anti-communism ideology.
To main discourse, we examine into inspection and policies of korea film as A.Gramsci's hegemony theory and L.Althusser's Ideological state apparatuses for Mutual actions between film and ideology. also we examine into a growing policy of Anti-communism film as government.
Korea anti-communism film is defined as a genre that handles situation of korea Division. there are sub-concepts in that genre; one is anti-communism film, the other is humanistic korea division film. these films have history of genre at korea film. Also we examine iRto history of anti-communism film under each administrative Authority in korea.
To main analyzation, I analyze contexture of anti-communism film's theme at first Hand. there were themes that reflected korean's political ideology and tragedy of Nationalism as a divided korea, and so signified melodramatic and film noire features. As a result, it's act on political ideology of south korea.
In regards to plot, korean anti-communism genre has its unique formula; tension Reflected by situation of divided korea system intensification of violence Uprising of humanistic internal conflict intersection between system maintenance And repentance, also, the narrative of korean anti-communism film features two Conflicts; external conflict is 'communism vs. democracy' and internal conflict Composes of 'ideology vs. humanism', especially, internal conflict has several aspects Such as 'ideology vs. love', 'ideology vs. family', 'ideology vs. remorse with Communism', 'ideology vs. nationalism', the narrative of korean anti-communism film Has evolved : 'the enemy vs. our forces' 'ideology vs. nationalism' 'war vs. Peace', as a result, anti-communism film reflected a political ideology of south korea, But come into conflict with that of north korea.
The characters in korea anti-communism film have several types; hero/herion Representing deomocracy or south korea, the character detecting to democracy world After removing deficiency, extreme right-wingers, cruel left-wingers, cool-headed Left-wingers. humanistic nationalist, victims of divided system. as time has gone by, The character types have been changed.
Regarding comparison of icons(a spacious scene, clothing, arms, contrast of lighting Features) korean anti-communism film has some features, usually, places in korean Anti-communism film are mountains or places representing tragedy of divided korea And most of the sequences are taken at night, in terms of arms, soldiers from north Korea use cruel arms but military men from south korea use regular arms. and Soldiers representing communism wear shappy clothing but soldiers representing Democracy wear army uniform, even though icon of korean anti-communism film has Evolved in a few respects, it seems to have no unique characteristics.
Analyzing poster of anti-communism film Bore Through Castle(1949), Testimony(1975) as an example. I had analyzed comparison of colours Arrangement of pictures, letters(headlines, copies) in posters, so there were Significant facts which reflected tragedy of nationalism and anti-communism ideology Of south korea.
According to this research, the research found out some significant facts. first, Korean anti-communism film is different from so cal1ed 007 movie in that the former Includes national division besides ideology, second, while hollywood genres defined in Terms of film industry, korean anti-communism film can be defined in terms of Government policy. in korean anti-communism film, government policy or Crack-down is a very important variable. third, the common sense that korean Anti-communism films in 195O-70s were all anti-communism aim has become proven False. in those films, the reacher found humanistic element even if that common Sense is prevalent among korean people. forth, korea film-makers didn't make these Films after 1987year, because people take no interest in these films. there is korea That made korea films reflected tragedy of nationalism and humanism out of Ideology in 1990s. as studying of anti-communism film, defined that genre and Understand the other side of korea film history.

목차 (Table of Contents)

• 목차 = 0
• 제1장 서론 = 1
• 제1절 연구목적 = 1
• 제2절 연구범위와 방법 = 7
• 제2장 본론 = 10
• 제1절 반공이데올로기의 의미체계와 사회 문화적 기능 = 10
• 1) 의미체계와 의미 형성과정 = 10
• 2) 사회 문화적 기능 = 16
• 제2절 - 영화와 이데올로기 = 19
• 1) 영화와 이데올로기 = 19
• 2) 장르로서 반공영화 = 27
• 3) 반공이데올로기와 한국영화 = 33
• 제3절 - 반공영화의 역사 = 43
• 1) 해방이후(1945년 - 1950년) = 43
• 2) 6.25전쟁과 전후(1950년 - 1959년) = 45
• 3) 4.19혁명이후 제3공화국(1960년 - 1972년) = 49
• 4) 유신체제(1973년 - 1979년) = 53
• 5) 제5공화국(1980년 - 1987년) = 58
• 제4절 반공영화 분석 = 62
• 1) 영화제목 분석 = 62
• 2) 반공영화의 플롯(Plot) 분석 = 66
• 3) 인물유형 분석 = 81
• 3) 공간적 구성요소 분석 = 89
• 4) 반공영화 포스터 분석 = 93
• 제3장 결론 = 103
• 제1절 요약 및 결론 = 103
• 제2절 논문의 한계점 및 대안적 연구 제언 = 113
• 참고문헌 = 114
• 부록 : 한국 반공영화 목록 = 117
• Abstract = 124